A man is found murdered, with witnesses convinced about the woman they saw leaving his apartment. However, it becomes apparent that the woman has a twin, and finding out which one is the killer seems impossible.
Olivia de Havilland,
When Johnny comes home from the navy he finds his wife Helen kissing her substitute boyfriend Eddie, the owner of the Blue Dahlia nightclub. Helen admits her drunkenness caused their son's death. He pulls a gun on her but decides she's not worth it. Later, Helen is found dead and Johnny is the prime suspect.Written by
Ed Stephan <email@example.com>
"The Screen Guild Theater" broadcast a 30-minute radio adaptation of the movie on April 21, 1949, with Veronica Lake and Alan Ladd reprising their film roles. See more »
After arriving home, Morrison is asked what he flew, and he says a Liberator. Whilst the Navy did fly two variations of the B-24 Liberator, they were used mainly for anti-sub/anti-ship and reconnaissance work. The later PB4Y-2 version, such as he would have flown towards the end of the war, was called a Privateer, not a Liberator. It also had a crew of eleven, whereas Morrison's crew was only three. The Grumman Avenger was a widely-used Navy bomber that had a crew of three, so it was likely that is what his character had flown. See more »
My recording off UK Channel 4 13th Feb 1987 is nearing its end cycle, hopefully the next time I want to trot this episodic classic out it'll be on DVD. Because it was Chandler I always regarded it maybe too highly, but it certainly has some powerful noir-ish moments whilst remaining essentially a normal Paramount studio-bound potboiler.
War vet Alan Ladd comes home to find his wife playing around, gets accused of murdering her while being picked up by Veronica Lake. They indulged in some snappy laconic Chandler-banter but that's as far as their relationship seemed to progress. Murder and mayhem follow Ladd while monkey-music followed his buddy William Bendix. I always wondered: how on Earth did Buzz settle down afterwards, especially when rock & roll came? Everyone has angles or axes to grind, is edgy, dislikeable, seedy or all three, the house-peeper particularly coming in for a lot of stick. Some savage and clunky fight scenes might surprise especially at the Old Cabin when juxtaposed with the romantic nightclub scene. The atmosphere throughout is perfect as was only possible on nitrate film stock. The only thing I never liked was at the climax after Hendrickson asks "You didn't think you were going to walk out that door did you?" - a heavily contrived and swift ending follows.
It was a stranger to me a long time ago, but has been a firm friend of mine for decades now. Did the horticulturists ever succeed in creating a real blue dahlia?
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