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The Blue Dahlia (1946)

Not Rated | | Crime, Film-Noir, Mystery | 1 June 1946 (UK)
An ex-bomber pilot is suspected of murdering his unfaithful wife.

Director:

George Marshall
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Nominated for 1 Oscar. See more awards »

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Cast

Complete credited cast:
Alan Ladd ... Johnny Morrison
Veronica Lake ... Joyce Harwood
William Bendix ... Buzz Wanchek
Howard Da Silva ... Eddie Harwood
Doris Dowling ... Helen Morrison
Tom Powers ... Capt. Hendrickson
Hugh Beaumont ... George Copeland
Howard Freeman ... Corelli
Don Costello ... Leo
Will Wright ... 'Dad' Newell
Frank Faylen ... Man Recommending a Motel
Walter Sande ... Heath
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Storyline

When Johnny comes home from the navy he finds his wife Helen kissing her substitute boyfriend Eddie, the owner of the Blue Dahlia nightclub. Helen admits her drunkenness caused their son's death. He pulls a gun on her but decides she's not worth it. Later, Helen is found dead and Johnny is the prime suspect. Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Plot Synopsis

Taglines:

This Beautiful Blonde Tries to Step In... where THIS GORGEOUS BRUNETTE LEFT OFF with LADD See more »


Certificate:

Not Rated | See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

1 June 1946 (UK) See more »

Also Known As:

La dalia azul See more »

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Box Office

Gross USA:

$2,700,000
See more on IMDbPro »

Company Credits

Production Co:

Paramount Pictures See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Recording)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Raymond Chandler, who wrote the screenplay, claimed that producer John Houseman was in "the doghouse" and director George Marshall "was a stale old hack who had been directing for thirty years without once having achieved any real distinction", so Chandler went on to the Paramount set to direct some of the scenes himself. See more »

Goofs

During the scene in the Blue Dahlia manager's office between Leo and Eddie, the moving shadow of the boom mic is visible on the wall above Eddie whilst he is seated in the armchair. See more »

Quotes

Johnny Morrison: [to the partygoers] Seems I've lost my manners or would anyone here know the difference?
See more »

Connections

Featured in Watching the Detectives (2007) See more »

Soundtracks

The Blue Dahlia
(uncredited)
Music by Bernie Wayne
Used instrumentally
See more »

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User Reviews

 
Good Ladd, Superfluous Lake, Great Bendix
31 March 2005 | by bkoganbingSee all my reviews

The trailer for The Blue Dahlia advertised the film as Ladd, Lake, and Bendix. Not a mention about Raymond Chandler, maybe he wanted it that way.

The Blue Dahlia has mystery writer Raymond Chandler writing an original screenplay and Chandler delivers a good movie for the most part. Nice suspenseful noir film, but it could have been better.

The main weakness in the plot is Veronica Lake. Chandler couldn't stand her and called her Moronica Lake as a reflection of her acting ability. In fairness it's a poorly defined role and her meeting with Alan Ladd in this film is too too coincidental. I guess you had to give the star a love interest, but the idea that Ladd is hunting for the killer of his wife and just happens to come upon the wife of his number one suspect is way too unreal.

The number one suspect of the killing is Howard DaSilva. If I had to name the best performance in this film it would have to be DaSilva. He's the dapper, elegant owner of a Hollywood nightclub, but he exudes a menace that chills you. His best scene in the film is paying off blackmailer Will Wright. He pays him, THIS TIME. Wright gets the message he'd better not come back for more.

I believe it was Raymond Chandler who also said that Alan Ladd was a small boy's idea of a tough guy. That is unfair to Ladd who delivers a more than competent performance here as the returning war veteran who's on the hunt for his wife's killer while being suspected of the crime itself.

Check out Alan Ladd's scene at the farm with DaSilva's thugs. Very similar in the way they end up to how Bogart handled the baddies in The Big Sleep.

Bill Bendix gets in the top billing with stars Ladd and Lake because he's also a radio star because of the Life of Riley Show. Bendix and Hugh Beaumont are Ladd's wartime buddies and Bendix never was bad in any film he did. He shows signs of post traumatic stress at a time when that diagnosis had not been invented.

A bit too contrived, but a nice film noir.


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