The mysterious figure known as the Vampire comes to England to complete experiments in his mad bid to gain control of the world. When the radar-controlled Robot which he had ordered shipped... See full summary »
In 1918, an English family are terrorized by a vampire, until they learn how to deal with it. They think their troubles are over, but German bombs in WWII free the monster. He reclaims the soul of his wolfman ex-servant, and assuming the identity of a scientist who has just escaped from a concentration camp, he starts out on a plan to get revenge upon the family. Written by
Ken Yousten <firstname.lastname@example.org>
Columbia Pictures originally intended this film as a direct sequel to Dracula (1931), but when Universal threatened a plagiarism suit, Columbia went ahead and made the film anyway but changed the names of the characters to avoid any connection with "Dracula". It also held back its release for two months so as not to compete with Lon Chaney Jr.Son of Dracula (1943). See more »
In the establishing shot of Tesla's book (which shows Tesla's picture on one page and the text on the other) the text is in a fairly small font and the lines spread wide across the page. In the second close-up insert of the text itself, the font is considerably larger and the lines considerably narrower. See more »
This beautifully shot B&W 1940s vampire film is loaded with the kind of old fashioned, spooky atmosphere that fans of classic Gothic horror will love. The fogbound sets are deliciously creepy, the graveyard & crypt sets nothing short of fabulous! The spooky music adds a lot as well. Bela Lugosi, about 60 here and well into the undeserved waning days of his career, is damn good. Tall, imposing, and as strong a screen prescence as ever, he raises questions as to why the often heartless and stupid film industry did not make better use of his talents. He shows here that he could certainly still carry a film and command the screen. But the script needed work. Matt Willis as the talking werewolf is laughable. When he's seen entering the graveyard carrying what looks like a package of Chinese laundry, I howled! I just couldn't see him running shopping errands in his werewolf garb! And no explanation is offered as to why the vampire's slave turns into a werewolf, a state he retains regardless of whether or not the moon is full. He's a wolf even in broad daylight. Still, this is a fun, somewhat creepy film, and Lugosi is always worthy of your time.
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