In Buenos Aires, a man who has decreed that his daughters must marry in order of age allows an American dancer to perform at his club under the condition that he play suitor to his second-oldest daughter.
William A. Seiter
Abigail Chandler has written her stuffy Boston relatives that she's a successful opera singer in New York. In reality, she works at a burlesque house and is billed as High-C Susie. When her... See full summary »
A contrived misunderstanding leads to the breakup of a songwriter and his fiancée. She returns to work as a gym teacher at an all-girls school, but a legal loophole allows the man to enroll as one of her students.
Sailor Ted meets at the Lonely Hearts Club of his friend Gunny's wife, Jenny, a girl, Nora Paige, and falls in love. Nora wants to become a dancer on Broadway. Ted rescues the Pekinese of ... See full summary »
Roy Del Ruth
On December 23rd, Korean War veteran George Haverstick and nurse Isabel Crane - who George lovingly refers to as "Little Bit" - get married in a civil ceremony. They met when George was ... See full summary »
A sailor helps two sisters start up a service canteen. The sailor soon becomes taken with gorgeous sister Jean, unaware that her sibling Patsy is also in love with him.Written by
Daniel Bubbeo <firstname.lastname@example.org>
Singer Buddy Moreno joined Harry James and His Orchestra in 1943 and appears in this film (uncredited) as the vocalist of "You, Dear" during the dream sequence and during the finale reprise of "Sweet and Lovely" at the very end. The same year, he also appeared with the James Orchestra in Bathing Beauty (1944) singing "I'll Take the High Note". See more »
The background for the opening credits is a drawing of a stage with part of the proscenium arch and curtain visible on the left side of the screen. As each credit is shown a caricature representing that person or persons appears on the stage near the bottom of the screen. See more »
Considering the talent involved, the movie should be better than it is. What's needed is a lot more bounce and about twenty minutes less of the romantic guessing game, which drags along too much of the time. Too bad we don't get more of the sparkle and zip of the Young Man with a Horn number. Allyson really comes alive during those moments. Durante is of course Durante lending his inimitable style of pizazz, while the baby-faced De Haven shines, along with Johnson who really deserves more screen time. The love-struck soldier is a novel touch for a movie of this type, though somewhat creepy at times. And what in the heck does the subplot of the two elderly gentlemen do other than meander a story-line that's already too drawn-out. Note how high-brow musicians Albert Coates and Jose Iturbi do musical spots. Having the classically trained making guest appearances was not unusual for popular musicals of the time. I suppose producers thought this would broaden audience appeal. Anyway it's a good chance to scope out Harry James at his peak and vintage Lena Horne. Fortunately, the kids themselves would go on to bigger and better things.
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