A private eye escapes his past to run a gas station in a small town, but his past catches up with him. Now he must return to the big city world of danger, corruption, double crosses and duplicitous dames.
P.I. Philip Marlowe's hired by a wealthy general to find out and stop his daughter, Carmen from being blackmailed over gambling debts, Marlowe finds himself deep within a web of love triangles, blackmail, murder, gambling, and organised crime. With help from Vivian (another of the general's daughters), Marlowe hatches a plot to free the family from this web and trap the real culprit.Written by
Max Steiner's soundtrack was later recycled into Warner Bros. low-budget television productions of the 1950s, most notably Maverick (1957). See more »
Just before the owner of the Acme Book Store draws the blind and locks the door, she is shown sitting on the edge of a table. When she is shown from the front, she holds a pencil in front of her and fidgets with it using both hands. When the camera angle changes, both hands are by her side grasping the edge of the table. See more »
What's the matter? Haven't you ever seen a gun before? What do you want me to do, count three like they do in the movies?
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Each credit is swept away with a cloud of cigarette smoke, and new credits appear. See more »
The earlier version includes a different (cleaner) version of the "racetrack" banter between Bogie and Becall, a different version of the scene where Bogie meets Eddie Mars' wife (with a different actress), and a plot-summarizing conversation between Bogie and the D.A. that, while a little hokey, certainly makes the film easier to follow for the first-time viewer. Overall, however, the later version is the better version. See more »
Many fans of this classic film are drawn to it because of Bogie and Bacall, who do indeed make a deft acting duo. Here, Bogie plays Philip Marlowe, the tough talking, street savvy PI, who has his roots in the crime novels of writer Raymond Chandler. Bacall plays Vivian Sternwood, the adult daughter of a wealthy man. Vivian is just as tough and cagey as Marlowe. And she has a younger sister named Carmen, who seems to have fallen in with a bad crowd. It's up to Marlowe to investigate, and to save the Sternwood family from financial ruin. "The Big Sleep" is a story of blackmail, murder, multiple motives, lies, and all manner of general mayhem.
Humphrey Bogart and Lauren Bacall are certainly persuasive in their roles. I also like the script's snappy dialogue. For example, in a conversation with General Sternwood, Marlowe responds: "Hmm". Sternwood follows up: "What does that mean?" To which Marlowe fires back: "It means, hmm". Marvelous.
But the film's plot is an incoherent mess. It is hard to follow, disjointed, and has obvious lapses. Further, secondary characters (Geiger, Brody, Mars, et.al.), and their interrelationships, are poorly defined. To some extent that vagueness and lack of precision are fairly common in 1940's pulp detective stories.
The best approach to "The Big Sleep" is to engulf the relationship between Marlowe and Vivian, marvel at the acting of Bogie and Bacall, enjoy the witty dialogue, and ignore the discombobulated plot.
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