When Mildred Pierce's out-of-work husband leaves her for another woman, Mildred decides to raise her two daughters on her own. Despite Mildred's financial successes in the restaurant business, her oldest daughter, Veda, resents her mother for degrading their social status. In the midst of a police investigation after the death of her second husband, Mildred must evaluate her own freedom and her complicated relationship with her daughter.Written by
Due to script problems, some of the film was improvised by the actors together with Michael Curtiz. See more »
When Monte is pouring Mildred a drink, he asks her to say "when" for when she wants him to stop pouring, but then gives her the drink he poured for himself. (Though it should be recognized that each glass contained about the same amount.) See more »
When men get around me, they get allergic to wedding rings.
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The opening credits are presented with a background ocean scene that "washes" the credits on the screen. See more »
Also shown in computer colorized version. See more »
It Can't Be Wrong
Music by Max Steiner
Played on the phonograph and at various times in the score See more »
The first time...
I saw this film on a college campus in an auditorium built in the 1930's. It was over twenty years ago, yet I can still feel the emotion and experience of seeing a Joan Crawford movie for the first time. This film was, and still is, one of the best on many levels. The film noir connection is evident. The supporting players, Jack Carson, Eve Arden, and Ann Blyth, among others, were perfect. Joan's portrayal of the mother who had to work in a restaurant was real. Blyth was the ultimate bitchy daughter and deserved the Oscar as supporting actress.I learned later of Crawfords huge comeback with this film, and not knowing her successes previously, it made perfect sense. She really had it. It's a shame that Faye Dunaway couldn't project this part of Crawford's life and career.
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