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Children of Paradise (1945)

Les enfants du paradis (original title)
Not Rated | | Drama, Romance | 15 November 1946 (USA)
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1:23 | Trailer

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The theatrical life of a beautiful courtesan and the four men who love her.

Director:

Marcel Carné

Writer:

Jacques Prévert (scenario and dialogue)
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Nominated for 1 Oscar. Another 2 wins. See more awards »

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Cast

Cast overview, first billed only:
Arletty ... Claire Reine, dite Garance
Jean-Louis Barrault ... Baptiste Debureau
Pierre Brasseur ... Frédérick Lemaître
Pierre Renoir ... Jéricho
María Casares ... Nathalie (as Maria Casarès)
Gaston Modot ... Fil de Soie
Fabien Loris Fabien Loris ... Avril
Marcel Pérès Marcel Pérès ... Le directeur des Funambules
Palau ... Le régisseur des Funambules (as Pierre Palau)
Etienne Decroux Etienne Decroux ... Anselme Debureau (as Étienne Decroux)
Jane Marken ... Mme Hermine (as Jeanne Marken)
Marcelle Monthil ... Marie
Louis Florencie Louis Florencie ... Le gendarme des 'Adrets'
Habib Benglia Habib Benglia ... L'employé des bains turcs
Rognoni Rognoni ... Le directeur du Grand Théâtre
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Storyline

Strolling indolently around the 1830s vibrant Parisian avenue called the Boulevard du Crime, the graceful and elusive courtesan, Garance, finds herself wrongfully accused of pickpocketing. But, amid a sea of jugglers, sideshow performers, streetwalkers, and crooks, the silently eloquent mime, Baptiste, comes to her rescue, only to hopelessly fall for her. And just like that, love's sweet torture befalls the delicate pantomimist, as the insufferable burden of knowing that the object of his desire can never belong to anyone, will heartlessly haunt him for years to come. Many have tried to seize her heart--the flamboyant thespian, Frédérick Lemaître; the criminal dandy, Pierre-François Lacenaire, and the imperious but loveless Count, Édouard de Montray--however, Garance, after so many barren years, now seems to need only one man. In the end, trusting a frail and modest rose is beautiful but cruel. Is there anyone who can accept the naked truth of an unrequited love? Written by Nick Riganas

Plot Summary | Add Synopsis

Taglines:

AT LAST! The Celebrated French Film

Genres:

Drama | Romance

Certificate:

Not Rated | See all certifications »
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Details

Country:

France

Language:

French

Release Date:

15 November 1946 (USA) See more »

Also Known As:

Children of Paradise See more »

Filming Locations:

Nice, Alpes-Maritimes, France See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (edited)

Sound Mix:

Mono

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

The most expensive movie ever made in France at the time. See more »

Goofs

The positions of Avril and Lacenaire in the Turkish baths changes between the shot of their entry and the closer shot. See more »

Quotes

Mme Hermine: You're being unreasonable.
Baptiste: True, I'm unreasonable.
Mme Hermine: Shutting yourself up like a monk!
Baptiste: No, monks pray. I sleep, I dream.
See more »

Alternate Versions

There are various alternate cuts of this film; the complete version runs 195 minutes and has been restored on video. See more »

Connections

Referenced in Moulin Rouge! (2001) See more »

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User Reviews

 
The Paramount Best Movie Ever Produced as a 'Gesamtkunstwerk'
19 February 2004 | by scharnbergmax-seSee all my reviews

1995 was the centennial of the invention of movies. In Stockholm the event was celebrated, inter alia, by showing 'Les enfants du paradis' free of charge on the French National Day. It was presented as the best French movie ever made. Perhaps it was felt not to be polite toward other countries to talk of the best movie made in any countries. But many (not all) experts agree that it is indeed so. And so do I. I saw the film for the first time in 1954, and have never changed my mind about its paramount position. But whatever you may think in this respect, one of the most prominent features is that the movie is a 'GESAMTKUNSTWERK'. This word was invented by Richard Wagner to indicate a work in which music, text, and visual arts fuse or amalgamate into a unity. Concerning the movie at hand, the word is of course taken in a different sense. The movie contains all kinds of cinematic categories: mass scenes perhaps with 10'000 extras, chamber play with close-up photos of emotional faces, deep and genuine love, superficial sex, friendship, comic pantomime, tragic pantomime, comic theatre (that is, both the theatre scene and the public on the screen), tragic theatre, murder, hand-to-hand-fighting, pocket-picking, etc. And everything put together into one single film. Even more, whenever a section is comic, it rests so completely in the comic mood that the spectator cannot imagine that the entire movie was not comic from the first beginning, and will not remain so to the last end. Whenever it is tragic, it rests equally completely in the tragic mood, as if it had never been anything else than tragic and would never leave the tragic mood. Despite this heterogeneity, the movie does not split up in disparate fragments, but forms a genuine whole. The writer was the really great poet Jacques Prévert, and it tells much about his unusual competence that, on the one hand, each scene is superb when seen in isolation and, on the other hand, each scene does not therefore fit less perfectly in the film as a whole. - - - To some people it may be interesting to know that four of the roles are real historical persons: the actor Frederick Lemaître, the pantomimic performer Baptiste Debureau, the mediocre gangster Jean-François Lacenaire, and the latter's assistant Avril. Lacenaire was executed in 1836. His memoirs, which were written while he awaited execution, are published in English translation.


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