When the co-workers of an ambitious clerk trick him into thinking he has won $25,000 in a slogan contest, he begins to use the money to fulfill his dreams. What will happen when the ruse is discovered?
Sir Alfred De Carter suspects his wife of infidelity. While conducting a symphony orchestra, he imagines three different ways of dealing with the situation. When the concert ends, he tries ... See full summary »
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Trudy Kockenlocker, a small-town girl with a soft spot for American soldiers, wakes up the morning after a wild farewell party for the troops to find that she married someone she can't remember--and she's pregnant. Norval Jones, the 4-F local boy who's been in love with Trudy for years, tries to help her find a way out of her predicament. Trudy complicates matters further by falling for Norval, and events snowball from there.Written by
James Meek <email@example.com>
Preston Sturges had always been a perfectionist, expecting every line to be letter perfect. But with the tension brought on by directing all day, writing all night, arguing with the studio over The Great Moment (1944), overseeing the release of The Palm Beach Story (1942) and running a restaurant he owned, his temper would occasionally flare up. He would often explode at the tiniest mistake, bringing both Diana Lynn and Betty Hutton to tears several times. It soon became obvious that the film would go over schedule and budget and Sturges found it more and more difficult to direct his cast effectively. See more »
When Norval and Mr. Kockenlocker are sitting on the front porch talking, Mr. Kockenlocker is cleaning his gun. He has an automatic pistol, he cocks it to open the chamber for cleaning, and in the next scene he cocks it again. See more »
I don't deal with spooks. She doesn't need a lawyer, she needs a Medium.
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From the very start they're off and running. Even under the opening credits cast members are seen frantically gesticulating and flailing. And the movie has hardly begun.
So what's to be done with the next 98 minutes, if one begins climatically sweating and pulsating? Ease up the pace a bit to allow viewer to catch his breath?
Not Director Sturges: he continues to plow through this comedy at breakneck speed, as though any repose might prove fatal.
We get two super energetic starts--Bracken and Hutton--and a cast of obedient supports obeying the eager director's every frenetic command. We end with one of the screwiest screwball comedies of the forties.
This film has acquired a devoted following of supporters who find "Morgan's Creek" very funny, along with a goodly number of detractors, who see it as an essentially strained and bloated one-joke yarn.
As usual, Sturges makes sharp social comments along the way and handles large groups with Capraesque skill. But that he manages to maintain his unrelentingly breathless pace throughout the shoot may be the real miracle of Morgan's Creek.
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