7.1/10
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My Name Is Julia Ross (1945)

Not Rated | | Crime, Drama, Film-Noir | 27 November 1945 (USA)
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Julia Ross secures employment, through a rather nosy employment agency, with a wealthy widow, Mrs. Hughes, and goes to live at her house. 2 days later, she awakens - in a different house, ... See full summary »

Director:

Joseph H. Lewis

Writers:

Muriel Roy Bolton (screenplay), Anthony Gilbert (novel)
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Cast

Complete credited cast:
Nina Foch ... Julia Ross
May Whitty ... Mrs. Hughes (as Dame May Whitty)
George Macready ... Ralph Hughes
Roland Varno ... Dennis Bruce
Anita Sharp-Bolster ... Sparkes (as Anita Bolster)
Doris Lloyd ... Mrs. Mackie
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Storyline

Julia Ross secures employment, through a rather nosy employment agency, with a wealthy widow, Mrs. Hughes, and goes to live at her house. 2 days later, she awakens - in a different house, in different clothes, and with a new identity. She's told she is the daughter-in-law of Mrs. Hughes, and has suffered a nervous breakdown. Is Julia really 'Julia', or, is it true that she's lost all memory of who she is? Written by Les Adams <longhorn1939@suddenlink.net>

Plot Summary | Add Synopsis

Taglines:

Just as he killed his wife... just as he killed his "bride"... this man will kill anyone who stands in his way! See more »


Certificate:

Not Rated | See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

27 November 1945 (USA) See more »

Also Known As:

The Woman in Red See more »

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Box Office

Budget:

$175,000 (estimated)
See more on IMDbPro »

Company Credits

Production Co:

Columbia Pictures See more »
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Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

In a 1988 interview about this movie, Nina Foch said the idea that Dame May Whitty had George Macready as a son was "hysterically funny in a bizarre sort of way." See more »

Goofs

When Sparkes calls Mrs. Hughes from the employment agency, she begins dialing the phone with the writing end of her pencil. In the next shot she's dialing with the eraser end. See more »

Quotes

Mrs. Hughes: [Ralph picks up a large fragment of a broken mirror. He smashes it down on the table, shattering it into pieces] Ralph, stop that!
See more »

Connections

Version of Dead of Winter (1987) See more »

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User Reviews

 
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20 October 2013 | by SpikeopathSee all my reviews

My Name Is Julia Ross is directed by Joseph H. Lewis and adapted to screenplay by Muriel Roy Bolton from The Woman in Red written by Anthony Gilbert. It stars Nina Foch, Dame Mary Witty, George Macready, Roland Varno, Anita Sharp-Bolster and Doris Lloyd. Music is by Mischa Bakaleinikoff and cinematography by Burnett Guffey.

Julia Ross (Foch) out of work and in debt arrears to her landlady, hastily accepts a in-house secretarial position to Mrs. Hughes (Whitty). Starting work in the Hughes house in London the first night, she wakes up two days later in a cliff-top mansion in Cornwall. She is told she has been away with mental health problems, her name is Marion Hughes and she is married to Ralph Hughes (Macready)...

A very important film in the career of the great Joseph H. Lewis, My Name is Julia Ross would effectively put the director on the map, with noir fans subsequently rewarded with the likes of Gun Crazy and The Big Combo. Compact in running time (65 minutes) and budget, it's a film that showcases just what real good work could be achieved by a director and photographer noir team working under tight restrictions; classical noir production if you like.

Story as it is is pretty straightforward and familiar, but atmosphere and visual smartness ensure this is no walk down retread lane. It falls into the Gothic noir spectrum of films, following in the traditions of Rebecca, Gaslight and Suspicion. In fact, it's also very much "old dark house" on staple terms, with eerie staircase, wood panelled rooms, secret passageways and even a black cat. While the setting, house on a seaside cliff where the mist rolls in at night, is splendidly moody.

The characterisations (very well performed by the cast) are vivid and odd, with us clearly meant to note that Julia Ross is clearly the only normal being in the Hughes household! Best of the bunch is Macready's Ralph Hughes, the catalyst for all the things that are happening, he fondles his knives like a fetishist, a truly memorable noir antagonist.

Ultimately it's what Lewis and Guffey bring to the fore that makes the film better than it is on the page. Expressionistic touches are here of course, but it's the skew-whiff camera placements and up close POV shots that bring the viewer into Julia's confused new world. Memorable scenes are frequent, be it a rain sodden street or Julia peering through the bars of her bedroom, there's visual treats aplenty here.

The ending is all to quick and as is often the case in this type of narrative, implausibilities need to be ignored. But that is easy to do, because with atmosphere unbound and not a shot wasted, this is a safe recommendation to the Gothic noir faithful. 8/10


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