The story concentrates on the social re-adjustment of three World War II servicemen, each from a different station of society. Al Stephenson returns to an influential banking position, but finds it hard to reconcile his loyalties to ex-servicemen with new commercial realities. Fred Derry is an ordinary working man who finds it difficult to hold down a job or pick up the threads of his marriage. Having had both hands burnt off during the war, Homer Parrish is unsure that his fiancée's feelings are still those of love and not those of pity. Each of the veterans faces a crisis upon his arrival, and each crisis is a microcosm of the experiences of many American warriors who found an alien world awaiting them when they came marching home.Written by
Came sixth in the UK's Ultimate Film, in which films were placed in order of how many seats they sold at cinemas See more »
After Fred Derry dresses after staying the night at the Stephensons' home, he emerges in his uniform with his jacket belt-buckle positioned way off to the right, over his right front pant's pocket. Any real serviceman would position his belt buckle (pants or jacket) dead-center, directly over his pant's zipper flap. See more »
What do you think I was doing all those years?
I don't know, babe, but I can guess.
Go ahead. Guess your head off. I could do some guessing myself. What were you up to in London and Paris and all those places? I've given you every chance to make something of yourself. I gave up my own job when you asked me. I gave up the best years of my life, and what have you done? You flopped! Couldn't even hold that job at the drugstore. So I'm going back to work for myself and that means I'm gonna live for...
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The character played by Ray Teal (the Axis sympathizer whom Homer Parrish attacks at the soda fountain) is listed in the credits as "Mr. Mollett". However, the character's name is never mentioned or otherwise alluded to. See more »
I saw the movie again recently. I always love it. It's touching, has great music, scope and complexity. The film is alive in its human details. But what especially stood out to me this time was how amazing Dana Andrew's performance is. His wife has cheated on him, he's suffering post-war trauma, and can't find a job--but he's still charming and funny. Even though his opinion of himself is pretty low, he keeps going ahead. I love how self-denigrating the character is, how he suspects he's pretty worthless, while his parents, friends and Peggy (but not his wife) see him as extraordinary. And Andrews does it all while being understated and real. Yeah, Dana!
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