Two peanut vendors at a rodeo show get in trouble with their boss and hide out on a railroad train heading west. They get jobs as cowboys on a dude ranch, despite the fact that neither of ... See full summary »
Harry and Willie buy the Edison Movie Studio in the year 1912 from Joseph Gorman, a confidence man. They follow Gorman to Hollywood where, as stunt men, they find him directing movies as Sergei Trumanoff and stealing the studio payroll.
Jonesy and Lou are in Algeria looking for a wrestler they are promoting. Sergeant Axmann tricks them into joining the Foreign Legion, after which they discover Axmann's collaboration with ... See full summary »
Rocky and Puddin' Head are waiting tables at an inn on Tortuga when a letter given them by Lady Jane for delivery to Martingale gets switched with a treasure map. Kidd and Bonney kidnap them to Skull Island to find said treasure.
Buzz and Abercrombie are agents trying to get Jeff Parker the lead in a movie musical. Routines include Lou's insomnia and his being unable to hear Bud due to his wearing an earplug. Lots of movie studio stuff.Written by
Ed Stephan <firstname.lastname@example.org>
When Lou is running up the roller coaster with the man chasing him, the man slips and falls, sliding back down - alone. But the next shot, close up, shows the man on top of Lou and fighting with him. See more »
I gotta break the date.
Don't you remember? June 22nd?
June 22nd? I don't remwember anything about a date.
Oh, yes. Don't you remember? I said I was gonna take you to the Palladium a long time ago, and you said, 'See me next year.' Well, tonight the year is up.
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I grew up with Abbott & Costello's movies and show (and even their cartoon) back on WPIX in the 1970s. In my eyes, they were the best comedy team ever, easily besting Laurel & Hardy, Martin & Lewis and Hope & Crosby. Having recently begun re-watching A&C movies, I was reminded of just how funny they were. That is, until I got to "A&C in Hollywood." I didn't remember having seen it before, likely because WPIX only played A&C's Universal classics.
The problem here is that more than most other A&C movies, this was a bunch of gags loosely strung together with a weak story. Many of the gags weren't very funny and several of them just went on far too long, among them Costello hiding out as a stunt dummy on the set of a western and Costello having insomnia. The latter was especially tiresome. It went on for what seemed like 10-15 minutes and didn't advance the plot at all. How many times do we need to see A&C stuffing cotton in their ears, plucking it out, then repeating the process?
Even more disturbing was their plan to eliminate their client's rival. Framing the man for a fake murder? That's definitely not A&C's style. They had always had harmless if sometimes negligent fun, but this crossed the line into outright crime.
For a better take on the basic premise of this movie (two nobodies try to break into show business, with Costello being chased by an angry villain in the climax), try "Who Done It?" That film about two soda jerks trying to become radio mystery writers, made three years before this one, was a much better effort for both of them.
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