"Dakota," a young soldier on a pass in New York City, visits the famed Stage Door Canteen, where famous stars of the theatre and films appear and host a recreational center for servicemen ... See full summary »
Biography of songwriter, Broadway pioneer, Jerome Kern. Unable to find immediate success in the USA, Kern sought recognition abroad. He journeyed to England where his dreams of success became real and where he met his future wife Eva.
A newspaper columnist and host of his own national network radio program, interviewing more film personalities on his show than any other commentator, is searching for a story for a Sunday ... See full summary »
A Universal Army enlistment promotion, produced as a musical showcase for Harry James, the Andrews Sisters, Joe E. Lewis, and Donald O'Connor & Peggy Ryan. The film's thin plot has James ... See full summary »
Edward F. Cline
The Andrews Sisters,
Joe E. Lewis
Rich playboy Drogo Gaines is in imminent danger of marrying a gold digger, and escapes by feigning insanity. The joke's on him when he wakes up in an asylum full of comical lunatics. There ... See full summary »
The oddly-assorted Hart cousins: revue singer Blossom, con man Harry, and machinist Chiquita (who gets radio through her teeth!), inherit southern plantation Magnolia Manor, which alas ... See full summary »
Burlesque queen Doll Face Carroll is dismissed from an audition for a legitimate Broadway show because she's considered unrefined. Her boss/manager, Mike, decides that she can acquire some polish and also get plenty of publicity by writing her autobiography; he hires a ghost writer to do all the work but doesn't consider that Doll Face and her collaborator might have more than a book on their minds.Written by
Daniel Bubbeo <DanNGM@aol.com>
The hit swing-novelty number from the Jimmy McHugh-Harold Adamson score, the wisecracking, very 1940s "Dig You Later (A Hubba-Hubba-Hubba)," was performed in the film as a duet by Perry Como and Martha Stewart. Como's best-selling single on the Victor label would supplant Miss Stewart with a vocal quartet, The Satisfiers, whose lead singer was Helen Carroll. Curiously, Miss Stewart was recording for RCA Victor at the time. See more »
A woman needs a man. You are a man, aren't you?
See more »
A wartime soufflé from a play by Gypsy Rose Lee (as Louise Hovick), DOLL FACE features a lightweight plot with some snappy dialogue and delivery among the clichés, while director Lewis Seiler's vision is properly focused upon contemporary swing music, highlighting the vocal skill of Vivian Blaine, Perry Como, Carmen Miranda and Martha Stewart (no, not that one). The scenario has as its primary business a rocky romance between Doll Face Carroll (Blaine), a burlesque queen, and her manager, Mike Hannegan (the stalwart Dennis O'Keefe), along with the latter's efforts to boost his proletarian protégé into the realm of operetta. Seiler manages to remain faithful to the story line while seamlessly blending in the many musical numbers which, interestingly enough, prove more of a showcase for the perky Stewart and smooth Como than for the top-billed and certainly very pleasant Blaine; the production number for Miranda is a wild one, indeed.
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