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Leave Her to Heaven (1945)

Not Rated | | Drama, Film-Noir, Romance | January 1946 (USA)
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A writer falls in love with a young socialite and they're soon married. But her obsessive love for him threatens to be the undoing of them both, and everyone else around them.

Director:

John M. Stahl

Writers:

Jo Swerling (screenplay), Ben Ames Williams (novel)
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Won 1 Oscar. Another 1 win & 4 nominations. See more awards »

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Cast

Complete credited cast:
Gene Tierney ... Ellen Berent Harland
Cornel Wilde ... Richard Harland
Jeanne Crain ... Ruth Berent
Vincent Price ... Russell Quinton
Mary Philips ... Mrs. Berent
Ray Collins ... Glen Robie
Gene Lockhart ... Dr. Saunders
Reed Hadley ... Dr. Mason
Darryl Hickman ... Danny Harland
Chill Wills ... Leick Thome
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Storyline

Novelist Richard Harland and socialite Ellen Berent meet on a train and are attracted to each other. They fall in love and decide to get married. However, the love each one feels for the other is different from the other. Ellen's love for Richard is obsessive, possessive. Ellen wants Richard all to herself. Richard learns to what extent Ellen will go to get what she wants, Written by Huggo

Plot Summary | Add Synopsis

Taglines:

The sin she committed in the name of love could not be judged by man...or punished by law! See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

January 1946 (USA) See more »

Also Known As:

Que el cielo la juzgue See more »

Filming Locations:

Bass Lake, California, USA See more »

Company Credits

Production Co:

Twentieth Century Fox See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Mirrophonic Recording)

Color:

Color (Technicolor)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

The title is taken from a line from William Shakespeare's "Hamlet". See more »

Goofs

Ellen's method of scattering her father's ashes (flinging the urn from side to side during a horseback ride through the desert) would leave both her and the horse covered in her father's remains. See more »

Quotes

Richard Harland: When I looked at you, exotic words drifted across the mirror of my mind like clouds across the summer sky.
See more »

Connections

Featured in Saturn in Opposition (2007) See more »

Soundtracks

Chickens in the Garden
(uncredited)
aka "Treat My Daughter Kindly"
Traditional
Sung by Chill Wills
See more »

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User Reviews

 
"I'll never let you go. Never, never, never"
27 September 2008 | by ackstasisSee all my reviews

I don't think I agree with those who have designated 'Leave Her to Heaven (1945)' a film noir. This Technicolor picture – and it's surprising how much the presence of colour can distort the tone of a film – feels much closer to the claustrophobic domestic melodramas of the same period, such as Hitchcock's 'Rebecca (1940)' and 'Suspicion (1941),' and Cukor's 'Gaslight (1944).' But there's one important difference. By reversing the gender roles, and placing the power in the hands of the wife, director John M. Stahl here creates a formidable femme fatale, personified by the lovely and luminous Gene Tierney. The vibrant Technicolor photography is certainly pleasing to the eye, and the saturated colours add a perhaps-unintended touch of the surreal, but the dazzling colour palette distracts from and obstructs the film's darker themes. As much as I wouldn't like to deprive myself of Tierney's sparkling green eyes, I think that, in terms of atmosphere, 'Leave Her to Heaven' would have worked better in black-and-white.

The film starts off in the classic noir style: told in flashback, the story opens with popular author Richard Harland (Cornel Wilde), who meets an alluring woman, Ellen Berent (Tierney), on a train. Ellen quickly charms Richard with her dazzling looks and strong personality; soon, despite her own engagement to a prominent lawyer (Vincent Price), she has proposed their marriage, an offer he finds impossible to refuse. Here, 'Leave Her to Heaven' takes a distinct turn in storytelling approach, abruptly shifting its attention to Ellen's perspective, at which point we begin to recognise that perhaps she isn't as lovely as her new husband has been led to believe. The new couple move to Richard's secluded lakeside lodge, where they must also care for his crippled younger brother, Danny (Darryl Hickman, giving one of those "excited boy scout" child performances that were popular in the 1940s). As the weeks go by, Ellen's near-obsessive love for Richard begins to brood anger, hatred and jealousy, culminating in the cruelest of acts.

Tierney's character initially elicits an amount of sympathy, especially given Richard's apparent inability to recognise his wife's desperate need for privacy and intimacy in their relationship. However, it doesn't take long before her behaviour, fuelled by suspicion and paranoia, becomes entirely contemptible, and there's no longer any trace of the charming enchantress we saw in 'Laura (1944).' Ellen's psychosis is an intriguing one: she was obviously obsessed with love for her own father – what Freud called "feminine Oedipus attitude," or Electra complex – and, following his death, subsequently fell in love with Richard, who bears a remarkable resemblance to him. Such is her passion for her father, through Richard, that she cannot bear to share him with anybody; thus, her mania stems from the simple notion that "she loves too much." Ellen's murders are shocking in their own low-key simplicity, and Tierney, who received her only Oscar nomination for the role, carries out her evils with an icily-impassive face. But, geez, even this chilling portrayal can't make me stop loving her.


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