A sailor helps two sisters start up a service canteen. The sailor soon becomes taken with gorgeous sister Jean, unaware that her sibling Patsy is also in love with him.
Sailor Ted meets at the Lonely Hearts Club of his friend Gunny's wife, Jenny, a girl, Nora Paige, and falls in love. Nora wants to become a dancer on Broadway. Ted rescues the Pekinese of ... See full summary »
Director:
Roy Del Ruth
Stars:
Eleanor Powell,
James Stewart,
Virginia Bruce
At fictitious Tait University in the Roaring 20's, co-ed and school librarian Connie Lane falls for football hero Tommy Marlowe. Unfortunately, he has his eye on gold-digging vamp Pat ... See full summary »
Director:
Charles Walters
Stars:
June Allyson,
Peter Lawford,
Patricia Marshall
While his wife is urging him to quit the force, a Los Angeles homicide detective hunts for the killer responsible for the murder of his ex-partner, who might have been on the take with local bookies.
Professor Hardwick teaches at Winfield College and detests the new swing music that is the craze. He has written a rhapsody which he takes to New York to be published. Staying with his Aunt... See full summary »
Acrobat Eddie Marsh is in the army now. His first act is to become friendly with Kathryn Jones, the colonel's pretty daughter. Their romance hits a few snags, including disapproval from her... See full summary »
A clumsy, accident-prone taxicab driver, who invented the elastic-glass, risks losing his valuable invention to a group of con-men led by a crooked lawyer but the pretty lady-owner of the Yellow Cab Co. comes to his aid.
Eric Wainwright (Van Johnson), a busy impresario, is besieged by hordes of wannabe concert stars, eager for their big break. One of them is Cynthia Potter (June Allyson), a talented pianist... See full summary »
A sailor helps two sisters start up a service canteen. The sailor soon becomes taken with gorgeous sister Jean, unaware that her sibling Patsy is also in love with him.Written by
Daniel Bubbeo <dbubbeo@cmp.com>
While the film made Van Johnson and June Allyson a bona fide box office team, co-star Gloria DeHaven was unable to rise above the rank of supporting player. Largely based on this film's success, DeHaven had difficulty reconciling with the fact that she had not reached the pinnacle of Allyson and Johnson's stardom, which led her to turn down role after role at MGM, most notably amoral gold digger Pat McClellan, the part Patricia Marshall inherited in Good News (1947) -- not coincidentally an Allyson star vehicle. DeHaven spent much of her tenure at the studio on suspension, determined to play leading roles, even if nominal, in films such as Summer Holiday (1948) and The Yellow Cab Man (1950). See more »
The background for the opening credits is a drawing of a stage with part of the proscenium arch and curtain visible on the left side of the screen. As each credit is shown a caricature representing that person or persons appears on the stage near the bottom of the screen. See more »
Love musicals, and also have seen comedy and romance done very well individually and together. Whether in musicals or not. MGM made many classics, too numerous to list in this review, and the 40s was a good decade for them. The cast here boasts of many very talented actors and singers, so there was a lot about 'Two Girls and a Sailor' that made me want to see it after being in my slowly decreasing watchlist for so long.
'Two Girls and a Sailor' on the most part is enjoyable fun and very charming, very difficult to dislike it. Not MGM at its best or among the best of the decade, the cast have all done better things too. That is not trying to knock 'Two Girls and a Sailor', as there is much to like about it and it does a lot of things well. As well as being enjoyable, charming and upbeat, it is also very well made and it in no way disgraces the cast or anybody involved. It combines musical, comedy and romance, and does all three on the most pretty well individually and balances the three without feeling disjointed or muddled, not always the case with films that try to mix more than one genre.
Not perfect by all means. The story is very thin, and too thin for the (to me) overlong running time. Some of the film feels very over-stretched, which made for some draggy interludes a little reliant on coincidence, and about 15-20 minutes could have been trimmed easily, which would have tightened things up.
Richard Thorpe's direction could have at times been more inspired in the non-musical numbers, it is fully competent as always if at times on the too ordinary side.
However, there is so much to enjoy. The production values are truly top notch, all big and lavish without being overly-glossy, the black and white still looks lovely. Have nothing to fault the songs for, they were big hits at the time and no wonder, they fit beautifully in the film, don't bloat it and are outstanding songs in their own right. Made me feel happy and upbeat. Similarly the way they are performed is practically pitch-perfect, one cannot go wrong with Harry James, Lena Horne and Jimmy Durante, particular standouts of the all round fantastic contributions. Virginia O'Brien is amusingly deadpan as well. All of them are choreographed with great energy and none of them were choreographed in a way that felt overblown or drawn out. Plus that deliciously strange dream sequence, won't be forgetting that in a hurry.
It is the musical aspect that comes off the best. The comedy does amuse though, and it is not the vulgar kind of comedy thank goodness, and the romance is sweet and charming, just wish that in the non-musical numbers there was a little more bounce. The script is spirited and doesn't become cheesy or limp. The pace is uneven, but a lot of the time it comes to life and gives 'Two Girls and a Sailor' enormous charm. The cast are the main selling point and they and the musical numbers are the best thing about 'Two Girls and a Sailor'. June Allyson and Gloria De Haven are endearingly perky, while Van Johnson does the boy-next-door thing with appeal, though he has relatively little to do. James, Horne, Durante and O'Brien shine in their sequences in particular, but as said the film is a feast of talent in their element.
On the whole, good fun and very likeable. Could have been better though. 7/10
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Love musicals, and also have seen comedy and romance done very well individually and together. Whether in musicals or not. MGM made many classics, too numerous to list in this review, and the 40s was a good decade for them. The cast here boasts of many very talented actors and singers, so there was a lot about 'Two Girls and a Sailor' that made me want to see it after being in my slowly decreasing watchlist for so long.
'Two Girls and a Sailor' on the most part is enjoyable fun and very charming, very difficult to dislike it. Not MGM at its best or among the best of the decade, the cast have all done better things too. That is not trying to knock 'Two Girls and a Sailor', as there is much to like about it and it does a lot of things well. As well as being enjoyable, charming and upbeat, it is also very well made and it in no way disgraces the cast or anybody involved. It combines musical, comedy and romance, and does all three on the most pretty well individually and balances the three without feeling disjointed or muddled, not always the case with films that try to mix more than one genre.
Not perfect by all means. The story is very thin, and too thin for the (to me) overlong running time. Some of the film feels very over-stretched, which made for some draggy interludes a little reliant on coincidence, and about 15-20 minutes could have been trimmed easily, which would have tightened things up.
Richard Thorpe's direction could have at times been more inspired in the non-musical numbers, it is fully competent as always if at times on the too ordinary side.
However, there is so much to enjoy. The production values are truly top notch, all big and lavish without being overly-glossy, the black and white still looks lovely. Have nothing to fault the songs for, they were big hits at the time and no wonder, they fit beautifully in the film, don't bloat it and are outstanding songs in their own right. Made me feel happy and upbeat. Similarly the way they are performed is practically pitch-perfect, one cannot go wrong with Harry James, Lena Horne and Jimmy Durante, particular standouts of the all round fantastic contributions. Virginia O'Brien is amusingly deadpan as well. All of them are choreographed with great energy and none of them were choreographed in a way that felt overblown or drawn out. Plus that deliciously strange dream sequence, won't be forgetting that in a hurry.
It is the musical aspect that comes off the best. The comedy does amuse though, and it is not the vulgar kind of comedy thank goodness, and the romance is sweet and charming, just wish that in the non-musical numbers there was a little more bounce. The script is spirited and doesn't become cheesy or limp. The pace is uneven, but a lot of the time it comes to life and gives 'Two Girls and a Sailor' enormous charm. The cast are the main selling point and they and the musical numbers are the best thing about 'Two Girls and a Sailor'. June Allyson and Gloria De Haven are endearingly perky, while Van Johnson does the boy-next-door thing with appeal, though he has relatively little to do. James, Horne, Durante and O'Brien shine in their sequences in particular, but as said the film is a feast of talent in their element.
On the whole, good fun and very likeable. Could have been better though. 7/10