6.3/10
118
4 user 4 critic

Sudan (1945)

Passed | | Action, Adventure, Romance | 18 April 1945 (USA)
Young, lovely Naila becomes queen of the ancient Egyptian kingdom of Khemis when her father is killed in a slave revolt. Continuing her penchant for going incognito among the people, she ... See full summary »

Director:

John Rawlins

Writer:

Edmund L. Hartmann (original screenplay)
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Revenge of the Pirates (Italian: La vendetta del corsaro) is a 1951 Italian adventure film directed by Primo Zeglio. It was the last movie of Maria Montez. It is also known as The Pirates Revenge.

Director: Primo Zeglio
Stars: Jean-Pierre Aumont, Maria Montez, Milly Vitale
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Cast

Complete credited cast:
Maria Montez ... Queen Naila
Jon Hall ... Merab
Turhan Bey ... Herua
Andy Devine ... Nebka
George Zucco ... Horadef
Robert Warwick ... Maatet
Philip Van Zandt ... Setna (as Phil Van Zandt)
Harry Cording ... Uba
George Lynn ... Bata
Charles Arnt ... Khafra
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Storyline

Young, lovely Naila becomes queen of the ancient Egyptian kingdom of Khemis when her father is killed in a slave revolt. Continuing her penchant for going incognito among the people, she seeks out rebel leader Herua. But through palace treachery, she herself is captured and enslaved. After various adventures, she finds herself rescued by (and attracted to) the very rebel she was seeking. Will gratitude or revenge win out? Gorgeous scenery and costumes. Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis

Taglines:

THRILLS !...as 1000 reckless rogues ride in conquest! (original poster) See more »


Certificate:

Passed | See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

18 April 1945 (USA) See more »

Also Known As:

Sudán See more »

Company Credits

Production Co:

Universal Pictures See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Recording)

Color:

Color (Technicolor)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Quotes

Nebka: One meets such nice people in one's dreams.
See more »

Soundtracks

THE CALL TO LOVE
Written by Milton Rosen
Lyrics by Everett Carter
Sung by chorus and unseen male soloist
See more »

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User Reviews

 
Desert Romance with a Strong Western Generic Flavor
29 July 2016 | by l_rawjalaurenceSee all my reviews

Ostensibly set in the Arabian desert, the third in a series of highly profitable films produced by Universal with Maria Montez, Jon Hall, and Turhan Bey (the other two being ARABIAN NIGHTS (1942), and ALI BABA AND THE FORTY THIEVES (1944), SUDAN is a formulaic romance with a disguised princess sold into slavery (Montez), a rebel leader suspected of killing her father (Bey) and a pickpocket with romantic intentions (Hall) aided and abetted by his comic sidekick (Amdy Devine). Add to that George Zucco in one of his hissable villain roles - and ludicrous costumes - and you have all the ingredients for another rip-roaring epic with plenty of fights and a rousing musical score (by Milton Rosen).

In truth John Rawlins's production doesn't have much to do with the mystic East. Shot in and around Los Angeles, its chase-sequences, with horses galloping across the sun-drenched desert, have more in common with the Western. Likewise the shots of the lovers (Montez, Bey) embracing in the mountains at night, with the peaks stretching like fingers into cloudless skies.

The story has clear propaganda elements: at one point Bey's Herua talks about ridding the world of "evil hours" while ensuring that his people will make Naila (Montez) "forget what has happened." When the villains have been vanquished, and the lovers ride off into the sunset, a heavenly choir strikes up another patriotic song praising freedom that exists like "the wild wind," protecting a people "always proud and free," and "that's the way we will remain," "fighting together for ever." The two lovers might be non-white (in the accepted racial sense of the term), but Rawlins's film projects a transcultural message; in the peace following six years of bitter war everyone, regardless of their ethnicity, will be able to live together harmoniously.

This wish might be idealistic, but it provides a suitably climactic coda to a highly entertaining adventure that is more about America's future than elsewhere.


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