When Johnny comes home from the navy he finds his wife Helen kissing her substitute boyfriend Eddie, the owner of the Blue Dahlia nightclub. Helen admits her drunkenness caused their son's death. He pulls a gun on her but decides she's not worth it. Later, Helen is found dead and Johnny is the prime suspect.Written by
Ed Stephan <email@example.com>
One of over 700 Paramount productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since. Because of legal complications, it was not cleared for telecast in the USA until February 1962. It was released on DVD 10 June 2013 by Turner Classic Movies as part of the Universal Collection, and again 10 November 2014 as part of Universal's Film Noir Movie Spotlight Collection, and, since that time, has also enjoyed occasional cable TV presentations on Turner Classic Movies. See more »
During the scene in the Blue Dahlia manager's office between Leo and Eddie, the moving shadow of the boom mic is visible on the wall above Eddie whilst he is seated in the armchair. See more »
I know I've got lots of faults, but being in love with you isn't one of them, is it?
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This is a superb film noir which although not as famous as some of Bogart's is just as good.
It's the story of a ex-pilot who comes back from the war to find his wife has become a party girl and their son died because of her drunkenness. The same night that he leaves her, she is killed and he becomes the prime suspect.
The plot is quite good with plenty of twists and turns. All the characters are quite believable and the supporting cast does an excellent job - in particular William Bendix. There is also a lot of subtle humor.
This is one of seven outings for Alan Ladd and Veronica Lake. I had seen him in Shane before and he's quite good here. Veronica Lake, who I had heard a lot about, has a small role and she does not play a femme fatale. I'd like to see some more of the Ladd-Lake outings given my impression from this one.
By the way, anyone who says this is a murder-mystery and not a noir doesn't know what they're talking about! The camera-work and lighting are excellent. You have the seedy hotel rooms, most of the filming is night-time and indoors L.A. and Ladd plays the lead who finds himself set-up for the fall. One note of criticism: the confession scene where the killer is confronted didn't really ring true and was overacted.
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