Glamorous Lorry Jones, the toast of a Missouri military canteen, has become "engaged" to almost every serviceman she's signed her pin-up photo for. Now she's leaving home to go into ...
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After writing a tell-all book about her days in the dance troupe "Barry Nichols and Les Girls", Sybil Wren (Kay Kendall) is sued for libeling her fellow dancer Angele (Taina Elg). A Rash&... See full summary »
On a train trip West to become a mail order bride Susan Bradley meets a cheery crew of young women traveling out to open a " Harvey House " restaurant at a remote whistle stop to provide ... See full summary »
Glamorous Lorry Jones, the toast of a Missouri military canteen, has become "engaged" to almost every serviceman she's signed her pin-up photo for. Now she's leaving home to go into government service (not, as she fantasizes, to join the USO). On a side trip to New York, her vivid imagination leads her to True Love with naval hero Tommy Dooley; but increasingly involved Musical Comedy Complications follow.Written by
Rod Crawford <firstname.lastname@example.org>
If you see credits elsewhere for Frank and/or Harry Condos for this film, it likely came from bad information. Frank Condos and Nick Condos were the Condos Brothers in live performances from 1929 to the mid-30s, including 1 film in 1932. Harry was listed in a 1930 Playbill, but that's likely a misprint since Frank (also in the Playbill) was dancing with Nick at the time, and they took their act to Europe. All film credits after 1932 for Condos Brothers refer to brothers Nick and Steve Condos. See more »
Disappointing Grable musical probably charmed the socks off servicemen...
Perhaps back then this was seen as a bright and bubbly tribute to the Armed Forces everywhere, but surely BETTY GRABLE deserved better material for a musical with a title like PIN UP GIRL. She's pretty and pert as a secretary whose romance with a soldier goes from Boy Meets Girl, Boy Loses Girl, Boy Wins Girl in timeworn Hollywood fashion.
No help is the fact that MARTHA RAYE and JOE E. BROWN can usually be counted on to add gags and merriment to any film they're in. Here, they open their big mouths and nothing funny comes out.
The songs are weak, lacking interest even for Grable fans--with one exception. A nifty little number called "Once Too Often" has Betty doing a slit-skirt, torrid dance number with Hermes Pan, the famous choreographer who worked with Astaire and Rogers on many of their most famous routines. It's the only musical number worth staying awake for.
The climactic military number is a hoot, with Betty doing a parade of arms military drill that reminded me of my boot camp days.
Summing up: This is one you can afford to miss.
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