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The Big Sleep (1946)

Not Rated | | Crime, Film-Noir, Mystery | 31 August 1946 (USA)
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Private detective Philip Marlowe is hired by a rich family. Before the complex case is over, he's seen murder, blackmail, and what might be love.

Director:

Howard Hawks

Writers:

William Faulkner (screen play), Leigh Brackett (screen play) | 2 more credits »
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Popularity
1,660 ( 3,949)
2 wins. See more awards »

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Cast

Complete credited cast:
Humphrey Bogart ... Philip Marlowe
Lauren Bacall ... Vivian Rutledge
John Ridgely ... Eddie Mars
Martha Vickers ... Carmen Sternwood
Dorothy Malone ... Acme Book Shop Proprietress
Peggy Knudsen ... Mona Mars
Regis Toomey ... Chief Inspector Bernie Ohls
Charles Waldron Charles Waldron ... General Sternwood
Charles D. Brown Charles D. Brown ... Norris - the Butler
Bob Steele ... Lash Canino
Elisha Cook Jr. ... Harry Jones
Louis Jean Heydt ... Joe Brody
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Storyline

The Big Sleep is the story of private investigator Philip Marlowe, who is hired by a wealthy general to find out and stop his youngest daughter Carmen from being blackmailed about her gambling debts. Almost immediately, Marlowe finds himself deep within a web of love triangles, blackmail, murder, gambling, and organized crime. With the help of the General's eldest daughter Vivian, Marlowe skillfully plots to free the family from this web and trap Eddie, the main man behind much of this mischief, to meet his end at the hands of his own henchmen. Written by Alec

Plot Summary | Plot Synopsis

Taglines:

The type of man she hated . . . was the type she wanted ! See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

31 August 1946 (USA) See more »

Also Known As:

Al borde del abismo See more »

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Box Office

Budget:

$250,000 (estimated)

Gross USA:

$6,540,000

Cumulative Worldwide Gross:

$10,682,000
See more on IMDbPro »

Company Credits

Production Co:

Warner Bros. See more »
Show more on IMDbPro »

Technical Specs

Runtime:

| (pre-release)

Sound Mix:

Mono (RCA Sound System)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Philip Epstein, co-author of Casablanca (1942), helped Howard Hawks write the new scenes. His goal was to create more sexual chemistry between the stars, playing on the insolence Lauren Bacall had shown in To Have and Have Not (1944). His work included the famous horseracing scene, filled with double entendre that sailed right by the industry censors enforcing the Production Code. In later years, Hawks would claim to have written it because the re-takes were forcing him to miss the races at Santa Anita. See more »

Goofs

When Marlowe goes to Geiger's house, in the foreground is the house's mailbox with "AG Geiger 460" visible on it. When Marlowe later calls his pal Bernie at the D.A.'s office, he gives the address as "7244 Laverne Terrace". See more »

Quotes

Philip Marlowe: Don't you know any better than to wake a man up at two o'clock in the afternoon?
See more »

Crazy Credits

Each credit is swept away with a cloud of cigarette smoke, and new credits appear. See more »

Alternate Versions

The pre-release (1945) version, released in 1997, was extensively re-cut to produce the 1946 version, eliminating all the scenes that included Pat Clark, who played Mona Mars in the original. She was replaced by Peggy Knudsen for the scene near the end in the house at the back of Art Huck's garage, because Ms. Clark wasn't available. See more »


Soundtracks

I Guess I'll Have to Change My Plan
(uncredited)
Music by Arthur Schwartz
Played when Vivian Rutledge walks into nightclub to meet Marlowe over drinks
See more »

Frequently Asked Questions

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User Reviews

 
I collect blondes and bottles...
14 February 2001 | by zedthedestroyerSee all my reviews

"The Big Sleep" is one of those movies I never tire of watching. Bogie, playing Philip Marlowe - one of his finer roles, commands the screen, wise-cracking with felons and coppers alike, giving a few beatings and taking a lot himself. The night scenes are wonderfully shot, with shadow and fog effects being used perfectly. The main reason to watch this movie, though, are the scenes between Bogart and Bacall. Their on-screen chemistry (fueled by their off-screen romance) lends the most weight to the film. My favorite of their exchanges is when Bogart, tied up yet still smoking, tells Bacall to "take this cigarette out of my mouth". And, of course, they kiss. A short while later, she helps Bogie take out a hired killer. Bogie remarks "I didn't think they made them like that anymore." They certainly don't.


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