In 1858 France, Bernadette, an adolescent peasant girl, has a vision of "a beautiful lady" in the city dump. She never claims it to be anything other than this, but the townspeople all ... See full summary »
An American World War I soldier, whose disfigured face is reconstructed by Austrian plastic surgeons, returns home after twenty years, but no one recognizes him, his widow is married to another man, and his son is a grown young man.
In a typical American Midwestern city, Hartfield, Iowa, Lew Marsh (Don Ameche) is the owner of a drugstore. Everyone knows Lew and knew his grandfather, old "Gramp" Marsh (Harry Carey), who... See full summary »
While husband Tim is away during World War II, Anne Hilton copes with problems on the homefront. Taking in a lodger, Colonel Smollett, to help make ends meet and dealing with shortages and rationing are minor inconveniences compared to the love affair daughter Jane and the Colonel's grandson conduct.Written by
Ron Kerrigan <email@example.com>
Colonel Smollett (Monty Woolley) struggled to place a garden glove on his right hand. Later, during the same scene in the victory garden, he wears a glove only on his left hand. At the start of the scene he was wearing two gloves. He took them both off, and then put on the right glove upside down before putting on the left glove. Next, when his hands (and soon all of him), were entirely off camera, he had enough time to remove the right glove, which he then carried in his gloved left hand. See more »
I saw this yesterday on TCM. Yes, it is sentimental, patriotic, and a bit syrupy in the dialog. But it was released in 1944 (filmed right in the middle of the war), so the sentiment and especially the times are aptly reflected. More than anything else, the film's virtues are the performances. Claudette Colbert reminds me very much of Norma Shearer's matriarch in 'The Women:' warm, intelligent, and very likable, but surrounded by the constrictions and circumstances of the time. (It's interesting to hear her tell Joseph Cotten two hours into the film that she feels useless and is not contributing to the war effort when in fact she's been contributing all along.) Cotten is wonderful as her surrogate mate (still carrying a torch after all these years) and daughters Jennifer Jones and Shirley Temple are quite good. The standout scene, of course is Jones and real-life husband Robert Walker parting at the train station. The Steiner score (echoing the chugging of the train) and especially Jones' tearful run as the train departs are especially heartbreaking. (Does she sense her soldier's fate? There's something almost psychic in her face as she reads the engraving on the watch.) Good performances also from Agnes Moorehead and Selznick veteran Hattie McDaniel. Nominated for a ton of Oscars, and deservedly so.
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