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When a man asks another man more facile with words to do his wooing for him, there are always complications. The man with no talent for writing marries the girl, confesses one night he didn't write the letters and ends up with a knife in his back. The writer of the letters fell in love with the woman he wrote to and wants to become her second husband even if she did murder husband number one. Singleton doesn't remember the murder or anything about the first 22 years of her life as Victoria Remington. Then at her second wedding she wonders why she said "I take you, Roger," instead of "I take you, Alan."Written by
Dale O'Connor <email@example.com>
"Lux Radio Theater" broadcast a 60 minute radio adaptation of the movie on April 22, 1946 with Joseph Cotten reprising his film role. See more »
Dilly Carson relates to Alan Quinton that she found Singleton sitting by the fireplace with a bloody knife and a letter from which Dilly quotes the signature line, "I think of you my dearest as the distance promise of beauty". But during the climactic flashback, we see the letter with that very line burning in the fireplace. See more »
I think very few people are happy. They wait all their lives for something to happen to them - something great and wonderful. They don't know what it is but they wait for it. Sometimes it never happens. What they want is the kind of spirit I found in those letters. A spirit that makes life beautiful. I love that man. I loved him more than my own life. I still love him. So you see, I couldn't have loved Roger Moreland, the man I killed.
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This is an early "end of world war II" movie. The war is over and now the returning soldiers are trying to put their lives in order again.
Mostly set in a very rural part of England (Devon perhaps?). Cotton plays an emotionally scared veteran who tries to make amends for the wrong he has done, though it is really just a coincidence that he runs into the woman he somewhat inadvertently deceived (by writing letters on behalf of another man).
Jennifer Jones is quite good in this role that demands a youthful innocence. It sure doesn't hurt that she is a very beautiful young woman.
Good scenery and a good early effort at showing the true emotional cost of war on the vets who survive it.
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