At a home for retired musicians, the annual concert to celebrate Composer Giuseppe Verdi's birthday is disrupted by the arrival of Jean (Dame Maggie Smith), an eternal diva and the former wife of one of the residents.
British retirees travel to India to take up residence in what they believe is a newly restored hotel. Less luxurious than advertised, the Marigold Hotel nevertheless slowly begins to charm in unexpected ways.
A haunting ghost story spanning two worlds, more than a century apart. When 13-year-old Tolly finds he can mysteriously travel between the two, he begins an adventure that unlocks family secrets laid buried for generations.
As the Best Exotic Marigold Hotel has only a single remaining vacancy, posing a rooming predicament for two fresh arrivals, Sonny Kapoor (Dev Patel) pursues his expansionist dream of opening a second hotel.
In a Florence pensione circa 1900 with English guests, George Emerson (Julian Sands) and his dad (Denholm Elliott) offer their rooms with views to Lucy Honeychurch (Helena Bonham Carter) and her chaperone, Charlotte Bartlett (Dame Maggie Smith). Lucy and George get acquainted, but Lucy returns to England. George and Lucy meet again, but now she's engaged.
Helena Bonham Carter,
Taking place in pre-World War II England, aging sisters Ursula (Dame Judi Dench) and Janet (Dame Maggie Smith) live peacefully in their cottage on the shore of Cornwall. One morning following a violent storm, the sisters spot from their garden a nearly-drowned man lying on the beach. They nurse him back to health and discover that he is Polish. Communicating in broken German while they teach him English, they learn his name is Andrea (Daniel Brühl) and that he is a particularly gifted violinist. His boat was on its way to America, where he is headed to look for a better life. It doesn't take long for them to become attached to Andrea, and they dote on him. Other townspeople, however, have their suspicions, especially when he befriends a Russian woman, Olga (Natascha McElhone).Written by
Delicate and unpretentious, this story of an old lady's infatuation with a young violinist is like a refreshing whiff of air amidst the sultry stench of brouhaha "fat-cash" movies that contaminate the silver screen this summer. Its overall impressionistic and bland atmosphere of old rural England with seemingly plain, but emotionally tense story has a mollifying effect on our senses, long warped by clink-clank of special effects and overblown plots.
If one has to compare this film with other forms of art, "Ladies in Lavender" feels like a fine piece of vintage literature, transfered on screen and complemented with exquisite acting and gorgeous music. At the same time, it is so much "slice-of-life" story thanks to meticulous nuances in depicting the characters' lifestyle and subtle performances of the film's main stars.
Contrary to some reviews, I don't have an impression that the story is deficient or lacks in details. I find it rather complete and coherent. Moreover, I think that giving any additional background information on the characters would have only diluted the story. The director's objective is clearly to focus on the internal feelings of the two old sisters and for that enough information is provided in their own comments. After all, it's not the story of the stranger that is so important; but the story of their loneliness and attachment to this young man that is the cornerstone of the plot.
Not as shattering as some more action-driven movies, this film is a good treat for those who want to get away from the din of our modern life and enjoy some excellent music for precious one and a half hours.
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