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Beauty and the Beast (1946)

La belle et la bête (original title)
Not Rated | | Drama, Fantasy, Romance | 23 December 1947 (USA)
Trailer
1:11 | Trailer
A beautiful young woman takes her father's place as the prisoner of a mysterious beast, who wishes to marry her.

Directors:

Jean Cocteau, René Clément (uncredited)

Writers:

Jean Cocteau (dialogue), Jean Cocteau (screenplay) | 2 more credits »
1 win & 2 nominations. See more awards »

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Cast

Complete credited cast:
Jean Marais ... La Bête (The Beast) / The Prince / Avenant
Josette Day ... Belle
Mila Parély Mila Parély ... Félicie
Nane Germon Nane Germon ... Adélaïde
Michel Auclair ... Ludovic
Raoul Marco ... The Usurer
Marcel André Marcel André ... Belle's Father
Rest of cast listed alphabetically:
Janice Felty Janice Felty ... La Belle (1995 opera version) (singing voice)
John Kuether John Kuether ... The Father / The usurer (1995 opera version) (singing voice)
Jacques Marbeuf Jacques Marbeuf
Ana María Martinez Ana María Martinez ... Félicie (1995 opera version) (singing voice)
Hallie Neill Hallie Neill ... Adélaïde (1995 opera version) (singing voice)
Gregory Purnhagen Gregory Purnhagen ... La Bête / Avenant / Ardent / The port official (1995 opera version) (singing voice)
Zhengzhong Zhou Zhengzhong Zhou ... Ludovic (1995 opera version) (singing voice)
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Storyline

Adélaïde, Belle, Félicie and Ludovic are young adult siblings who once lived in grandeur until their father's merchant ships were lost at sea. The family is now near ruin, but Adélaïde and Félicie nonetheless still squander away the family money on themselves and keeping beautiful, whereas Belle slaves around the house, doting on her father. Ludovic detests his two spoiled sisters, but is protective of Belle, especially with his friend Avenant, a handsome scoundrel who wants to marry Belle. Crossing the forest one dark and stormy evening, the father gets lost and takes refuge in a fantastical castle. Upon leaving, he steals a blossom off a rose bush, which Belle requested. The castle's resident, an angry beast, sentences him to one of two options for the theft of the rose: his own death, or that of one of his daughters. As she feels she is the cause of her father's predicament (despite her sisters asking for far more lavish gifts), Belle sacrifices herself to the beast. Upon arriving ... Written by Huggo

Plot Summary | Add Synopsis

Taglines:

Do Women Prefer The Beast In Men? See more »

Genres:

Drama | Fantasy | Romance

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

France

Language:

French

Release Date:

23 December 1947 (USA) See more »

Also Known As:

Beauty and the Beast See more »

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Box Office

Opening Weekend USA:

$3,708, 23 June 2002

Gross USA:

$298,718

Cumulative Worldwide Gross:

$298,718
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono | Dolby Digital (1995 opera version)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Included among the "1001 Movies You Must See Before You Die", edited by Steven Schneider. See more »

Goofs

When Belle tells the Beast that she'd rather walk with him (at around 47 min), the head of a crew member is visible on the right bottom corner. See more »

Quotes

Opening Title: Children believe what we tell them. They have complete faith in us. They believe that a rose plucked from a garden can plunge a family into conflict. They believe that the hands of a human beast will smoke when he slays a victim, and that this will cause the beast shame when a young maiden takes up residence in his home. They believe a thousand other simple things. I ask of you a little of this childlike simplicity, and, to bring us luck, let me speak four truly magic words, childhood's open ...
See more »

Crazy Credits

The title and some of the opening credits are written with chalk on a blackboard, and then erased. See more »

Alternate Versions

Philip Glass composed an opera perfectly synchronized to "La Belle et la bête" that serves as alternative soundtrack on the 2003 Criterion Collection DVD and subsequent 2011 Blu-ray Disc, although it was meant for live performances -- with the film projected behind the ensemble -- and it was not part of the film's original release, nor any of the subsequent television showings. The libretto is all of the film's dialog sung verbatim, synchronized with the on-screen lip movements. See more »

Connections

Referenced in Drug-Taking and the Arts (1993) See more »

Soundtracks

La belle et la bête
an opera by Philip Glass
(Not part of the original soundtrack, and not heard in the film's first two releases)
© 1995 Nonesuch Records for the US and WEA International Inc. for the world outside of the United States
See more »

Frequently Asked Questions

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User Reviews

 
Once upon our time...
23 September 2004 | by film-criticSee all my reviews

This film immediately captured my attention with the written comments at the beginning of the film. Director Jean Cocteau begins this story by explaining why he wanted to make this film. He talks about the passion behind the picture and all the social unrest at the time. He ends this written dialogue with a comment that will forever remain in my mind. He says, "...and now, we begin our story with a phrase that is like a time machine for children: Once Upon a Time..." This just sent chills down my spine. Why? Because, although he is addressing children, I feel that it is really a phrase meant for all of us. It is used to bring the child out in all of us, to show us that we do not need to be 4 or 5 to fully understand the themes of this film ... we are meant to just sit back and let the film take us to another mythological time.

The amazing set design also impressed me about this film. Again, without the modern conveniences of today's cinema, Cocteau had to improvise. This was hard for him to do. Not only were there huge budgetary issues (since it was the end of WWII and France was about to be demolished), but also he was racing against an impending war. Fear was deep in the hearts of the French after WWII, and what a better way to rally your people then with a story about love found in the darkest of places.

This film also made me very sad. I am sometimes disgusted with the way that Disney ... for lack of a better word ... Disney-fies their fairy tales. I think after watching this masterpiece I will have trouble ever being able to go back to the computer generated "Song as Old as Time" version that Disney plastered their trademark to. Never have I been so impressed with black and white cinematography as I have been with this film. The actress that plays Belle, Josette Day, steals the camera every time it is on her. She looks so radiant with the black and white that to see a colorized version of this film would completely do it injustice. The power and emotion that comes between Belle and the Beast feels so true. Cocteau has somehow grabbed the true feeling of two people that are complete opposites that seem to find true love in the coldest of places. I would be one of those reviewers that believes that if this film were released today, it would still pull the audiences in as it did the first time. Only proving that it was made well before it's time, it shows so many of the characteristics of the modern day movie. Even the special effects seem perfect for this film. Even with budget being sub-par, we are able to get a true feeling that this Beast is one of the magical kind.

Oh, this film was superb. I would have to say that it is the best adaptation of a fairy tale that I have seen today. Definitely my best 40s film (made in 1946), and possibly the best telling of Beauty and the Beast EVER!!

Grade: ***** out of *****


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