A writer falls in love with a young socialite and they're soon married, but her obsessive love for him threatens to be the undoing of them both as well as everyone around them.A writer falls in love with a young socialite and they're soon married, but her obsessive love for him threatens to be the undoing of them both as well as everyone around them.A writer falls in love with a young socialite and they're soon married, but her obsessive love for him threatens to be the undoing of them both as well as everyone around them.
The film starts off in the classic noir style: told in flashback, the story opens with popular author Richard Harland (Cornel Wilde), who meets an alluring woman, Ellen Berent (Tierney), on a train. Ellen quickly charms Richard with her dazzling looks and strong personality; soon, despite her own engagement to a prominent lawyer (Vincent Price), she has proposed their marriage, an offer he finds impossible to refuse. Here, 'Leave Her to Heaven' takes a distinct turn in storytelling approach, abruptly shifting its attention to Ellen's perspective, at which point we begin to recognise that perhaps she isn't as lovely as her new husband has been led to believe. The new couple move to Richard's secluded lakeside lodge, where they must also care for his crippled younger brother, Danny (Darryl Hickman, giving one of those "excited boy scout" child performances that were popular in the 1940s). As the weeks go by, Ellen's near-obsessive love for Richard begins to brood anger, hatred and jealousy, culminating in the cruelest of acts.
Tierney's character initially elicits an amount of sympathy, especially given Richard's apparent inability to recognise his wife's desperate need for privacy and intimacy in their relationship. However, it doesn't take long before her behaviour, fuelled by suspicion and paranoia, becomes entirely contemptible, and there's no longer any trace of the charming enchantress we saw in 'Laura (1944).' Ellen's psychosis is an intriguing one: she was obviously obsessed with love for her own father what Freud called "feminine Oedipus attitude," or Electra complex and, following his death, subsequently fell in love with Richard, who bears a remarkable resemblance to him. Such is her passion for her father, through Richard, that she cannot bear to share him with anybody; thus, her mania stems from the simple notion that "she loves too much." Ellen's murders are shocking in their own low-key simplicity, and Tierney, who received her only Oscar nomination for the role, carries out her evils with an icily-impassive face. But, geez, even this chilling portrayal can't make me stop loving her.
- Sep 27, 2008