A young artist draws a face at a canvas on his easel. Suddenly the mouth on the drawing comes into life and starts talking. The artist tries to wipe it away with his hand, but when he looks... See full summary »
Elizabeth Lee Miller,
Political intrigue and psychological drama run parallel. The queen is in seclusion, veiling her face for the ten years since her husband's assassination, longing to join him in death. ... See full summary »
During the First World War, two French soldiers are captured and imprisoned in a German P.O.W. camp. Several escape attempts follow until they are sent to a seemingly impenetrable fortress which seems impossible to escape from.
Adélaïde, Belle, Félicie and Ludovic are young adult siblings who once lived in grandeur until their father's merchant ships were lost at sea. The family is now near ruin, but Adélaïde and Félicie nonetheless still squander away the family money on themselves and keeping beautiful, whereas Belle slaves around the house, doting on her father. Ludovic detests his two spoiled sisters, but is protective of Belle, especially with his friend Avenant, a handsome scoundrel who wants to marry Belle. Crossing the forest one dark and stormy evening, the father gets lost and takes refuge in a fantastical castle. Upon leaving, he steals a blossom off a rose bush, which Belle requested. The castle's resident, an angry beast, sentences him to one of two options for the theft of the rose: his own death, or that of one of his daughters. As she feels she is the cause of her father's predicament (despite her sisters asking for far more lavish gifts), Belle sacrifices herself to the beast. Upon arriving ...Written by
The look of the farmhouse scenes was inspired by the paintings of Jan Vermeer. See more »
(at around 1 min) The chin of the actor portraying the "arm candle branch" to the left of Belle as she nears the talking door is visible. See more »
So, my dear sir, you steal my roses. You steal my roses, the things I love most in all the world. Your luck has gone from bad to worse. You could have taken anything except my roses. The punishment for this simple theft is death!
Sir, I didn't know. I meant no harm. My daughter asked me to bring her a rose.
Don't address me as "sir." I'm called the Beast! I don't like compliments. Don't try to understand. You have fifteen minutes to prepare to die!
Again! The Beast orders you to be ...
[...] See more »
The title and some of the opening credits are written with chalk on a blackboard, and then erased. See more »
The 1946 American release of the film had an entirely different set of opening credits, and is the one available on VHS. In that release, these credits were presented straightforwardly, with nothing unusual about them, and with the title in English. In the film's original release, available on DVD, the credits were written on a blackboard, in what is known as cursive handwriting, the same type of writing in which the opening prologue appears. After every credit, Jean Cocteau's hand would erase it and write the next credit with what appeared to be chalk. Then, after the credits ended, a film clapboard was seen, it was slammed together, as they always are just before a film director yells "Action!", and then the film's written prologue was seen. See more »
Cocteau was a poet. Make no mistake. First and foremost. Not only in history's mind, but in his own as well. We are truly blessed that he was a filmmaker as well, and a brilliant one at that, marvelously weaving together a tapestry that mystically incorporated both words and sounds with the beautiful visions that lay captured in his mind.
Cocteau's vision of "Beauty and the Beast" is a visual marvel. To explain these marvels for you would be to ruin the experience. And it is an experience. But it is one of the poet: borne of symbolism and mythology. This is a fairy tale that a child could appreciate for its romance and beauty, and a parent for its intelligence and use of symbolism and metaphor. I recommend this film unreservedly. If you like classics and consider yourself a serious filmgoer, Cocteau's film is essential to your education.
44 of 61 people found this review helpful.
Was this review helpful to you?
| Report this