A distraught Jeff Carter arrives at a renowned lawyer's home with a mysterious bag and a confession he desperately wants heard. Jeff was an underpaid chemist working for unprincipled pharmaceutical tycoon Roger Graham, who takes the profit, as well as the credit, for Jeff's discoveries and hard work. When Graham prioritizes profits over safety, Jeff resigns and is blacklisted by his boss. A chastened Graham is later forced to relent and rehires Jeff under the latter's terms. He presses him to release an unproven influenza drug, but Jeff refuses and asks to go to South America to perfect the formula. The unscrupulous Graham uses the opportunity to release the drug as well as romance Jeff's attractive wife. When Jeff returns and finds that his son has died from the effects of the untested drug, he decides to take revenge.Written by
Gabe Taverney (email@example.com)
Due to a rights dispute (being an unauthorized remake of The Man Who Reclaimed His Head (1934)), this film was not released to television with the other "Inner Sanctum" features. It was the fifth of the six entries, filmed February 1-14, 1945, and released October 5. After its theatrical reissue using the title "The Missing Head", the film vanished until its video release in the 1990s. See more »
Older television prints often eliminate the "Inner Sanctum" introduction. See more »
Auld Lang Syne
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STRANGE CONFESSION (John Hoffman, 1945) **1/2
This is possibly the best of the "Inner Sanctums", though it's also not a typical one - being based on Jean Bart's impressive anti-war drama "The Man Who Reclaimed His Head" (already filmed by Universal in 1934 with Claude Rains; in retrospect, it's amusing to note that the remake starred the actor who had played Rains' son in THE WOLF MAN !). Still, even if the setting is effectively updated - the original had a pre-WWI backdrop - its dealing with the crooked marketing of an untried drug is not quite the same thing as the philosophical war-themed discussions which distinguished the play (and earlier film)!
Again, we're supposed to believe Lon Chaney Jr. is something of a genius in his field - in this case, medical research - but he allows himself to be exploited by his unscrupulous boss J. Carrol Naish (who even has designs on his wife!). Chaney is typically flustered but Naish is an ideal villainous substitute for Lionel Atwill; Brenda Joyce, then, fills in for Joan Bennett as the heroine yearning for a fuller life but, ultimately, unwilling to sacrifice her domestic harmony to satisfy her own selfish ends.
The pace is necessarily slow - there are no murders or detectives this time around - with Chaney recounting his tragic tale to a childhood friend, and the resolution rather skimps on the hero's particular 'crime' (which was certainly more explicit in the 1934 version, even if STRANGE CONFESSION itself was also known as THE MISSING HEAD!) - but, as I said, it's the most satisfying entry in the series (which, ironically enough, was the one to go unseen for decades due to a copyright dispute!).
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