Architect Walter Craig (Mervyn Johns) senses impending doom as his half-remembered recurring dream turns into reality. The guests at the country house encourage him to stay as they take turns telling supernatural tales.
On a Greek island during the 1912 war, several people are trapped by quarantine for the plague. If that isn't enough worry, one of the people, a superstitious old peasant woman, suspects ... See full summary »
Architect Walter Craig (Mervyn Johns), seeking the possibility of some work at a country farmhouse, soon finds himself once again stuck in his recurring nightmare. Dreading the end of the dream that he knows is coming, he must first listen to all the assembled guests' own bizarre tales.Written by
Doug Sederberg <firstname.lastname@example.org>
An image from this movie was used in the cover art for the album "Merrie Land" by The Good, the Bad & the Queen. See more »
During the dummy sequence, when sitting and talking with Mr. Kee, the dummy's hand changes position from table to knee. See more »
Ah! Walter Craig?
How do you do? You're Eliot Foley.
That's right. So glad you were able to come, let's have your bag.
[takes Craig's bag]
We'll put the car away afterwards. You know it struck me after I'd telephoned you, rather a cheek on my part asking a busy architect like yourself to come down and spend the weekend with a set of complete strangers.
Not a bit.
You see we're pretty cramped for space here, we need at least two more bedrooms.
And with only one living room.
[...] See more »
The UK release is 105 minutes long and features five stories (The Hearse Driver, The Christmas Party, The Haunted Mirror, The Golfing Story, and The Ventriloquist's Dummy). When originally released in the USA, two of the stories (The Christmas Party and The Golfing Story), were removed to shorten the film to 77-minutes. Later reissues and television version reinstated the missing segments. See more »
Light of Foot
Music by Carl Latann See more »
Clever imaginative classic horror
"They just don't make them like they used to", is one of those clichéd sayings spouted by older folk and ignorantly dismissed by the young. However, "Dead of Night" is a shining example of where these words may be applied without fear of being misplaced.
From my youth, I remember several episodic horror films, made up from short stories and cleverly linked together but this was by far the best. Although I can't remember the age at which I first saw it I can definitely remember being really quite terrified at times. There's no grotesque blood spilling, or horrific undead monsters, CGI special effects or anything that todays horror filmmakers seem to have on their "must include" list. In fact, it's the charm of the film that gives the horror aspect such a contrast to work against.
Think of it as the spookiest episodes of The Twilight Zone merged into one terrific movie and you won't be far off.
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