A dull married couple, separated by their enlistment during World War II, reunite after three years to find that they have become very different people.A dull married couple, separated by their enlistment during World War II, reunite after three years to find that they have become very different people.A dull married couple, separated by their enlistment during World War II, reunite after three years to find that they have become very different people.
- Won 1 Oscar
- 4 wins total
- Chemist
- (uncredited)
- Jeannie
- (uncredited)
- Stripey
- (uncredited)
- Minnie
- (uncredited)
- Sailor Singing 'Daisy, Daisy'
- (uncredited)
- ARP Warden
- (uncredited)
- Commander
- (uncredited)
- Introduction - USA Version
- (uncredited)
- Petty Officer
- (uncredited)
- Mr. Staines
- (uncredited)
- Mrs. Hemmings
- (uncredited)
- Soldier
- (uncredited)
- Meg
- (uncredited)
Featured reviews
I won't repeat any of the plot here, but I will mention a few scenes and details that might be missed. First off, the attention to detail is fabulous. The funky London smokestacks, the military uniforms, the barrage balloons, even the casting-off drill on the WREN's launch. Robert's love interest Elena is of course a member of Queen Alexandra's Royal Naval Nursing Service, in a spot-on white dress uniform.
As some other reviewers have pointed out, the ending is not as good as it could have been. The argument in the street is rather contrived, and I always wonder what happened to Chief Petty Officer McAllister - he just sort of wanders off at 3 or 4 in the morning, with no obvious place to go. This scene needed to be redone!
But far and away the best scene in the movie is when Robert and Cathy finally set eyes on one another in the pub. In particular, Cathy stares and stares at Robert, seemingly forever, not believing her eyes. I don't know how Deborah Kerr managed this, but Cathy somehow looked Robert up and down, without changing the position of her eyes. It is awesome!
When victory did come Alexander Korda produced and directed a delightful comedy that starred Robert Donat and Deborah Kerr about a married couple who have to adjust themselves to the fact that war has made them different people.
Donat had a ship shot out from under him and survived. During his hospital convalescence temptation hits him big time in the person of nurse Ann Todd. In fact he did a bit of succumbing and who wouldn't. Ann Todd who is probably best known for American audiences as Gregory Peck's wife in The Paradine Case was one of the most strikingly beautiful women who ever was on the big screen. She was an exquisite porcelain blond goddess as you'll see here.
As for Kerr she joins the WRENS the British equivalent of the WAVES to do her wartime service in a country that was united and determined to withstand a foreign invader. She's a doormat of a housewife, but with roommate and friend Glynis Johns, Kerr develops a nice self assurance.
At the end of the war when they reunite Donat and Kerr are not sure they're suitable for each other. That has to all be worked out if it can.
Vacation From Marriage was at a turning point in the career of Deborah Kerr. This film was produced by MGM as well as Korda and Kerr would shortly be off to Hollywood and an MGM contract. This film was preview of what American audiences would enjoy for the next twenty years.
As for Donat most movie fans know he suffered his whole life from crippling asthma. Yet he still carries off his military scenes well even though he could never not project a certain frailty in any role he ever undertook. And he was never bad in any film role.
Vacation From Marriage got an Oscar nomination for original screenplay. The story is good and the characters are people the writer, director, and players make you care about. See this one when it's broadcast.
Like many pre-50's films that catch my interest, it has the charming buoyancy of that other, (and now otherworldly) WWII era--before Twentieth Century attitudes had crystallized into their currently cold, disaffected, and jaundiced condition that forms our modern outlook. Films like "Perfect Strangers" (also known as "Vacation from Marriage") are the perfect antidote--tiny time capsules of hopefulness, naivete, and innocence that, certainly in the art of the cinema, can't be achieved anymore, no matter what the budget.
Robert Donat and Deborah Kerr are well cast and their performances seem effortlessly on-the-mark in this film. The two play a shy, humdrum, and rather ineffectual couple living in London during the Blitz. Kerr is a glum housewife to the staid, stodgy Donat, who works meekly in London as a bank teller.
Even though around them all is chaos in the city, they are frozen, as it were, in their daily routines: work, eat, sleep. These are two people to whom nothing much ever happens. Their marriage is in a rut but they dont know it. They are vaguely dissatisfied with themselves, but they dont know why. Each is right on the edge of being bored with the another. Certainly they are both bored with their lives.
(This is one of those couples of a type that one still encounters today--a pair of simple, unimaginative souls that, in the first flush of romance, dont envision needing anything more out of life than being married to each other).
But their dull routines are suddenly shaken up by wartime events--both are unexpectedly called to active service. This turn of events falls like a bolt of lightning on the couple. Donat reluctantly enters the Navy as an able seaman, and Kerr becomes a WREN. The story picks up pace from this point on. The two agree to keep in touch and meet whenever they are on leave.
However, both soon have their hands full trying to adjust to the rigors of service life: not just the hazards of wartime but more importantly, the trials of intense, abrupt socialization with their new comrades.
Each undergoes a separate transformation of character: they make friends, win esteem from their peers, prove themselves to be fit and able in all of their duties and even distinguish themselves in the war effort. In short, they thrive in their unexpected "vacation" and in the process, discover all sorts of things about themselves that they never would have guessed previously.
When it comes time for the couple to meet up again, each dreads having the old marriage relations reestablished. Each assumes the other has not changed or developed in any way. (Both Donat and Kerr are even getting tempting offers and romantic attentions from others at this point).
When they meet, in one of the sweetest moments in the film, they fail to even recognize each other. Its how the two get back together which comprises the rest of the storyline of the film.
Its a little treasure of a film: well-made, un-selfconscious, unassuming, and hits its mark perfectly. If you like a simple, honest story about people and people in love, give it a try.
Did you know
- TriviaUniforms worn by the characters are 100% correct. Cathy's W.R.E.N. uniform, when she joins, has the pre-1942 soft cap. Toward the end, it is updated to the correct later-style cap. When working with her boat crew, she wears the correct men's bell bottoms and white top, and the lanyard with knife. Elena, the nurse, wears a correct tropical dress white uniform of Queen Alexandra's Royal Naval Nursing Service, with white tippet (short cape).
- GoofsIn the beginning, Robert rips the page off a calendar exposing the page for Wednesday, April 4, 1940. That date fell on a Thursday. It is the correct day, though, for 1945 -- the year the movie was produced.
- Quotes
Robert Wilson: You've certainly got the view you always wanted.
Cathy Wilson: Miles and miles of it. But oh, Robert, the desolation!
Robert Wilson: Poor old London. Well, we'll just have to build it up again.
Cathy Wilson: It will take years and years.
Robert Wilson: But what of that, Cathy? We're young.
- ConnectionsReferenced in Bhowani Junction (1956)
- How long is Vacation from Marriage?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Separación peligrosa
- Filming locations
- Production companies
- See more company credits at IMDbPro
- Runtime1 hour 42 minutes
- Color
- Aspect ratio
- 1.37 : 1
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