| Cast overview, first billed only: | |||
| George Sanders | ... | Lord Henry Wotton | |
| Hurd Hatfield | ... | Dorian Gray | |
| Donna Reed | ... | Gladys Hallward | |
| Angela Lansbury | ... | Sibyl Vane | |
| Peter Lawford | ... | David Stone | |
| Lowell Gilmore | ... | Basil Hallward | |
| Richard Fraser | ... | James Vane | |
| Douglas Walton | ... | Allen Campbell | |
| Morton Lowry | ... | Adrian Singleton | |
| Miles Mander | ... | Sir Robert Bentley | |
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Lydia Bilbrook | ... | Mrs. Vane |
| Mary Forbes | ... | Lady Agatha | |
| Robert Greig | ... | Sir Thomas | |
| Moyna MacGill | ... | Duchess | |
| Billy Bevan | ... | Malvolio Jones - Chairman | |
In 1886, in Victorian London, the corrupt Lord Henry Wotton (George Sanders) meets the pure Dorian Gray (Hurd Hatfield) posing for talented painter Basil Hallward (Lowell Gilmore). Basil paints Dorian's portrait and gives the beautiful painting and an Egyptian sculpture of a cat to him, while Henry corrupts his mind and soul, telling him that Dorian should seek pleasure in life. Dorian wishes that his portrait could age instead of him. Dorian goes to a side show in the Two Turtles in the poor neighborhood of London, and he falls in love with singer Sibyl Vane (Dame Angela Lansbury). Dorian decides to marry her and tells Lord Henry, who convinces him to test the honor of Sibyl. Dorian Gray leaves Sibyl and travels abroad, and when he returns to London, Lord Henry tells him that Sibyl committed suicide for love. Throughout the years, Dorian's friends age while he is still the same, but his picture discloses his evilness and corruptive life. Can he still have salvation, or is his soul ... Written by Claudio Carvalho, Rio de Janeiro, Brazil
The key word for this movie is elegance. The cast move through sumptuous sets with the males dressed in immaculately tailored dress suits and the women exquisitely gowned. It seems that all the aristocrats lived in homes the size of Buckingham palace with high ceilinged rooms and magnificent staircases. They exchange Oscar Wilde epigrams in the cultured tones of the British upper classes.
Some great performances. Hurd Hatfield, an extremely handsome actor with a limited range ,gives the best one of his career as does George Sanders as the cynical Lord Henry Wotton, and a young Angela Lansbury is very moving (especially when she sings "The Little Yellow Bird").
One (very small) criticism. The color shots of the Dorian Gray portrait showing his degradation don't match the high standards of the rest of the design, they look more like pages from a horror comic. I think the producer's, with their obviously high budget, could have used a more imaginative artist.
As I say a small criticism. This a great film of psychological horror.