Chance events trap hitchhiking nightclub pianist Al Roberts in a tightening net of death, deception and blackmail.Chance events trap hitchhiking nightclub pianist Al Roberts in a tightening net of death, deception and blackmail.Chance events trap hitchhiking nightclub pianist Al Roberts in a tightening net of death, deception and blackmail.
- Director
- Writers
- Martin Goldsmith(screenplay)
- Martin Mooney(uncredited)
- Stars
Top credits
- Director
- Writers
- Martin Goldsmith(screenplay)
- Martin Mooney(uncredited)
- Stars
- Awards
- 1 nomination
Don Brodie
- Used Car Salesman
- (uncredited)
Roger Clark
- Cop
- (uncredited)
Harry Mayo
- Nightclub Patron
- (uncredited)
Harry Strang
- California Border Patrolman
- (uncredited)
- Director
- Writers
- Martin Goldsmith(screenplay) (original story)
- Martin Mooney(uncredited)
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaAccording to Ann Savage, she and Tom Neal did not get along during filming. Savage stated that Neal embarrassed her on the set by putting his tongue in her ear. She retaliated by slapping his face as hard as she could. After that incident, they did not speak to each other except when filming scenes.
- GoofsIn the first shots of Al hitchhiking, the film is reversed. The cars are driving on the wrong side of the highway and the drivers sitting behind the wheel are sitting on the right side of their vehicles.
- Quotes
Al Roberts: Money. You know what that is, the stuff you never have enough of. Little green things with George Washington's picture that men slave for, commit crimes for, die for. It's the stuff that has caused more trouble in the world than anything else we ever invented, simply because there's too little of it.
- ConnectionsEdited into Michael Jackson's This Is It (2009)
- SoundtracksI Can't Believe That You're in Love with Me
(uncredited)
Written by Jimmy McHugh and Clarence Gaskill
Performed by Claudia Drake
Played often in the score
Review
Featured review
An Almost Flawless Jewel
When I got my first VCR in 1985, the two movies I immediately rented were "Baby Doll" and "Detour." I have revisited the former many times but it's been 20 years since I saw "Detour." I like it even better.
It moves in a seamless manner. The narrator is drawn as we watch into further and further degradation.
The movie has a beautiful look. I'm sure it's a cliché to note this but it resembles a Hopper painting. It also bears the trademarks of Edgar Ulmer's movies: Literate dialogue and classical movie, no matter how low the budget.
Tom Neal is a mournful, appealing protagonist. He's weak, not really bad. Ann Savage, of course, is terrifying as Vera, the hitchhiker from everyone's worst nightmare.
Al's descent from blonde soubrette Sue to consumptive, murderous Vera is terrifying. Yet, though it passes by us quickly, it is fully believable.
"Detour" is a true work of art.
It moves in a seamless manner. The narrator is drawn as we watch into further and further degradation.
The movie has a beautiful look. I'm sure it's a cliché to note this but it resembles a Hopper painting. It also bears the trademarks of Edgar Ulmer's movies: Literate dialogue and classical movie, no matter how low the budget.
Tom Neal is a mournful, appealing protagonist. He's weak, not really bad. Ann Savage, of course, is terrifying as Vera, the hitchhiker from everyone's worst nightmare.
Al's descent from blonde soubrette Sue to consumptive, murderous Vera is terrifying. Yet, though it passes by us quickly, it is fully believable.
"Detour" is a true work of art.
helpful•8413
- Handlinghandel
- Jan 23, 2005
Details
Box office
- Budget
- $30,000 (estimated)
- Gross US & Canada
- $16,172
- Opening weekend US & Canada
- $5,127
- Dec 2, 2018
- Gross worldwide
- $16,172
- Runtime1 hour 8 minutes
- Color
- Aspect ratio
- 1.37 : 1
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