Sir Alfred De Carter (Sir Rex Harrison) suspects his wife of infidelity. While conducting a symphony orchestra, he imagines three different ways of dealing with the situation. When the ... See full summary »
When the co-workers of an ambitious clerk trick him into thinking he has won $25,000 in a slogan contest, he begins to use the money to fulfill his dreams. What will happen when the ruse is discovered?
Temperamental saloon singer Freddie Jones, jealously shoots at her cheating boyfriend Blackie but mistakenly hits Judge Alfalfa J. O'Toole's honorable behind, forcing her to skip town under the guise of a schoolteacher.
Twenty years after his triumphs as a freshman on the football field, Harold is a mild-mannered clerk who dreams about marrying the girl at the desk down the aisle. But losing his job ... See full summary »
Trudy Kockenlocker, a small-town girl with a soft spot for American soldiers, wakes up the morning after a wild farewell party for the troops to find that she married someone she can't remember--and she's pregnant. Norval Jones, the 4-F local boy who's been in love with Trudy for years, tries to help her find a way out of her predicament. Trudy complicates matters further by falling for Norval, and events snowball from there.Written by
James Meek <firstname.lastname@example.org>
Included among the American Film Institute's 2000 list of the Top 100 Funniest American Movies. See more »
When Norval and Mr. Kockenlocker are sitting on the front porch talking, Mr. Kockenlocker is cleaning his gun. He has an automatic pistol, he cocks it to open the chamber for cleaning, and in the next scene he cocks it again. See more »
Women are always trying to take the blame for men - it's what you call the mother instinct.
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Great movies are movies you can't bear to see end, no matter how many times you've seen 'em. They play new the second, third, tenth time around; catching the light at angles you'd never seen them in before, gaining richness and profundity in familiar details while throwing never-noticed subtleties into sudden high relief. They awaken you to reserves of emotion inside yourself that are plumbed so rarely, you'd almost forgotten you had them in you all along. They are one-to-one experiences - even if you see a film like Preston Sturges' MIRACLE OF MORGAN'S CREEK in a packed revival house laughing uproariously en masse, you can only share a surface pleasure with those strangers: the deeper joys of this movie are yours and yours alone, shocking you into an awareness of how potent the alchemy of a great film can be, no matter how often you've felt that seismic shift with other great films. Even when you encounter an idiotic review that completely, callously, misses the whole point, you can't even get angry - how could you? A STAR WARS or Tarantino fan clucking terms like 'dated' or 'foolish' at a Preston Sturges movie is too pitiable a wretch to deserve actual scorn: maybe one day they'll figure it out, if they're lucky. MIRACLE turns out to be aptly titled, as this heady, unduplicable blend of slapstick, sitcom, surrealism and sharply observed slice-of-life manages to embody WW2-era popular entertainment while standing as far apart and above all its contemporaries as is humanly possible. The genius of Sturges was not that he ran end-runs around the censors but that he subverted them from the safest place to do so, deep within the fortress of the Production Code. The story of a small-town girl who finds herself both married and unmarried at the same time - but DEFINITELY pregnant in either case - is deliriously funny and brimming with great heart and honest sentiment, yet it's never less than a devastating indictment of the kind of mean-spirited provincialism that brought the Code into being in the first place. Rather than single out exemplary performances, I direct you instead to the complete cast-list (for the mark of a Preston Sturges movie is a wealth of expert actors, each blessed with scenes and dialogue devised to play to their respective strengths). Thus, the Esther Howards and Porter Halls shine as indelibly in small roles as the leads do - here, Bracken, Hutton, Lynn & Demarest, all inspired. If you haven't yet seen this unforgettable jewel, beat a path to wherever it is you have to beat a path to, and rectify the situation immediately: you should be ready for your second viewing about three minutes after the end credits run.
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