Silky has always moved booze. In prohibition, he smuggled it from Canada, but now that it is legal, he produces his own brand. Seven years before, he sent Doc to prison because Doc was an ... See full summary »
ClaIre Foster (Brenda Marshall) discovers that her respectable-businessman husband George Foster (Arthur Kennedy) isn't respectable and isn't a businessman, but a gunman in this remake-version of "Heat Lightning".
William C. McGann
Manhattan gangster John "Czar" Martin enters the trucking business in an effort to control the produce market. When he catches popular trucker Danny Jordan robbing the gang's office to ... See full summary »
On New Year's Eve 1946, Sheila Page kills her husband Barney. She wishes that she could relive 1946 and avoid the mistakes that she made throughout the year. Her wish comes true but cheating fate proves more difficult than she anticipated.
At her engagement party, Joan Ellis, your typical girl next door, acknowledges that the strange voice that she's heard all her life is coming from within herself. Joan's alter ego, a conniving and murderous woman named Karen, is becoming stronger and stronger and is threatening to take over her life. Joan negotiates with Karen. Although they do come to an agreement, Karen reneges on that agreement when the situation suits her. Karen ultimately wants the men in Joan's life, first her fiancé, Bob Arnold, then Eric Russell, a lawyer Joan meets in New York City. Joan does whatever she needs to to get rid of Karen, even if it a threat to her own life. Without knowing for certain what is wrong with Joan, those close to her, including Eric and Dr. Bergson, do whatever they can to save her.Written by
A psychological melodrama about a woman suffering from split personality. There's a hint of the noir style here, resulting in some of the film's few good moments, but overall it's just too silly to enjoy on any level besides camp. Any movie of this era that attempts to tackle psychiatry invariably simplifies it far too much, both the condition and the cure. A lot of the plot is just too convenient and/or unexplained (how the hell did Bob find her?) and there's not very much dramatic tension. Phyllis Thaxter does a fairly good job in the lead, no one is very satisfying, including Audrey Totter as the alter ego's voice-over. Movies like this are nice reminders that not all classic cinema is gold.
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