A psychiatrist protects the identity of an amnesia patient accused of murder while attempting to recover his memory.

Director:

Alfred Hitchcock

Writers:

Ben Hecht (screen play), John Palmer (suggested by novel: "The House of Dr. Edwardes") (as Francis Bleeding) | 2 more credits »
Won 1 Oscar. Another 4 wins & 6 nominations. See more awards »

Videos

Photos

Edit

Cast

Complete credited cast:
Ingrid Bergman ... Dr. Constance Petersen
Gregory Peck ... John Ballantyne
Michael Chekhov ... Dr. Alexander Brulov
Leo G. Carroll ... Dr. Murchison
Rhonda Fleming ... Mary Carmichael
John Emery ... Dr. Fleurot
Norman Lloyd ... Mr. Garmes
Bill Goodwin ... House Detective
Steven Geray ... Dr. Graff
Donald Curtis ... Harry
Wallace Ford ... Stranger in Hotel Lobby
Art Baker ... Det. Lt. Cooley
Regis Toomey ... Det. Sgt. Gillespie
Paul Harvey ... Dr. Hanish
Edit

Storyline

Dr. Constance Petersen (Ingrid Bergman) is a psychiatrist at Green Manors mental asylum. The head of Green Manors has just been replaced, with his replacement being the renowned Dr. Anthony Edwardes (Gregory Peck). Romance blossoms between Dr. Petersen and Dr. Edwards, but Dr. Edwards starts to show odd aversions and personality traits... Written by grantss

Plot Summary | Plot Synopsis

Taglines:

Will he Kiss me or Kill me? See more »


Certificate:

Approved | See all certifications »

Parents Guide:

View content advisory »
Edit

Did You Know?

Trivia

The snow falling on John Ballantyne (Gregory Peck) and Dr. Petersen (Ingrid Bergman) during the skiing scene was actually cornflakes. See more »

Goofs

Right before Dr. Petersen gets a letter from Dr. Edwardes, she cleans her glasses on her coat and the position of her hands varies between shots. See more »

Quotes

[first lines]
Nurse: [offscreen] Miss Carmichael, please. Dr. Petersen is ready for you.
See more »

Crazy Credits

Opening credits: THE FAULT . . . . . IS NOT IN OUR STARS, BUT IN OURSELVES . . . . . - SHAKESPEARE

Our story deals with psychoanalysis, the method by which modern science treats the emotional problems of the sane.

The analyst seeks only to induce the patient to talk about his hidden problems, to open the locked doors of his mind.

Once the complexes that have been disturbing the patient are uncovered and interpreted, the illness and confusion disappear.....and the devils of unreason are driven from the human soul. See more »

Alternate Versions

In 1999, The Walt Disney Company, which now owns much of the David O. Selznick collection, restored the film, reinstating Miklos Rosza's overture/exit music and the flash of red from the gunshot scene that were previously omitted from later prints. See more »

Connections

Referenced in Tomorrow Coast to Coast: Alfred Hitchcock (1973) See more »

User Reviews

 
You'll be spellbound for Bergman.
15 August 2020 | by AllThingsMoviesSee all my reviews

"Spellbound" is a psychological thriller that tells the story of the new head of a mental asylum (Peck) who turns out to be an imposter. It's love at first sight for Constance (Bergman), a psychiatrist at the asylum, who falls for Anthony (Peck). However, his amnesia and dizzy spells reveal that he isn't the man he says he is, and he may have actually killed the man he's pretending to be.

As things begin to unravel and the situation becomes public knowledge, Anthony does a runner and Constance leaves the asylum to track him down. The pair reunites and Constance quests to prove the innocence of her new lover.

This movie has suspense written all over it. I'm a big fan of Hitchcock movies, especially the cinematography. I love it when the shot cuts to a new location or landscape - almost in complete silence. It gives a certain eerie 'what's going to happen here?' feel to it. Even in the opening titles with the bare tree branches rattling in the wind - you know you're in for a real treat with that spooky music.

At times Peck's character does come across a bit of wimp during his funny 'spells' where he flashes back to a time when he THINKS he may have committed a crime. You want him to pull himself together and snap out of it, yet, it's part of the plot so all is forgiven.

When all the signs point to guilt Constance, in what we can only assume is her own delusion and blindness, refuses to believe that Anthony could ever do something so heinous. Her scepticism rings true towards the end when her psychiatric training comes in handy and we discover what really happened. She calls on the expertise of her former mentor, played by Michael Chekhov, who plays the part of the probing, and rather peculiar, psychoanalyst well.

Bergman and Peck make a terrific pairing. The love their characters have for each other is so convincing, you pray (and hope) that Anthony is innocent and it's all a misunderstanding. Bergman portrays Constance's desperation so well - she is desperate to prove Anthony is a good man despite his multiple admissions of guilt.


6 of 6 people found this review helpful.  Was this review helpful to you? | Report this
Review this title | See all 196 user reviews »

Frequently Asked Questions

See more »
Edit

Details

Country:

USA

Language:

English

Release Date:

28 December 1945 (USA) See more »

Also Known As:

The House of Dr. Edwardes See more »

Edit

Box Office

Budget:

$1,696,377 (estimated)

Cumulative Worldwide Gross:

$19,000
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (Ontario) | (with overture and exit music)

Sound Mix:

Mono (Western Electric Recording)

Color:

Black and White | Color (brief sequences tinted)

Aspect Ratio:

1.37 : 1
See full technical specs »

Contribute to This Page



Recently Viewed