During World War I, believing her fiance to be dead, a young ballerina loses her job and is forced to turn to prostitution. From there, things only get worse for her in this tragic, heart-wrenching, love story.
Queen Elizabeth is running this show. The men in her court should be thinking about how to add to the glory of the Elizabethan Age and how to foil those pesky Spanish who got far too much ... See full summary »
William K. Howard
After Larry Darrent accidentally kills his lover's blackmailing husband, someone else is arrested for the crime. Larry and Wanda have just three weeks together before the trial and if the ... See full summary »
On the sidewalks of the London theater district the buskers (street performers) earn enough coins for a cheap room. Charles, who recites dramatic monologues, sees that a young pickpocket, ... See full summary »
A photographer for Life magazine comes to London to do a story on a local theater troupe which never missed a performance during World War II. Flashbacks also reveal the backstage love ... See full summary »
Cleopatra hasn't been on the throne of the pharoahs of Egypt very long when Julius Caesar pays a visit. Caesar finds the prospect of romance more tempting than he expected, since Cleopatra is a rare woman who is bright as well as beautiful. And for Cleopatra, a friendly relationship with the most powerful man in the world may pay dividends in the future.Written by
Dale O'Connor <email@example.com>
Shaw was a wonderful historian with a deadly eye for irony. Claude Rains brings off Caesar with withering poise and breezy wit, standing tall above the flashing eye of an Egyptian hurricane named Cleopatra (Vivien Leigh). Caesar's aide-de-camp is an affable bear of a man named Rufio (Basil Sydney), who mainly just keeps his eye on Caesar. Cleopatra is likewise sheltered by her scheming counselor Ftatateeta (Flora Robson), a name that not even Caesar can pronounce. Character actor Cecil Parker as Britannus adds quaintness and serendipity to an already splendid alchemy of spotty characters. The film moves by turns through a narrow skein of classical history as the reliquarian Egyptian world gives way to a streamlined Roman one. Along the way, we witness the contending parties encompassed and entangled in a delightful pantheon of wit, irony, satire, morals, manners, and adventure. Overall, a tremendously facile projection of one of England's sharpest satirical voices, G.B. Shaw.
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