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The House on 92nd Street (1945)

Approved | | Crime, Drama, Film-Noir | 16 October 1945 (France)
Bill Dietrich becomes a double agent for the F.B.I. in a Nazi spy ring.

Director:

Henry Hathaway

Writers:

Barré Lyndon (screenplay) (as Barre Lyndon), Charles G. Booth (screenplay) | 2 more credits »
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Won 1 Oscar. Another 1 win. See more awards »

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Cast

Complete credited cast:
William Eythe ... Bill Dietrich
Lloyd Nolan ... Inspector George A. Briggs
Signe Hasso ... Elsa Gebhardt
Gene Lockhart ... Charles Ogden Roper
Leo G. Carroll ... Col. Hammersohn
Lydia St. Clair Lydia St. Clair ... Johanna Schmidt
William Post Jr. ... Walker (as William Post)
Harry Bellaver ... Max Coburg
Bruno Wick Bruno Wick ... Adolf Lange
Harro Meller Harro Meller ... Conrad Arnulf
Charles Wagenheim Charles Wagenheim ... Gustav Hausmann
Alfred Linder Alfred Linder ... Adolf Klein
Renee Carson Renee Carson ... Luise Vajda
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Storyline

Preface: a stentorian narrator tells us that the USA was flooded with Nazi spies in 1939-41. One such tries to recruit college grad Bill Dietrich, who becomes a double agent for the FBI. While Bill trains in Hamburg, a street-accident victim proves to have been spying on atom-bomb secrets; conveniently, Dietrich is assigned to the New York spy ring stealing these secrets. Can he track down the mysterious "Christopher" before his ruthless associates unmask and kill him? Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis

Taglines:

This is the man whose sin was greater than murder...in "THE HOUSE ON 92ND STREET". See more »


Certificate:

Approved | See all certifications »
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Details

Country:

USA

Language:

English | German

Release Date:

16 October 1945 (France) See more »

Also Known As:

Now It Can Be Told See more »

Company Credits

Production Co:

Twentieth Century Fox See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Mirrophonic Recording)

Color:

Black and White (archive footage)| Black and White

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Film debut of Paul Ford. See more »

Goofs

When the agents are preparing to do the first survey of the house they are wearing CD (Civil Defense) arm bands on their right arms. The next scene shows them approaching the house and the arm bands are now on their left arms. See more »

Quotes

Agent George A. Briggs: We know all about you, Roper. We've traced you to the day you were born. We even know the approximate day you will die.
See more »

Crazy Credits

Opening credits are shown as someone flipping through the pages of a file. See more »


Soundtracks

Tra-La-La-La
(uncredited)
Music by Harry Warren
Played as background music at the talent agent's office
See more »

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User Reviews

 
The First and Best Semi-documentary Film
17 August 1999 | by Shig-3See all my reviews

I first saw "The House ..." when I was a middle school student, and became an enthusiastic fan of it. I believe this film is the first and best semi-documentary masterpiece ever made. The film's density is high and there are no superfluous scenes. Reed Hadley's narration is strong, persuasive and impressive. The sound quality is also exceptional: motif march music, actual sounds of inside of the FBI and the city, actors voice etc. Black and White cinematography of actual locations is sharp and beautiful. Lloyd Nolan's dependable performance as FBI inspector George A. Briggs, Lydia St. Clair and Alfred Linder's thankless roles, very beautiful Signe Hasso as Elsa Gebhardt ...etc. Gebhardt are all unforgettable. i recommend this masterpiece to all suspense film fans to see. Three years later Lloyd Nolan plays the same role of Briggs in "The Street with No Name", and its motif march music is also same.


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