(Korean with English subtitles) Hyun-jae (Bae Doona of Cloud Atlas) is down on love; her boyfriends can't ever seem to get beyond her rough personality. When she finds a string of love ...
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A tender coming of age story about two teenage boys who embrace growing pains in a hard way. Teenage hormones are difficult to be restrained. High school senior, Ja-hyo is seduced into his ... See full summary »
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Stéphane lives a quiet life as an eminent French Chef but when he decides to visit Soo, a mysterious Korean lady he fell in love with on Instagram, he'll embark on an adventurous journey full of discoveries.
Bae Doo-na stars as a poor young woman just trying to make ends meet for herself and her sister. Through a series of events, she finally gets the chance to get ahead in life, while pursuing... See full summary »
(Korean with English subtitles) Hyun-jae (Bae Doona of Cloud Atlas) is down on love; her boyfriends can't ever seem to get beyond her rough personality. When she finds a string of love notes in the library books she checks out, she becomes obsessed with finding the writer of the notes, ignoring the fact that true love may be found closer than she anticipates.Written by
SPRING BEARS LOVE (2003) Directed by Donald Yong I. Written by Haung Jo-yun. Cinematography by Bak Ki-ung. A connected series of love notes scribbled in library art books convinces gawky grocery store clerk Hyun-chae (Bae Doo-na) that a mystery man - known only as 'Vincent' - is pursuing a relationship with her.
Meanwhile, an infatuated pal from her high-school days - shy, quirky subway driver Dong-ha (Kim Nam-jin) - relocated to Seoul to ACTUALLY pursue a relationship with her, which she rejects in favor of the erzatz paper chase provided by her mystery man, going so far as to pawn Dong-ha off on her friend at one point. Sweet, low-key, histrionics-free romance with a clever story concept that allows for a second act twist that's exactly what you'll expect and yet far more clever than it really seems. Not without its sentimental moments, but they're far more restrained than similar scenes in many Korean films of this sort. Not unexpectedly, technical production is sparkling, with gorgeous cinematography by Bak Ki-ung and art direction by Park Hyun-joo. Head slapping is nearly non-existent. I give it a 9.
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