Sir Alfred De Carter suspects his wife of infidelity. While conducting a symphony orchestra, he imagines three different ways of dealing with the situation. When the concert ends, he tries ... See full summary »
When the co-workers of an ambitious clerk trick him into thinking he has won $25,000 in a slogan contest, he begins to use the money to fulfill his dreams. What will happen when the ruse is discovered?
Temperamental saloon singer Freddie Jones, jealously shoots at her cheating boyfriend Blackie but mistakenly hits Judge Alfalfa J. O'Toole's honorable behind, forcing her to skip town under the guise of a schoolteacher.
Trudy Kockenlocker, a small-town girl with a soft spot for American soldiers, wakes up the morning after a wild farewell party for the troops to find that she married someone she can't remember--and she's pregnant. Norval Jones, the 4-F local boy who's been in love with Trudy for years, tries to help her find a way out of her predicament. Trudy complicates matters further by falling for Norval, and events snowball from there.Written by
James Meek <email@example.com>
Although Preston Sturges was working at an unusually frantic pace, he still kept tight reins on the production, ensuring that neither Eddie Bracken nor anyone else became the main attraction. Sturges favoured ensemble pieces, and even the smallest parts were given some choice bits. See more »
When Norval and Mr. Kockenlocker are sitting on the front porch talking, Mr. Kockenlocker is cleaning his gun. He has an automatic pistol, he cocks it to open the chamber for cleaning, and in the next scene he cocks it again. See more »
Sturges was a genius at combining slapstick with talk.
Seeing this movie consolidated 2 things for me: Sturges's genius and an interesting view of life in the United States during World War II. This is at the same time a fascinating sociological study and a sample of what made Sturges a popular director/writer. The history of motion pictures takes us through a long (more than 30-year) period during which no sound was available except that provided in the performance space--organ, orchestra or piano music. During that time, performers were made up to emphasize facial expressions, and they mimed and mugged for the camera, using broad gestures and waiting for reactions and intertitles. When sound came in, slapstick mostly went out, and writers flocked to Hollywood to make the sophisticated comedies so popular in the 30s. Sturges deftly combined the physical comedy of the early Chaplin/Sennett/Keaton/Lloyd era with the sophisticated comedy of the early talkies. Watch William Damarest mug in this movie, or the perfection of his pratfalls. His portrayal of physical comedy is worthy of the best early Sennett or Chaplain or Keaton. At the same time, there is sophisticated talk, social commentary and political satire. Akim Tamiroff as "The Boss" is a wonderful little portrayal of the influence of "Tammany Hall" tyrants on politics in the US of this time. Hutton gets a chance to do comedy denied elsewhere, and she shows good timing and an ability to laugh at her own public image. Eddie Bracken is a well put-together package of the Sturges comedy trademark: physical humor, good comedic timing, articulate performance just a little beyond the fringe but not too broad for the time (remember that Laurel and Hardy were simultaneously competing for screens). This is a great movie for students of film, US history and culture, and of comedy.
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