7.6/10
18,247
157 user 101 critic

Meet Me in St. Louis (1944)

Not Rated | | Comedy, Drama, Family | January 1945 (USA)
Trailer
1:41 | Trailer

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ON DISC
In the year leading up to the 1904 St. Louis World's Fair, the four Smith daughters learn lessons of life and love, even as they prepare for a reluctant move to New York.

Director:

Vincente Minnelli

Writers:

Irving Brecher (screen play), Fred F. Finklehoffe (screen play) | 1 more credit »
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Nominated for 4 Oscars. Another 6 wins & 1 nomination. See more awards »

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Cast

Complete credited cast:
Judy Garland ... Esther Smith
Margaret O'Brien ... 'Tootie' Smith
Mary Astor ... Mrs. Anna Smith
Lucille Bremer ... Rose Smith
Leon Ames ... Mr. Alonzo Smith
Tom Drake ... John Truett
Marjorie Main ... Katie (Maid)
Harry Davenport ... Grandpa
June Lockhart ... Lucille Ballard
Henry H. Daniels Jr. ... Lon Smith Jr.
Joan Carroll ... Agnes Smith
Hugh Marlowe ... Col. Darly
Robert Sully ... Warren Sheffield
Chill Wills ... Mr. Neely
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Storyline

St. Louis 1903. The well-off Smith family has four beautiful daughters, including Esther and little Tootie. 17-year old Esther has fallen in love with the boy next door who has just moved in, John. He however barely notices her at first. The family is shocked when Mr. Smith reveals that he has been transfered to a nice position in New York, which means that the family has to leave St. Louis and the St. Louis Fair. Written by Mattias Thuresson

Plot Summary | Plot Synopsis

Taglines:

A cast of favorites in the Charming . . . Romantic . . . Tuneful Love Story of the Early 1900s ! See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

January 1945 (USA) See more »

Also Known As:

Meet Me in St. Louis See more »

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Box Office

Budget:

$1,707,561 (estimated)

Gross USA:

$7,566,000
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Sound System)

Color:

Color

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Buddy Gorman is in studio records/casting call lists for this movie for the role of "Clinton Badger", but that role was played by someone else. See more »

Goofs

A boom mic shadow is visible on the carriage when the family is leaving to go to the fair. See more »

Quotes

[first lines]
Mrs. Anna Smith: Best ketchup we ever made, Katie.
[she tries to tasting ketchup, it is too sweet]
Katie (Maid): Too sweet.
Mrs. Anna Smith: Mr. Smith likes it all the sweet side.
Katie (Maid): All men like it on the sweet side. Too sweet, Mrs. Smith.
See more »

Alternate Versions

Judy Garland recorded a Rodgers and Hammerstein song called "Boys and Girls Like You and Me" for the soundtrack. A scene was filmed with Garland singing the song to Tom Drake after "The Trolley Song" sequence, but the scene was cut after the first preview. The footage no longer remains, but the recording does. See more »

Connections

Referenced in Life with Judy Garland: Me and My Shadows (2001) See more »

Soundtracks

Home, Sweet Home
(1823) (uncredited)
Music by H.R. Bishop
Played at the Dance
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Frequently Asked Questions

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User Reviews

Too sweet? Perhaps...but not too syrupy!
23 August 2003 | by gregcoutureSee all my reviews

If there was no other reason why Judy Garland married Vincente Minnelli, then this film supplies the reason for how he won her hand. It's a valentine to her talents and, as an example of MGM's gilt-edged manufacture, it's a sold gold entry.

Yes, Tom Drake was a bit wan as Judy's love interest but everyone else in the cast, maybe even including the too-glamorous Lucille Bremer, are just right, especially the inimitable Marjorie Main. Mary Astor, already deep in the throes of her extended bout with alcoholism as the family's matriarch shows nary a sign of her illness, such was the wizardry of the makeup artists, costumers, hair dressers and the cinematographer. And Judy, too, already addicted to the medications that her tyrannical studio bosses used to keep her nose to a very demanding grindstone, looks as wholesome and lovely as one could wish, particularly in the "Have Yourself a Merry Little Christmas" number.

It's one of those Golden Age classics that always repays a return viewing and its naysayers are in a rather lonely minority, in my opinion.


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