Peggy is 21 and bored. She has just been awarded a certificate for starting work on time for 1000 days. She decides that she needs a change so she leaves a note, which is taken to be ... See full summary »
In World War II Washington DC, Jamie Rowan, enters a loveless marriage with scientist Pat Jamieson and becomes his assistant. Struggles bring them closer together.
Discovery by Flo Ziegfeld changes a girl's life but not necessarily for the better, as three beautiful women find out when they join the spectacle on Broadway: Susan, the singer who must ... See full summary »
Dark, romantic, complicated drama about a rowdy merchant mariner and sophisticated librarian who clash over their lifestyles and values - and then fall in love.
Anything can happen during a weekend at New York's Waldorf-Astoria: a glamorous movie star meets a world-weary war correspondent and mistakes him for a jewel thief; a soldier learns that without an operation he'll die and so looks for one last romance with a beautiful but ambitious stenographer; a cub reporter tries to get the goods on a shady man's dealing with a foreign potentate. And it all happens in the opulent, grandiose New York landmark hotel as a sort of tongue-in-cheek take-off on the classic movie Grand Hotel.Written by
A.L.Beneteau <albl@inforamp.net>
Bunny reads a newspaper ad for a Park Avenue apartment renting for $14,000 per year. That would equate to about $190,000 per year in 2017 (or about $15,830/month). See more »
Goofs
While Chip and Irene argue at the breakfast table in her room, Chip is shown putting butter or jam on his toast with a knife in his right hand. In the next shot, Chip has his right hand in his pocket. See more »
Quotes
[first lines]
Randy Morton:
Yes. That's the Waldorf Astoria. Big place, isn't it? But, it's home to me, because I happen to live there.
See more »
Crazy Credits
During the opening credits the prinipal roles were credited as the character's name and occupation. See more »
It's interesting to see MGM remake its own pre-code classic, Grand Hotel, a sophisticated, somewhat dark, romantic multi-story film that was the first to feature an all-star cast. The difference between Grand Hotel and Weekend At The Waldorf isn't just the difference between a film set in Weimar Berlin and one set in WWII Manhattan. It's the difference between how MGM approached filmmaking in the early 1930's vs. the mid-1940s.
While you can sense in Grand Hotel that the filmmakers were trying for a great film (whether or not they succeeded is open for debate), this was clearly not the case with Weekend At The Waldorf. It's meant to be a crowd-pleaser. Light entertainment, with some heavier moments, but no real depth. A confection, with all the gloss the studio can muster. And it delivers.
Maybe I'm quibbling when I say the screenplay isn't as witty as it might be, and a few of the situations seem trite, or a little too drawn out. But it's a very clever rewrite of the earlier film, with a first-rate cast. There are even a few moments when a couple of the characters talk about Grand Hotel, itself, and compare their situation to one in the film.
There are four big stars, and a few more medium-sized stars. There's Robert Benchley to narrate, and Xavier Cugat and his orchestra (featuring Lina Romay) to play some musical numbers. There's the Waldorf itself, featured in some stunning shots of 1945 New York City.
While watching the film, I kept feeling the two pairs of stars were somewhat mis-matched. Ginger Rogers and Walter Pidgeon don't seem quite right together. Likewise, Lana Turner and Van Johson seem slightly ill at ease as romantic partners.
Various subplots feature Keenan Wynn, Edward Arnold, Phyllis Thaxter, Warner Anderson, Rosemary DeCamp, and Samuel S. Hinds.
Weekend At The Waldorf is a professional job of the highest quality and if you're looking for some escapist fare with glamor, music, romance, and humor, and a bit of drama, you could do worse.
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IMDb Special Correspondent Dave Karger breaks down eight first-time acting nominees at this year's Oscars, including Rami Malek, Olivia Colman, and Regina King.
It's interesting to see MGM remake its own pre-code classic, Grand Hotel, a sophisticated, somewhat dark, romantic multi-story film that was the first to feature an all-star cast. The difference between Grand Hotel and Weekend At The Waldorf isn't just the difference between a film set in Weimar Berlin and one set in WWII Manhattan. It's the difference between how MGM approached filmmaking in the early 1930's vs. the mid-1940s.
While you can sense in Grand Hotel that the filmmakers were trying for a great film (whether or not they succeeded is open for debate), this was clearly not the case with Weekend At The Waldorf. It's meant to be a crowd-pleaser. Light entertainment, with some heavier moments, but no real depth. A confection, with all the gloss the studio can muster. And it delivers.
Maybe I'm quibbling when I say the screenplay isn't as witty as it might be, and a few of the situations seem trite, or a little too drawn out. But it's a very clever rewrite of the earlier film, with a first-rate cast. There are even a few moments when a couple of the characters talk about Grand Hotel, itself, and compare their situation to one in the film.
There are four big stars, and a few more medium-sized stars. There's Robert Benchley to narrate, and Xavier Cugat and his orchestra (featuring Lina Romay) to play some musical numbers. There's the Waldorf itself, featured in some stunning shots of 1945 New York City.
While watching the film, I kept feeling the two pairs of stars were somewhat mis-matched. Ginger Rogers and Walter Pidgeon don't seem quite right together. Likewise, Lana Turner and Van Johson seem slightly ill at ease as romantic partners.
Various subplots feature Keenan Wynn, Edward Arnold, Phyllis Thaxter, Warner Anderson, Rosemary DeCamp, and Samuel S. Hinds.
Weekend At The Waldorf is a professional job of the highest quality and if you're looking for some escapist fare with glamor, music, romance, and humor, and a bit of drama, you could do worse.