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Under the Bridges (1946)

Unter den Brücken (original title)
Two barge skippers fall in love with the same woman.

Director:

Helmut Käutner

Writers:

Leo de Laforgue (manuscript), Helmut Käutner | 1 more credit »
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Cast

Cast overview:
Hannelore Schroth ... Anna Altmann
Carl Raddatz ... Hendrik Feldkamp
Gustav Knuth ... Willy
Margarete Haagen Margarete Haagen ... Landlady
Ursula Grabley ... Vera - Waitress
Hildegard Knef ... Girl in Havelberg
Walter Gross Walter Gross ... Man on the Bridge
Helene Westphal Helene Westphal
Hildegard König Hildegard König
Erich Dunskus ... Holl - Ship Captain
Klaus Pohl Klaus Pohl ... Museum Employee
Helmuth Helsig Helmuth Helsig ... Muhlke - Café Owner
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Storyline

Two barge skippers fall in love with the same woman.

Plot Summary | Add Synopsis

Genres:

Comedy | Drama | Romance

Certificate:

See all certifications »
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Details

Country:

Germany

Language:

German

Release Date:

15 September 1950 (West Germany) See more »

Also Known As:

Hidak alatt See more »

Filming Locations:

Berlin, Germany See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Passed censorship in March 1945 but was theatrically released in 1950. See more »

Connections

Referenced in Auge in Auge - Eine deutsche Filmgeschichte (2008) See more »

Soundtracks

Auf der Bücke Tuledu
Music by Bernhard Eichhorn
Lyrics by Hans Leip
See more »

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User Reviews

 
The heritage
3 March 2007 | by mart-45See all my reviews

This can be considered one of the very last films to be made in Nazi Germany - it passed the censorship in March 1945, but for obvious reasons didn't make it to the cinemas as the street battles were about to commence in Berlin in a few weeks. It's true that at least three new movies had their opening nights in Berlin as late as in March 1945, and reportedly two in April, which seems quite unbelievable. In most of his films Helmut Käutner succeeds in creating a world of his own, a sort of microcosm that holds only the people that we see on the screen. He did also excel in historical costume epics, but his forte was a simple, intimate film about what goes on in the soul. People often wonder, how is it possible that Käutner managed to create his films which are seemingly totally free of any kind of propaganda or references to the war and destruction around him during the time when propaganda was becoming the only remaining weaponry. But I don't think that's quite true: if Under the Bridges were made in a period of peace, it would totally lack the mesmerizing feeling that is attached to this film as we view in proper context. Suddenly it becomes amazingly human, allowing us to realize that even as most of the people in Germany must have thought they were facing total destruction and annihilation literally any day soon, they still kept living and loving and at some point the inner world must have eclipsed the world outside, were death was running amok. Being of the generation that hasn't seen war, I can only imagine how intense one's love or loneliness can grow in the world where there seems to be no tomorrow.

Whatever the story or the genre, Käutner manages to find aspects that make it interesting and wake a lot of human compassion. His storage of empathy and his skills to share it are bottomless. He truly was a great maker of great films about little people.


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