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Already established as a cabaret singer, Dame Angela Lansbury plaintively intoned "Good-bye, Little Yellow Bird" (music and lyrics by C.W. Murphy and William Hargreaves) in this movie. Yet strangely, in her two subsequent MGM movies, her singing was dubbed by two phantom voices: Virginia Rees in The Harvey Girls (1946), a full-throttle Technicolor musical, and Doreen Tryden in The Hoodlum Saint (1946), a moody drama containing a couple of standards. In this movie, Doreen Tryden, interestingly, supplied the off-screen voice for Donna Reed's reprise of "Good-bye, Little Yellow Bird".
Ivan Le Lorraine Albright's famous painting of the decayed Dorian Gray, which took approximately one year to complete, is now owned by the Art Institute of Chicago, where it has been on display for many years. Albright's twin brother Malvin, better known as a sculptor, was also commissioned to create a painting of the young Dorian for this movie, although his work went unused. The March 27, 1944, issue of Life Magazine included a story and photos of the brothers working on their paintings for this movie. Henrique Medina created the initial portrait of young Dorian that sets the story in motion.
Oscar Wilde's Dorian was blond-haired, blue-eyed, and highly emotional, but Writer and Director Albert Lewin's conception of Dorian was of an icy, distant character.
In the novel, Sybil Vane called Dorian Gray "Prince Charming", not "Sir Tristan".
Several years after this movie premiered, a friend of Hurd Hatfield's bought the Henrique Medina painting of young Dorian Gray that was used in this movie at an MGM auction, and gave it to Hatfield. On March 21, 2015, the portrait was put up for auction at Christie's in New York City (from the Collection of Robert Hatfield Ellsworth) with a pre-auction estimate of between five thousand and eight thousand dollars. It sold for one hundred forty-nine thousand dollars.