A young artist draws a face at a canvas on his easel. Suddenly the mouth on the drawing comes into life and starts talking. The artist tries to wipe it away with his hand, but when he looks... See full summary »
Elizabeth Lee Miller,
Political intrigue and psychological drama run parallel. The queen is in seclusion, veiling her face for the ten years since her husband's assassination, longing to join him in death. ... See full summary »
During the First World War, two French soldiers are captured and imprisoned in a German P.O.W. camp. Several escape attempts follow until they are sent to a seemingly impenetrable fortress which seems impossible to escape from.
After opening a convent in the Himalayas, five nuns encounter conflict and tension - both with the natives and also within their own group - as they attempt to adapt to their remote, exotic surroundings.
Adélaïde, Belle, Félicie and Ludovic are young adult siblings who once lived in grandeur until their father's merchant ships were lost at sea. The family is now near ruin, but Adélaïde and Félicie nonetheless still squander away the family money on themselves and keeping beautiful, whereas Belle slaves around the house, doting on her father. Ludovic detests his two spoiled sisters, but is protective of Belle, especially with his friend Avenant, a handsome scoundrel who wants to marry Belle. Crossing the forest one dark and stormy evening, the father gets lost and takes refuge in a fantastical castle. Upon leaving, he steals a blossom off a rose bush, which Belle requested. The castle's resident, an angry beast, sentences him to one of two options for the theft of the rose: his own death, or that of one of his daughters. As she feels she is the cause of her father's predicament (despite her sisters asking for far more lavish gifts), Belle sacrifices herself to the beast. Upon arriving ...Written by
Boom visible at the top of the picture during the entire scene when Ludovic and Avenant first approach Diane's pavilion. See more »
Belle, you weren't made to be a servant. Even the floor longs to be your mirror! You mustn't go on slaving day and night for your sisters.
If our father's ships hadn't been lost in the storm, then perhaps I could enjoy myself like them. But we're ruined, Avenant, and I must work.
Why don't your sisters work?
My sisters are too beautiful. Their hands are too white.
Belle, you are the most beautiful of all! Look at your hands.
Avenant, let go of my hand. Please go. I must finish my work.
I love ...
[...] See more »
The title and some of the opening credits are written with chalk on a blackboard, and then erased. See more »
The story is iconic and archetypal. Not merely "a" love story but arguably "the" love story from which all other love stories have evolved. If you are writing your doctorate on Men & Women, you could do worse than use this story as the basis for your thesis.
The fact that it was made at all -- most the filming took place in France at the end of the occupation.
The genius of Cocteau, who gets so much more from camera angles and good actors than any modern anime.
The special effects are astonishing considering, in theory, they did not even exist. At times, the character, Beast, seems to be smoking as if he is on fire. Seriously.
So it is in French. The dialogue is so simple to follow you could actually learn French by the time it is over.
Brilliant and unequalled. Could be seen again and again.
6 of 7 people found this review helpful.
Was this review helpful to you?
| Report this