Perry Ashwell is a self-satisfied child psychologist who takes his colleagues and wife somewhat for granted. So confident is he of his position that he introduces rich attractive painter ... See full summary »
In the 1943 invasion of Italy, one American platoon lands, digs in, then makes its way inland to blow up a bridge next to a fortified farmhouse, as tension and casualties mount. Unusually realistic picture of war as long quiet stretches of talk, punctuated by sharp, random bursts of violent action whose relevance to the big picture is often unknown to the soldiers.Written by
Rod Crawford <firstname.lastname@example.org>
In the note Tyne sends Rivera regarding the attack, Tyne states he will signal at 11:40 with whistle and the attack will commence five minutes later at 11:45. But when Rivera checks his watch he states it's two minutes before 11:45. Shortly after, a watch is shown and the time is 11:44. Tyne blows his whistle afterwards and Rivera states it's right on time; and the soldiers in the river state it will be five minutes before the attack begins. At this point it should be only 11:40. See more »
[looking at Sergeant Porter, sobbing face down on the ground]
Keep crying, Porter. You're crying because you're wounded. You don't have to be bleeding to be wounded; you just had one battle too many. Yeah, you're out of it now. No more guesswork, waiting and wondering, for you. You've built yourself a foxhole
[taps his own helmet]
up there. Nothing in the world that can make you come out of it. Go ahead, Porter; keep crying - we understand.
Closing credits: It's the walk that leads down through a Philippine town, And it hits Highway seven,north of Rome; It's the same road they had coming out of Stalingrad, It's the old Lincoln Highway back home It's when ever men fight to be free. See more »
One of the best war movies ever made, directed by Lewis Milestone (All Quiet on the Western Front), this movie is distinguished by its depiction of war from the soldier's individual point of view. Unlike most war movies, this is infantry combat as seen through the eyes of several members of a platoon as it walks through the Italian countryside in 1943 on its way to seize a German observation post. In all the action sequences, you never see anything that the individual soldier (German, Italian or American) depicted on the screen doesn't see. You only see what is happening around him as he sees it. I've seen them all, and no other director ever approached war filming this way. And I can tell you personally that this is the way it was in combat. The only errors in the entire movie involved grenades: you don't blow bridges with them and you don't pull their pins with your teeth--that's the best way I know of pulling out a tooth w/o a dentist's helping hand. A landmark movie made during the war and only released after the war ended in 1945 because of the final scenes. Matched only by William Wellman's "A Story of GI Joe," this is the best film on infantry combat produced from World War II. Yes, yes, I've seen "Saving Private Ryan." Except for the shock of the first 20 minutes, it's Steven Spielberg's three-star remembrance of his boyhood comic book war stories.
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