Years after her aunt was murdered in her home, a young woman moves back into the house with her new husband. However, he has a secret that he will do anything to protect, even if it means driving his wife insane.
When Mildred Pierce's wealthy husband leaves her for another woman, Mildred decides to raise her two daughters on her own. Despite Mildred's financial successes in the restaurant business, her oldest daughter, Veda, resents her mother for degrading their social status. In the midst of a police investigation after the death of her second husband, Mildred must evaluate her own freedom and her complicated relationship with her daughter. Written by
Michael Curtiz and Joan Crawford would clash frequently over Crawford's insistence that Mildred Pierce would always be dressed glamorously. Curtiz felt this was inappropriate for a working mother while Crawford said it was because Mildred was proud and wanted to project an upwardly mobile appearance. See more »
During Veda's birthday scene, 16 candles are shown on the cake when earlier on it was said that she was at least 17. See more »
It's the dress. It's awfully cheap material. I can tell by the smell.
What did you expect? Want it inlaid with gold?
Well, it seems to me, if you're buying anything, it should be the best. This is definitely not the best.
Oh, quit. You're breakin' my heart.
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The opening credits are presented with a background ocean scene that "washes" the credits on the screen. See more »
Personally, Veda's convinced me that alligators have the right idea. They eat their young.
Six shots fired and a man falls down dead. Shortly thereafter, we meet a desperate Mildred Pierce who walks along the streets of the night. After a policeman prevented her from jumping into the river, she ends up at a bar where an old acquaintance flirts uncontrollably. They go to her house on the beach, from Mildred suddenly quickly departs. It turns out that it was in this house that the man was shot and soon the police on the spot. During interrogation begins the story of what led up to that fateful night. Mildred tells how she differs from her husband, working upward as a business woman and how she is willing to do absolutely everything to their already spoiled daughter Veda.
Mildred Pierce literally sparkles. Director Michael Curtiz, probably best known for Casablanca, knows how to get the luxurious feel of a grand noir drama. Elegant small transitions, meticulous and dramatic lighting applications, all in classic Hollywood manner, where nothing is left to chance.
The dialog is fabulous. Mildred's right hand Ida is so cool, with the hatching of witty one-liners. Even the ever-swarming Wally Fay is constantly exciting to listen to.
The story in itself is exciting, where you always know roughly how it will end, but not why or what role some of the characters will play. The characters are the driving force. It's about Mildred's efforts to give their daughters the life she had wanted, although it also means she does not listen to what they really want. Then there is a former spouse who is living his new life in the periphery, the friend who is helpful, but not without being sure to reap the rewards of Mildred's success and even a new one that might not be what he appears to be.
Crawford got a well-deserved Oscar for this film.
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