Seven guests, a newly hired personal secretary and two staff are gathered on an isolated island by an absent host and someone begins killing them off one by one. They work together to determine who is the killer?
A psychological thriller based on the novel by Agatha Christie. Ten strangers are forced to come face to face with their dark pasts after receiving invitation to an isolated island off the coast of England.
Seven guests, a newly hired personal secretary and two staff are gathered for a weekend on an isolated island by the hosts the Owens who are delayed. At dinner a record is played and the host's message alleges that all the people present are guilty of murder and suddenly the first of them is dead, then the next - It seems that one of them is the murderer but the leading person is always the person who is murdered next and at last only two people are left.Written by
Stephan Eichenberg <firstname.lastname@example.org>
The failure of the original copyright holder to renew the film's copyright resulted in it falling into public domain, meaning that virtually anyone could duplicate and sell a VHS/DVD copy of the film. Therefore, many of the versions of this film available on the market are either severely (and usually badly) edited and/or of extremely poor quality, having been dubbed from second- or third-generation (or more) copies of the film. See more »
The opening credits state that the movie is "From the Novel by Agatha Christie". Strictly speaking, this is not true. The movie uses the stage play's ending, rather than the novel's. See more »
Very stupid to kill the only servant in the house. Now we don't even know where to find the marmalade.
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The first line of the nursery rhyme appears onscreen - "Ten Little Indians Went Out To Dine...." - superimposed over a set of small statues of Native Americans - this is immediately followed by the film's title "And Then There Were None". See more »
Rene Clair's masterful direction takes Christie's classic novel up to a new dimension more suitable for cinema. Every character is perfectly realized by magnificent acting. My favorite is C. Aubrey Smith who portrays General Mandrake with a British subtlety that cannot be understood fully by today's American viewers. But why quibble?
Every cast member is perfect. Roland Young may actually be the most instrumental as Blore in keeping the films wit intact and never allowing it to get too serious. Barry Fitzgerald is terrific as the Judge, and Huston perfection itself as the charming, albeit alcoholic, doctor. Dame Judith Anderson, perhaps the best supporting actress of all time, dominates every seen she is in as a sinister spinster.
But, of course, there is a lead, and in the hands of a lesser actor, he could have wound up being a feckless straight man to all the great character actors around him. With Louis Hayward as Mr. Lombard, the character more than holds his own with all challengers, and has an especially nice chemistry with Young. And although June Duprez is slightly out of her league as a thespian, she is plucky and capable enough, with Hayward's help, to pull off her role just fine.
The atmosphere, photography, and soundtrack are all artistic perfection. This movie is a true treat for all the senses.
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