A private eye escapes his past to run a gas station in a small town, but his past catches up with him. Now he must return to the big city world of danger, corruption, double crosses and duplicitous dames.
Harry Morgan and his alcoholic sidekick, Eddie, are based on the island of Martinique and crew a boat available for hire. However, since the second world war is happening around them business is not what it could be and after a customer who owes them a large sum fails to pay they are forced against their better judgment to violate their preferred neutrality and to take a job for the resistance transporting a fugitive on the run from the Nazis to Martinique. Through all this runs the stormy relationship between Morgan and Marie "Slim" Browning, a resistance sympathizer and the sassy singer in the club where Morgan spends most of his days.Written by
Mark Thompson <email@example.com>
The most famous scene in the film is undoubtedly the "you know how to whistle" dialog sequence. It was not written by Ernest Hemingway, Jules Furthman, or William Faulkner, but by Howard Hawks. He wrote the scene as a screen test for Bacall with no real intention that it would necessarily end up in the film. The test was shot with Warner Bros. contract player John Ridgely acting opposite Bacall. The Warners staff, of course, agreed to star Bacall in the film based on the test, and Hawks thought the scene was so strong he asked Faulkner to work it into one of his later drafts of the shooting script. See more »
The position of the light switch in Bogie's room is not consistent with the lights being on or off. See more »
Martinique, in the summer of 1940, shortly after the fall of France.
Forte de France
Officer at port:
Good Morning, Captain Morgan. What can I do for you today?
Same thing as yesterday.
Officer at port:
You and your client wish to make a temporary exit from the port?
*That* is right.
Officer at port:
Ha - Harry Morgan.
[...] See more »
The screen adaption of Ernest Hemingway's To Have and Have Not enjoys its place in cinematic history because it is the first screen teaming of Humphrey Bogart and Lauren Bacall. Turns out to have been a personal milestone for the both of them as well.
I was watching my VHS copy of To Have and Have Not today and included was the movie trailer and in it Warner Brothers announced it was introducing two exciting new screen personalities, Lauren Bacall and Dolores Moran. Ms. Moran was pretty enough and gave a nice performance as the wife of the resistance leader, but some careers take off and some don't. Didn't hurt Lauren that she married her leading man either.
The location of our story is Martinique right after the fall of France in 1940. As a French colonial possession Martinique fell into the hands of the Vichy collaborationist government. They didn't get free of them until 1943, months after the Germans occupied all of France in November of 1942.
Humphrey Bogart is an expatriate American along the lines of his Richard Blaine character in Casablanca. He doesn't own a swank nightclub, he's just got a charter fishing boat that lives on and runs with an alcoholic pal, Walter Brennan. But like in Casablanca, a shooting in a nightclub of his client Walter Sande gets him involved with the local Vichy police and the politics of the island.
It also gets him involved with Lauren Bacall who's just looking for a way to get back to the USA. She's not above a little light fingered action to help herself, but all that does is get her introduced to Bogey. And their sizzling scenes made cinematic history.
To Have and Have Not is fortunate to have the presence of Hoagy Carmichael one of the greatest musical talents America ever produced. He plays Cricket, the club piano player and he sings and plays Hong Kong Blues one of his greatest songs. Hoagy also wrote for this film, How Little We Know, which Bacall sings for her supper.
Dan Seymour and Sheldon Leonard play a couple of especially smarmy Vichy police officials. They have the upper hand until the very end when tables get turned rather suddenly. The only two film I've ever seen something turn that quickly is John Ford's Wagonmaster and the Richard Widmark police drama, Madigan. You can only push Bogey just so far.
Even in revivals today when Lauren Bacall tells Bogey all he need do is whistle and she'll come running, the whistles of affection will go up in theater. As well they should.
40 of 48 people found this review helpful.
Was this review helpful to you?
| Report this