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The Picture of Dorian Gray (1945)

Not Rated | | Drama, Fantasy, Horror | 3 March 1945 (USA)
A corrupt young man somehow keeps his youthful beauty, but a special painting gradually reveals his inner ugliness to all.

Director:

Albert Lewin

Writers:

Albert Lewin (screen play), Oscar Wilde (based upon the novel by)
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Won 1 Oscar. Another 2 wins & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
George Sanders ... Lord Henry Wotton
Hurd Hatfield ... Dorian Gray
Donna Reed ... Gladys Hallward
Angela Lansbury ... Sibyl Vane
Peter Lawford ... David Stone
Lowell Gilmore ... Basil Hallward
Richard Fraser ... James Vane
Douglas Walton ... Allen Campbell
Morton Lowry ... Adrian Singleton
Miles Mander ... Sir Robert Bentley
Lydia Bilbrook Lydia Bilbrook ... Mrs. Vane
Mary Forbes ... Lady Agatha
Robert Greig ... Sir Thomas
Moyna MacGill ... Duchess
Billy Bevan ... Malvolio Jones - Chairman
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Storyline

In 1886, in the Victorian London, the corrupt Lord Henry Wotton meets the pure Dorian Gray posing for talented painter Basil Hallward. Basil paints Dorian's portrait and gives the beautiful painting and an Egyptian sculpture of a cat to him while Henry corrupts his mind and soul telling that Dorian should seek pleasure in life. Dorian wishes that his portrait could age instead of him. Dorian goes to a side show in the Two Turtles in the poor neighborhood of London and he falls in love with the singer Sibyl Vane. Dorian decides to get married with her and tells to Lord Henry that convinces him to test the honor of Sibyl. Dorian Gray leaves Sibyl and travels abroad and when he returns to London, Lord Henry tells him that Sibyl committed suicide for love. Along the years, Dorian's friends age while he is still the same, but his picture discloses his evilness and corruptive life. Can he still have salvation or is his soul trapped in the doomed painting? Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

His life was a muddy morass into which he dragged all who knew him! Such was Dorian Gray, the man who wanted eternal youth, and bartered his soul to get it! See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

3 March 1945 (USA) See more »

Also Known As:

Das Bildnis des Dorian Gray See more »

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Box Office

Budget:

$3,500,000 (estimated)
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Sound System)

Color:

Black and White | Color (Technicolor) (some sequences)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

The opera Don Giovanni is mentioned at one point. As with this story, that of Don Giovanni involves an inanimate work of art - in that case, a statue - that drives the story to its conclusion. See more »

Goofs

When Dorian is riding the train early on, the scenery of the rear projection outside the train window changes from passing trees to open fields. See more »

Quotes

Lord Henry Wotton: I like persons better than principles and persons with no principles better than anything at all.
See more »

Alternate Versions

Some prints are slightly edited, omitting Dorian's (Hurd Hatfield) prayer and Lord Henry's (George Sanders) line, "Heaven forgive me" in the final scene. See more »

Connections

Featured in WatchMojo: Top 10 Immortal Movie Characters (2015) See more »

Soundtracks

Good-Bye, Little Yellow Bird
(uncredited)
Reprised by Donna Reed (dubbed by Doreen Tryden)
See more »

Frequently Asked Questions

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User Reviews

Let's Talk About Hurd Hatfield
4 February 2002 | by Bucs1960See all my reviews

This film adaptation of Wilde's story is certainly one of the great atmospheric black and white films of the 40's. Reminiscent of Greg Toland's ground breaking deep focus cinematography in "Citizen Kane",the shades of black, greys and whites are sharp and clearly deliniated to produce an unforgettable, somewhat eerie look to the film. There are a couple of short Technicolor shots that will make you jump. Cinematography is the star here but let's talk about Hurd Hatfield. I have seen this film on numerous occasions and have yet to figure out whether Hatfield is a great actor or just a woodenly inanimate object. Whichever is the case, this is the role of a lifetime.....it calls for an unfeeling, blank-faced characterization which is exactly as Hatfield played it. His smooth unlined visage hides many things and his apparent lack of emoting is right on target. Does that mean that he just couldn't act and fell into a role that suited his style or does it mean that he rose to the task and his interpretation was the sign of a great actor, living the part. I don't know....all I do know is that he pulls it off with great panache! He was playing against one of the great scene stealers of all times, George Sanders, who spouts Wilde epigrams with his own inimitable class and Hatfield holds his own. The other players are adequate but I don't know what all the excitement is about Angela Lansbury's acting....she was much better in "Gaslight". All in all, this is a movie that I would recommend but beware....it moves slowly, very slowly. Once you see it maybe you can answer the question about Hurd Hatfield's acting.....or maybe not!!!


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