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To Have and Have Not (1944)

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During World War II, American expatriate Harry Morgan helps transport a French Resistance leader and his beautiful wife to Martinique while romancing a sensuous lounge singer.

Director:

Howard Hawks

Writers:

Ernest Hemingway (novel), Jules Furthman (screen play) | 1 more credit »
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1 win. See more awards »

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Cast

Complete credited cast:
Humphrey Bogart ... Harry Morgan
Walter Brennan ... Eddie
Lauren Bacall ... Marie 'Slim' Browning
Dolores Moran ... Mme. Hellene de Bursac
Hoagy Carmichael ... Cricket
Sheldon Leonard ... Lt. Coyo
Walter Szurovy Walter Szurovy ... Paul de Bursac (as Walter Molnar)
Marcel Dalio ... Gerard aka Frenchy
Walter Sande ... Johnson
Dan Seymour ... Capt. M. Renard
Aldo Nadi Aldo Nadi ... Renard's Bodyguard
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Storyline

Harry Morgan and his alcoholic sidekick, Eddie, are based on the island of Martinique and crew a boat available for hire. However, since the second world war is happening around them business is not what it could be and after a customer who owes them a large sum fails to pay they are forced against their better judgment to violate their preferred neutrality and to take a job for the resistance transporting a fugitive on the run from the Nazis to Martinique. Through all this runs the stormy relationship between Morgan and Marie "Slim" Browning, a resistance sympathizer and the sassy singer in the club where Morgan spends most of his days. Written by Mark Thompson <mrt@oasis.icl.co.uk>

Plot Summary | Plot Synopsis

Taglines:

At Last! Bogart makes love his kind of woman ! See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | French

Release Date:

20 January 1945 (USA) See more »

Also Known As:

Ernest Hemingway's To Have and Have Not See more »

Filming Locations:

Laguna Beach, California, USA See more »

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Box Office

Gross USA:

$3,650,000, 31 December 1945
See more on IMDbPro »

Company Credits

Production Co:

Warner Bros. See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (RCA Sound System)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

The movie's line "You know how to whistle, don't you, Steve? You just put your lips together and blow" was voted as the #34 movie quote by the American Film Institute (out of 100). See more »

Goofs

When Harry calculates how much Mr. Johnson, his fishing customer, owes him, he says more than once that it is 16 days x $35/day, + $275 for the rod and reel he lost. That totals $835. When he has Johnson's wallet he says Johnson owed him $825 (more than once). Harry calculates the amount and says, "Now you got a little credit so that'll be 825". The difference between 835 and 825 is, presumably, "...a little credit". See more »

Quotes

Title Card: [first lines]
Title Card: Martinique, in the summer of 1940, shortly after the fall of France.
Title Card: Forte de France
Steve: Morning.
Officer at port: Good Morning, Captain Morgan. What can I do for you today?
Steve: Same thing as yesterday.
Officer at port: You and your client wish to make a temporary exit from the port?
Steve: *That* is right.
Officer at port: Name?
Steve: Ha - Harry Morgan.
[...]
See more »

Connections

Referenced in The Last Slumber Party (1988) See more »

Soundtracks

Hong Kong Blues
(1939) (uncredited)
Written by Hoagy Carmichael
Performed by Hoagy Carmichael
© 1939 (Renewed) Frank Music Corp.
See more »

Frequently Asked Questions

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User Reviews

 
To Have Hawks and Have Wit...
21 June 1999 | by Don-102See all my reviews

Most film fans know the famous bet made between Ernest Hemingway and legendary director Howard Hawks (SCARFACE, BRINGING UP BABY). Hawks claimed he could make a good film out of Hemingway's worst novel. He does and Hemingway hopefully paid up. The great author must have forgot the star power Hawks had in access to in Bogart and Walter Brennan because that is exactly what drives the film. They are backed by the writing of William Faulkner and the direction of Hawks, who is always able to have his actors deliver slick lines quickly and effectively to have the story run smoothly. Oh yeah, an actress named Betty Bacall makes her debut opposite these screen legends and makes what I consider the most auspicious debuts of any actress from the 1940's. She meshes well with Bogie, trading quips and matching her future hubby line for line. The real star of TO HAVE AND HAVE NOT is Howard Hawks, a director who could create comedy, suspense, and art amidst a rather dull story.

I never read Hemingway's novel, so I couldn't tell you whether it was his worst. I believe Hemingway made the gesture and Hawks showed him up. Notice touches of the previous year's all-time classic CASABLANCA (this time the owner of the foreign booze bar is the roulette manager from CASABLANCA). World War II is a backdrop, Bogie is a cynic with that heart of gold, and he helps his "rummy" buddy, played by Walter Brennan. Bogie helped the low-life likes of Peter Lorre and Sidney Greenstreet in 'Blanca and in this one, his scenes with Brennan are comic relief. Brennan plays a funny drunk who is prone to spilling his guts after a few rums. Bogie's "Harry Morgan" rents his boat to rich Americans for fishing and will lend a hand towards the French war effort with his sailing skills much like his power to give the infamous "letters of transport" to Ingrid Bergman and Paul Henreid. Similarities aside, there is an original piece of work to see in this well-paced semi-thriller, with Bogie, Bacall, and Hawks to send them sailing into cinematic history.

"Just put your lips together and blow," will live in filmgoer's minds forever, as will the fact that Bogart and Bacall practically fall in love right in front of our eyes. A problem I had with the film was the annoying interference of the copycat (CASABLANCA) French police. Sorry, no Claude Rains to add some spice to it. I understand the movie contrasts starkly with the novel, depicting the characters at an earlier age. It is predictable and you know which girl is Bogart's. It is entertaining to see Walter Brennan squirm and tick as a hopeless alcoholic who can't seem to remember a conversation that took place 5 minutes prior. True, Hawks has no official writing credit, but the film has that Hawks touch because of the humor and genuine quality the main characters present. TO HAVE AND HAVE NOT is a picture to sit back and watch as brash, Hollywood filmmaking of the 1940's and a nice piece of classic Hawks who moved onto THE BIG SLEEP with Bogart and Bacall soon after. Its good but not the best of Hawks or Bogart.

RATING: 7 OF 10


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