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Henry V (1944)

The Chronicle History of King Henry the Fifth with His Battell Fought at Agincourt in France (original title)
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In the midst of the Hundred Years' War, the young King Henry V of England embarks on the conquest of France in 1415.

Director:

Laurence Olivier

Writer:

William Shakespeare (by) (as Will Shakespeare)
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Nominated for 4 Oscars. Another 8 wins & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
Leslie Banks ... Chorus
Felix Aylmer ... Archbishop of Canterbury
Robert Helpmann ... Bishop of Ely
Vernon Greeves Vernon Greeves ... The English Herald
Gerald Case Gerald Case ... Earl of Westmoreland
Griffith Jones ... Earl of Salisbury
Morland Graham Morland Graham ... Sir Thomas Erpingham
Nicholas Hannen ... Duke of Exeter
Michael Warre Michael Warre ... Duke of Gloucester
Laurence Olivier ... King Henry V of England
Ralph Truman Ralph Truman ... Mountjoy, The French Herald
Ernest Thesiger ... Duke of Berri French Ambassador
Frederick Cooper Frederick Cooper ... Corporal Nym
Roy Emerton Roy Emerton ... Lieutenant Bardolph
Robert Newton ... Ancient Pistol
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Storyline

In the inspired Olivier concept, Shakespeare's play begins as a performance in the Globe Theatre, shifting in broad cinematic terms to an epic narrative of Henry V, who had developed from a dissolute youth to a purposeful monarch. Proving his ability as a soldier and skillful leader, he unites the dissident factions in the English army and goes on to crush the French, against enormous odds, at Agincourt. Arranging a treaty with the French court, he woos Princess Katharine to whom he is formally betrothed as part of the peace agreement. Written by alfiehitchie

Plot Summary | Add Synopsis

Taglines:

Laurence Olivier's Presentation in Technicolor of Henry V


Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK

Language:

English | French

Release Date:

17 June 1946 (USA) See more »

Also Known As:

Henry V See more »

Filming Locations:

County Wicklow, Ireland See more »

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Box Office

Budget:

£475,000 (estimated)
See more on IMDbPro »

Company Credits

Production Co:

Two Cities Films See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color (Technicolor) (uncredited)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Felix Aylmer had previously appeared with Laurence Olivier in As You Like It (1936), and would subsequently appear in Hamlet (1948). See more »

Quotes

[first lines]
Chorus: O! for a Muse of fire, that would ascend the brightest heaven of invention; a kingdom for a stage, princes to act and monarchs to behold the swelling scene. Then should the war-like Harry, like himself, assume the port of Mars; and at his heels, leashed in like hounds, would famine, word, and fire crouch for employment. But pardon, gentles all, the flat unraised spirits that hath dared on this unworthy scaffold to bring forth so great an object: can this cockpit hold the vasty ...
[...]
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Crazy Credits

The main title appears as a playbill floating over the Globe Theatre. Also, there are no opening credits except for the name of the production company and the film's title, which is commonplace today, but was very rare in 1944. See more »

Connections

Version of Whatever Next?: Episode #2.3 (1970) See more »

Soundtracks

Agincourt Hymn
(uncredited)
Latin hymn text set to anonymous tune (1415)
Arranged by William Walton
See more »

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User Reviews

 
Elegant
7 April 2005 | by RARubinSee all my reviews

I saw a modern remake of this film, 1989, recently with Kenneth Branagh. The battle showed sweat and blood, a non-theatrical production in comparison to this 1944, very theatrical, Olivier production. Some reviewers denounce the heavy-handed acting of 1944, but I find it charming.

Olivier has an economical charisma. His acting has few flourishes, but his voice says everything. Olivier in period costume is mesmerizing. As Shakespeare's bad-boy prince turned earnest King, Olivier takes charge and demands the return of English lands from the rather effeminate French nobility. Outnumbered 10 to one, his merry band of Englishmen dispatches the Dolphin at Agincourt. Then he courts the French speaking princess Katherine with broken French and economy.

The recreation of old London and the Globe Theatre was delightful. The audience and players went on in heavy rains without complaint. The mention of Falstaff's name is enough to get applause, though the buffoon has only a short death scene.

I do believe the play has been abridged. Many of the longer speeches seem shortened. Still, this is accessible Shakespeare. How can you go wrong? Never!


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