The story concentrates on the social re-adjustment of three World War II servicemen, each from a different station of society. Al Stephenson returns to an influential banking position, but finds it hard to reconcile his loyalties to ex-servicemen with new commercial realities. Fred Derry is an ordinary working man who finds it difficult to hold down a job or pick up the threads of his marriage. Having had both hands burnt off during the war, Homer Parrish is unsure that his fiancée's feelings are still those of love and not those of pity. Each of the veterans faces a crisis upon his arrival, and each crisis is a microcosm of the experiences of many American warriors who found an alien world awaiting them when they came marching home.Written by
This was the first time Myrna Loy had worked with William Wyler, and she was wary of his reputation as "90-Take Willy". As it turned out, the two got along very well. See more »
An earlier character error comment criticized Fred Derry's wear of the Ike Jacket. The comment said that the belt buckle was not centered. Derry was wearing his Ike Jacket's belt buckle correctly--off to the right side of the wearer. The buckle was not a real belt buckle, but a kind of waist cinch. See more »
[Homer has asked Wilma into his bedroom to see what happens as he prepares for bed. After removing his hooks and harness, he 'wiggles' into his pajama top]
I'm lucky. I have my elbows. Some of the boys don't. But I can't button them up.
I'll do that, Homer.
This is when I know I'm helpless. My hands are down there on the bed. I can't put them on again without calling to somebody for help. I can't smoke a cigarette or read a book. If that door should blow shut, I can't open it and get out of this...
[...] See more »
The character played by Ray Teal (the Axis sympathizer whom Homer Parrish attacks at the soda fountain) is listed in the credits as "Mr. Mollett". However, the character's name is never mentioned or otherwise alluded to. See more »
The film was modified to play on a wide screen and reissued on February 3, 1954. See more »
I saw the movie again recently. I always love it. It's touching, has great music, scope and complexity. The film is alive in its human details. But what especially stood out to me this time was how amazing Dana Andrew's performance is. His wife has cheated on him, he's suffering post-war trauma, and can't find a job--but he's still charming and funny. Even though his opinion of himself is pretty low, he keeps going ahead. I love how self-denigrating the character is, how he suspects he's pretty worthless, while his parents, friends and Peggy (but not his wife) see him as extraordinary. And Andrews does it all while being understated and real. Yeah, Dana!
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