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Jane Eyre (1943)

Approved | | Drama, Romance | 7 April 1944 (USA)
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After a harsh childhood, orphan Jane Eyre is hired by Edward Rochester, the brooding lord of a mysterious manor house, to care for his young daughter.

Director:

Robert Stevenson

Writers:

Charlotte Brontë (by), Aldous Huxley (screen play) | 2 more credits »
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Cast

Complete credited cast:
Orson Welles ... Edward Rochester
Joan Fontaine ... Jane Eyre
Margaret O'Brien ... Adele Varens
Peggy Ann Garner ... Jane Eyre as a Child
John Sutton ... Dr. Rivers
Sara Allgood ... Bessie
Henry Daniell ... Henry Brocklehurst
Agnes Moorehead ... Mrs. Reed
Aubrey Mather ... Colonel Dent
Edith Barrett ... Mrs. Fairfax
Barbara Everest Barbara Everest ... Lady Ingraham
Hillary Brooke ... Blanche Ingraham
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Storyline

Small, plain and poor, Jane Eyre comes to Thornfield Hall as governess to the young ward of Edward Rochester. Denied love all her life, Jane can't help but be attracted to the intelligent, vibrant, energetic Mr. Rochester, a man twice her age. But just when Mr. Rochester seems to be returning the attention, he invites the beautiful and wealthy Blanche Ingram and her party to stay at his estate. Meanwhile, the secret of Thornfield Hall could ruin all their chances for happiness. Written by A.L.Beneteau <albl@inforamp.net>

Plot Summary | Plot Synopsis

Taglines:

The screen's greatest emotional stars bring you the emotional experience of a lifetime. See more »

Genres:

Drama | Romance

Certificate:

Approved | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

7 April 1944 (USA) See more »

Also Known As:

Die Waise von Lowood See more »

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Box Office

Budget:

$1,705,000 (estimated)

Gross USA:

$3,815,000
See more on IMDbPro »

Company Credits

Production Co:

Twentieth Century Fox See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Recording)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

"Lux Radio Theater" broadcast a 60-minute radio adaptation of the movie on June 5, 1944, with Orson Welles reprising his film role. See more »

Goofs

When Rochester and Blanche sever connections, folds can be seen in the backdrop of the sky. See more »

Quotes

[first lines]
Jane Eyre: [narrating] My name is Jane Eyre... I was born in 1820, a harsh time of change in England. Money and position seemed all that mattered. Charity was a cold and disagreeable word. Religion too often wore a mask of bigotry and cruelty. There was no proper place for the poor or the unfortunate. I had no father or mother, brother or sister. As a child I lived with my aunt, Mrs. Reed of Gateshead Hall. I do not remember that she ever spoke one kind word to me.
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Connections

Version of Jane Eyre (1983) See more »

Frequently Asked Questions

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User Reviews

 
Entertaining and engaging adaption of a gothic classic
22 August 2001 | by maxwellhoffmannSee all my reviews

A thoroughly engaging adaption of the brooding classic, this film rises above the turgid tone often imposed on other classics brought to the screen. Joan Fontaine turns in a brilliantly deceptively understated performance, and Orson Welles restrains from the scenery chewing that marred some of his own projects; there is surprising chemistry between them. At times, Welles is a downright "sexy" leading man! The script (credited to John Houseman and Aldous Huxley) captures the right "tone" of Victorian cruelty and repression.

Under Robert Stevenson's direction Fontaine/Welles seem to capture the essence of two abused outsiders resisting their attraction for one another, trying to adhere to convention. A strong supporting cast. There are brief though memorable appearances by Agnes Moorehead, Elizabeth Taylor and Peggy Ann Garner as "young" Jane.

George Barnes' camera captures appropriately stark images of Ross Dowd and Thomas Little's sets. Charlotte Bronte's grim novel is well suited to the excellent B/W, cinematography: a memorable scene early in the film has young Jane being punished by being forced to stand on a stool that is nearly in the center of a fan of shadows cast by the stair railing, It is almost reminiscent of expressionist German films of the Weimar years.

The film manages to entertain as well as inform. Purists may object to the last 3 lines of the film which hint at a slightly happier denouement than the book offered. In spite of that, Jane Eyre is still a nearly flawless film.


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