Devotion

Despite the fact that this treatment of the famous Bronte sisters (Charlotte, Emily and Anne) and their tormented brother Branwell (Arthur Kennedy)gives their story a romantic glow (instead of the harsh reality of their life on the moors), it can be enjoyed on the level of a well-acted, sometimes overwrought romantic drama with sterling performances by Ida Lupino and Olivia de Havilland, as well as an excellent one from Arthur Kennedy as the brother who wastes his talent.

The large cast includes Sydney Greenstreet (effective as Thackeray), Victor Francen, Nancy Coleman, Ethel Griffies and Dame May Witty. It may not be an accurate biography (in fact some critics said it should have been called 'Distortion'), but thanks to fine performances and Erich Wolfgang Korngold's magnificent score, it's fascinating to watch. Particularly effective is the montage showing a horse and rider against a cloudy sky as death approaches Emily Bronte and Korngold's music mounts as he comes closer and closer. Wonderful moment of imagery.

Whatever its shortcomings, I cannot praise Erich Wolfgang Korngold's score enough. It's one of his most magnificent and stands with KINGS ROW as one of his best film scores, adding majesty and atmosphere to many of the film's most dramatic scenes.

Trivia note: DEVOTION has a strange history. It was actually filmed and finished in 1943 while de Havilland was still under contract to the studio. When she launched her famous legal battle against them for adding suspension time to the end of her contract, Jack Warner decided to punish her. He gave her third billing, kept the film off the screen for three years hoping to weaken her career, and failed to invite her to the premiere of the film when it finally did open in Hollywood.

Despite all this, Olivia not only won the case in the Supreme Court, but went on to win two Oscars after the film was released!! Proof that he was wrong all along in underestimating her.

Devotion is purportedly the story of the talented Bronte sisters, Emily who wrote Wuthering Heights, Charlotte who wrote Jane Eyre and Anne who really didn't do too much of anything. They are played respectively by Ida Lupino, Olivia DeHavilland and Nancy Coleman. Literary scholars aren't crazy about this film from a historical perspective, still it's good entertainment and provides some really good parts for women.

The Bronte sisters live in Yorkshire near the famous moors that served as the background for their literary effort with their father Montagu Love who is a vicar. For his time he's a pretty liberal sort of fellow who insists on an education for his daughters. But his real concern is his dissolute son Branwell played by Arthur Kennedy. He's a painter and a misunderstood genius. Truth be told he's a bit of a lout as well, but his sisters love him.

This film has such an odd history it was made in 1943-44 and held up deliberately by the brothers Warner while Olivia DeHavilland was in court with them over her contract. She won the case and left to freelance, but the film stayed on the shelf until 1946 when DeHavilland got rave reviews for To Each His Own which garnered her first Oscar. After that Jack Warner being the practical sort decided spite was not a luxury he could indulge in and he released Devotion to cash in on Olivia's new found box office.

Because of that this film became the farewell performance of Montagu Love who played a great variety of parts going back to the early silent days.

Paul Henreid is in this as well as the young curate assigned to Love's parish. His Viennese accent crops out occasionally during the film, making him sound a bit odd for an English clergyman. Still he does a fine job.

Lupino and DeHavilland are a well matched pair of sisters. But acting honors definitely go to Arthur Kennedy. It's an expansive part that Kennedy makes the most of. Viewers will also enjoy Sydney Greenstreet in a small part as William Makepeace Thackerey who encourages the Brontes in their literary careers.

Even if it was a belated release, Devotion was a great film for Olivia DeHavilland to wrap up her stormy career at Warner Brothers.

The literary Bronte sisters struggle to get their lives in order in the midst of a dour old house, a severe father, and moody rolling moors.

These Gothic costume dramas usually show the old studios hitting on all eight cylinders. Just check out the exterior sets here. It's obviously not the real outdoors the sisters hike along. But who cares because they're so artistically done—the crags, the waterfall, the hilly moors. They're all real eye-catchers, establishing just the right Gothic mood. Warner's production crews did a bang-up job, showing that you don't need digital to get the right effect.

Of course, I like anything with the great Ida Lupino. Here she does more of a hardened type than the soft, dreamy types of High Sierra (1941) or Deep Valley (1947). But that too is okay since her real feelings are kept below the surface, which we only detect now and again. It's fitting that the depth of those feelings finally surface in Emily's (Lupino) great romantic novel Wuthering Heights, and smoldering they are.

Speaking of romance, I really can't see the girls getting all hot and bothered over a couple of stiffs like Henreid and Francen, especially Francen who acts like someone's randy old grandfather. But you do have to hand it to Arthur Kennedy. He gets to pull out all stops as the self-destructive Branwell, managing to make a drunken scene wherever he goes. As a result and thanks to him, I'll think twice about my next beer.

All in all, it takes about 90-moody minutes for the sisters to straighten things out. But in the meantime they've given me a number of memorable scenes that have lasted for years since I first saw the movie. Yes indeed, there's a lot to be said for those old Hollywood dream factories.

All your other reviewers filled me in on the accuracy or inaccuracy of the movie's biographical storyline. And unfortunately I missed the first part of the movie when it was presented on TCM the other day. But once into it I was immediately struck by the magnificent acting of all the principals and the dramatic richness of Korngold's score.

But the thing that really sets this movie apart is the actual script itself. I can count on one hand the movies I have seen with a literate script as good as a fine play and this was one of them. Writers Theodor Reeves and Keith Winter have been unknown names to me up to now and they don't have extensive filmographies. I would certainly like to find more of their work. As the literary and well-formed ripostes and counterthrusts bounce from one character to another and as the priceless bonmots sparkle forth from Greenstreet's Thackeray I thought I was at a play by Shaw or Oscar Wilde. Greenstreet was much under-appreciated I thought by your other reviewers. His entertaining and witty part was really the best in the movie.

As a typical example of the quality of the script are Arthur Kennedy's words as Branwell lies dying in his sister's arms. Having collapsed in the street on his way to the tavern he comments that his collapses usually occur on his way home from the tavern, not on his way there.

I saw a recent version of Jane Eyre the other day on public television, the first time I had seen a film of it. I've never seen the one from the early 1940s. I was struck by the resemblances to Dickens' David Copperfield and Nicholas Nickleby and how Charlotte Bronte established herself here as a female Dickens.

One could easily become devoted to Devotion. A splendid movie.

The story of the Bronte Family with all their problems certainly bears little resemblance to the true facts, but nevertheless Warner Brothers have made a fine entertaining film, with an excellent cast of actors headed by Olivia de Havilland as Charlotte, Ida Lupino as Emily and Nancy Coleman as Anne. Paul Henreid is in support, but Arthur Kennedy as Branwell is the standout. The mood of the time and place is very well captured and the photography and background music are superb. Not a lot of emphasis is given to the wonderful books, "Jane Eyre" and "Wuthering Heights" by Emily & Charlotte, but rather the main story revolves around the girls' love lives. This film has been panned by many critics, but I feel it deserves a far better reception than it has received - Warners had themselves to blame as they delayed its release for a couple of years simply because of the fight with Miss de Havilland - incidentally she won it!