The 4th film of the Columbia series based on the CBS radio program, "The Whistler", finds wealthy John Sinclair, with no health or friends, being advised by his doctor to take a long ...
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Robert Z. Leonard
The 4th film of the Columbia series based on the CBS radio program, "The Whistler", finds wealthy John Sinclair, with no health or friends, being advised by his doctor to take a long vacation. Heading for the Great Lakes, he becomes ill in the cab operated by Ernie Sparrow an is taken to a clinic where he meets nurse Joan Martin, who is engaged to intern Fred Graham. Doctors now tell him he has only a few months to live and advise him to go to Maine (where, evidently, it will seem longer.) He asks Joan to marry him, promising to leave her his fortune. She, no dummy, accepts but hard-loser Fred doesn't like it even though she says she is doing it for him. After six months of living in a lighthouse with only Joan and Sparrow, whom he has hired as his aide, Sinclaie seemingly regains his health and has really fallen in love with Joan. She tells him she can no longer tolerate the loneliness just as Fred arrives for a visit, and John invites him to stay. In a chess game, John facetiously ...Written by
Les Adams <email@example.com>
Whistler no.4 was imho perhaps the weakest of the 8 in the series, the main trouble being the plot change from seedy tarmac to invigorating lighthouse. This still means it's an atmospheric, interesting and inventive mystery thriller, keeping you on your toes with all the twists to the very end.
Rich, friendless and ill industrialist Richard Dix has a heart attack and gets ordered to go on vacation, forget about work and de-stress. He bumps into an English ex-boxer cocky Ernie Sparrow who befriends him and shows him round his poor but friendly neighbourhood. But sadly it doesn't last long as a new story direction is suddenly taken. You go from feeling sympathetic for everyone to feeling it only for Sparrow, such is the effect of the "business arrangement" that was made. Favourite bits: Some of the homely scenes looking out of the lighthouse windows stick in the mind; Lynn Merrick never looked lovelier this side of Boston Blackie, or out of a saddle either.
If you like the genre like me it's a nice little film, an hour well spent.
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