Leave Her to Heaven (1945)

A writer falls in love with a young socialite and they're soon married. But her obsessive love for him threatens to be the undoing of them both, and everyone else around them.

Director:

John M. Stahl

Writers:

Jo Swerling (screenplay), Ben Ames Williams (novel)

Stars:

Gene Tierney, Cornel Wilde, Jeanne Crain

Won 1 Oscar. Another 1 win & 4 nominations.

Cast

Complete credited cast:
Gene Tierney	...	Ellen Berent Harland
Cornel Wilde	...	Richard Harland
Jeanne Crain	...	Ruth Berent
Vincent Price	...	Russell Quinton
Mary Philips	...	Mrs. Berent
Ray Collins	...	Glen Robie
Gene Lockhart	...	Dr. Saunders
Reed Hadley	...	Dr. Mason
Darryl Hickman	...	Danny Harland
Chill Wills	...	Leick Thome

Storyline

Novelist Richard Harland and socialite Ellen Berent meet on a train and are attracted to each other. They fall in love and decide to get married. However, the love each one feels for the other is different from the other. Ellen's love for Richard is obsessive, possessive. Ellen wants Richard all to herself. Richard learns to what extent Ellen will go to get what she wants,

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Plot Keywords:

ex convict | female sexual predator | possessive female | possessive wife | female jealousy | 

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Taglines:

Hers was the deadliest of the seven sins.

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Genres:

Drama | Film-Noir | Romance | Thriller

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Certificate:

Not Rated

Details

Country:

USA

Language:

English

Release Date:

January 1946 (USA)

Also Known As:

Que el cielo la juzgue

Filming Locations:

Bass Lake, California, USA

Company Credits

Production Co:

Twentieth Century Fox

Technical Specs

Runtime:

110 min

Sound Mix:

Mono (Western Electric Mirrophonic Recording)

Color:

Color (Technicolor)

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

Was selected for preservation in the National Film Registry in 2018, by the Library of Congress for being, "culturally, historically or aesthetically significant."

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Goofs

During Ruth's testimony at the trial, she changes how she holds Richard's book as the camera angle changes.

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Quotes

Ellen Berent Harland: I keep forgetting you can't draw a deep breath without being heard all over the house!
Ellen Berent Harland: Let's change the name of the place from Back Of The Moon to Goldfish Manor.

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Connections

Referenced in Film Geek (2005)

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Soundtracks

Deedle Deedle Dum Dum
(uncredited)
Sung by Chill Wills and Darryl Hickman

User Reviews

"I'll never let you go. Never, never, never"

I don't think I agree with those who have designated 'Leave Her to Heaven (1945)' a film noir. This Technicolor picture – and it's surprising how much the presence of colour can distort the tone of a film – feels much closer to the claustrophobic domestic melodramas of the same period, such as Hitchcock's 'Rebecca (1940)' and 'Suspicion (1941),' and Cukor's 'Gaslight (1944).' But there's one important difference. By reversing the gender roles, and placing the power in the hands of the wife, director John M. Stahl here creates a formidable femme fatale, personified by the lovely and luminous Gene Tierney. The vibrant Technicolor photography is certainly pleasing to the eye, and the saturated colours add a perhaps-unintended touch of the surreal, but the dazzling colour palette distracts from and obstructs the film's darker themes. As much as I wouldn't like to deprive myself of Tierney's sparkling green eyes, I think that, in terms of atmosphere, 'Leave Her to Heaven' would have worked better in black-and-white.

The film starts off in the classic noir style: told in flashback, the story opens with popular author Richard Harland (Cornel Wilde), who meets an alluring woman, Ellen Berent (Tierney), on a train. Ellen quickly charms Richard with her dazzling looks and strong personality; soon, despite her own engagement to a prominent lawyer (Vincent Price), she has proposed their marriage, an offer he finds impossible to refuse. Here, 'Leave Her to Heaven' takes a distinct turn in storytelling approach, abruptly shifting its attention to Ellen's perspective, at which point we begin to recognise that perhaps she isn't as lovely as her new husband has been led to believe. The new couple move to Richard's secluded lakeside lodge, where they must also care for his crippled younger brother, Danny (Darryl Hickman, giving one of those "excited boy scout" child performances that were popular in the 1940s). As the weeks go by, Ellen's near-obsessive love for Richard begins to brood anger, hatred and jealousy, culminating in the cruelest of acts.

Tierney's character initially elicits an amount of sympathy, especially given Richard's apparent inability to recognise his wife's desperate need for privacy and intimacy in their relationship. However, it doesn't take long before her behaviour, fuelled by suspicion and paranoia, becomes entirely contemptible, and there's no longer any trace of the charming enchantress we saw in 'Laura (1944).' Ellen's psychosis is an intriguing one: she was obviously obsessed with love for her own father – what Freud called "feminine Oedipus attitude," or Electra complex – and, following his death, subsequently fell in love with Richard, who bears a remarkable resemblance to him. Such is her passion for her father, through Richard, that she cannot bear to share him with anybody; thus, her mania stems from the simple notion that "she loves too much." Ellen's murders are shocking in their own low-key simplicity, and Tierney, who received her only Oscar nomination for the role, carries out her evils with an icily-impassive face. But, geez, even this chilling portrayal can't make me stop loving her.