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Leave Her to Heaven (1945)

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2:12 | Trailer

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A writer falls in love with a young socialite and they are married soon after, but her obsessive love for him threatens to be the undoing of both them and everyone else around them.

Director:

John M. Stahl

Writers:

Jo Swerling (screenplay), Ben Ames Williams (novel)
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Won 1 Oscar. Another 4 nominations. See more awards »

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Cast

Complete credited cast:
Gene Tierney ... Ellen Berent Harland
Cornel Wilde ... Richard Harland
Jeanne Crain ... Ruth Berent
Vincent Price ... Russell Quinton
Mary Philips ... Mrs. Berent
Ray Collins ... Glen Robie
Gene Lockhart ... Dr. Saunders
Reed Hadley ... Dr. Mason
Darryl Hickman ... Danny Harland
Chill Wills ... Leick Thome
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Storyline

Novelist Richard Harland and socialite Ellen Berent meet on a train to New Mexico. They are immediately attracted to each other, soon fall in love and decide to get married, about which everyone they know is happy except Ellen's fiancé back home, politician Russell Quinton. However, Richard and Ellen's love for each other is different than that of the other as Ellen demonstrates in the manner which she tells everyone of their impending marriage. Ellen's love for Richard is an obsessive, possessive one, much like the love she had for her now deceased father, who Richard physically resembles. Ellen wants Richard all to herself and resents anyone who even remotely takes a place in his life and heart, even if his love for that person is not a romantic one. These people include most specifically Richard's physically disabled teen-aged brother Danny Harland, Ellen's own adopted sister Ruth Berent, and a young man neither has gotten a chance to really know yet. After time, Richard learns to ... Written by Huggo

Plot Summary | Add Synopsis

Taglines:

The sin she committed in the name of love could not be judged by man...or punished by law! See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

January 1946 (USA) See more »

Also Known As:

Que el cielo la juzgue See more »

Filming Locations:

Bass Lake, California, USA See more »

Company Credits

Production Co:

Twentieth Century Fox See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Mirrophonic Recording)

Color:

Color (Technicolor)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

The California filming locations included Bass Lake in the High Sierras, Monterey and Busch Gardens. They also shot Ellen's first meetings with Richard and her father's memorial in Flagstaff and Granite Dells, AZ. Although most of the lake scenes were shot in Busch Gardens, a unit did film some long shots and other backgrounds in Warm Springs, GA. See more »

Goofs

Ellen is watching Danny drown and she turns to see Richard coming toward the lake house, which is some distance away. However, when Richard jumps into the lake and begins swimming, Ellen and the boat are very nearby. See more »

Quotes

Richard Harland: When I looked at you, exotic words drifted across the mirror of my mind like clouds across the summer sky.
See more »


Soundtracks

Deedle Deedle Dum Dum
(uncredited)
Sung by Chill Wills and Darryl Hickman
See more »

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User Reviews

Gene Tierney delivers memorable performance in this technicolor film noir...
14 April 2001 | by DoylenfSee all my reviews

While most film noirs conjure up images of terror in black-and-white settings, 'Leave Her To Heaven' manages to fall into the noir category despite its lush technicolor scenery and handsome interiors. It's a visually stunning example of "women's noir" performed to the hilt by a talented cast. Only Cornel Wilde fails to deliver. He seems too weak as the author who impulsively marries a beautiful woman, only to find that beneath the lovely exterior is a warped mind consumed by jealousy. He never quite measures up to Tierney's performance--seemingly sweet and kind but actually cold and cunning. Tierney has never been more beautifully photographed and looks stunning throughout. Jeanne Crain does well enough as the demure half-sister, rising to the occasion when the script demands a spunkier side to her personality. While the plot gets a little "heavy" at times, it's a supremely satisfying melodrama played against some of the most beautiful settings imaginable. Alfred Newman's music suggests the slowly developing tension. All in all, a fascinating example of film noir that succeeds despite technicolor. Another fine example of color noir might be 'Chinatown'. Well worth seeing to watch a fascinating femme fatale at work. Gene Tierney deserved her Oscar nomination--but lost to Joan Crawford of 'Mildred Pierce'.


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