7.6/10
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175 user 115 critic

Spellbound (1945)

A psychiatrist protects the identity of an amnesia patient accused of murder while attempting to recover his memory.

Director:

Alfred Hitchcock

Writers:

Ben Hecht (screen play), John Palmer (suggested by novel: "The House of Dr. Edwardes") (as Francis Bleeding) | 2 more credits »
Reviews
Won 1 Oscar. Another 1 win & 6 nominations. See more awards »

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Cast

Complete credited cast:
Ingrid Bergman ... Dr. Constance Petersen
Gregory Peck ... John Ballantyne
Michael Chekhov ... Dr. Alexander Brulov
Leo G. Carroll ... Dr. Murchison
Rhonda Fleming ... Mary Carmichael
John Emery ... Dr. Fleurot
Norman Lloyd ... Mr. Garmes
Bill Goodwin ... House Detective
Steven Geray ... Dr. Graff
Donald Curtis ... Harry
Wallace Ford ... Stranger in Hotel Lobby
Art Baker ... Det. Lt. Cooley
Regis Toomey ... Det. Sgt. Gillespie
Paul Harvey ... Dr. Hanish
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Storyline

Dr. Constance Petersen (Ingrid Bergman) is a psychiatrist at Green Manors mental asylum. The head of Green Manors has just been replaced, with his replacement being the renowned Dr. Anthony Edwardes (Gregory Peck). Romance blossoms between Dr. Petersen and Dr. Edwards, but Dr. Edwards starts to show odd aversions and personality traits. It is discovered that he is an impostor, and amnesiac, and may have killed the real Dr. Edwardes. Dr. Petersen is determined to discover the truth through unlocking the secrets held in the impostor's mind, a process which potentially puts her and others' lives at risk. Written by grantss

Plot Summary | Plot Synopsis

Taglines:

Strange . . . Strange . . . Their Irresistible Love! Dark . . . Dark . . . Their Inescapable Fears ! See more »


Certificate:

Approved | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

28 December 1945 (USA) See more »

Also Known As:

The House of Dr. Edwardes See more »

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Box Office

Budget:

$1,696,377 (estimated)

Cumulative Worldwide Gross:

$19,000
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (Ontario) | (with overture and exit music)

Sound Mix:

Mono (Western Electric Recording)

Color:

Color (brief sequences tinted)| Black and White

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

The gun blast in the end is hand painted. Sir Alfred Hitchcock used a form of hand-coloring for the orange-red gun-blast at the audience. See more »

Goofs

Peterson's position behind Edwardes whilst in line to buy train tickets changes. See more »

Quotes

[first lines]
Nurse: [offscreen] Miss Carmichael, please. Dr. Petersen is ready for you.
See more »

Crazy Credits

Just before the opening credits, an overture is played. See more »

Alternate Versions

In 1999, The Walt Disney Company, which now owns much of the David O. Selznick collection, restored the film, reinstating Miklos Rosza's overture/exit music and the flash of red from the gunshot scene that were previously omitted from later prints. See more »

Connections

Referenced in E! True Hollywood Story: Alfred Hitchcock (1999) See more »

Frequently Asked Questions

See more »

User Reviews

A Fine, Distinctive Film Despite Its Implausible Aspects
9 July 2001 | by Snow LeopardSee all my reviews

"Spellbound" is one of Hitchcock's hardest films to evaluate, because its plot and credibility are so heavily dependent on theories of psychoanalysis that are usually considered to be implausible, at the very best. But if you can accept, for the sake of entertainment, the more dubious plot devices, what remains is a fine film dominated by the great director's usual creativity and technical mastery. Although it's hard to get away from the implausibilities, it's a fine movie in all other respects.

Gregory Peck stars as an amnesia case, and Ingrid Bergman as a psychoanalyst trying to unravel his mysterious - and possibly murderous - past. Most of the other characters are also psychoanalysts or patients, and the plot revolves around the ways that Bergman's character uses Freudian theories to solve the mystery. Whether you can enjoy the story depends on how willing you are to suspend disbelief concerning the wilder aspects of these theories, but if you are willing to do so, it's quite nicely done in most parts, with some fine scenes and a couple of good plot twists. It is also worth watching for the famous Salvador Dali dream sequence, which is very creatively done and fascinating to watch. Peck and Bergman also create interesting and sympathetic characters, who make the viewer want to know what will happen to them.

Overall, this is a distinctive film, and well worth seeing for any Hitchcock fan.


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