In 1938, Walter Neff, an experienced salesman of the Pacific All Risk Insurance Co., meets the seductive wife of one of his clients, Phyllis Dietrichson, and they have an affair. Phyllis proposes to kill her husband to receive the proceeds of an accident insurance policy and Walter devises a scheme to receive twice the amount based on a double indemnity clause. When Mr. Dietrichson is found dead on a train track, the police accept the determination of accidental death. However, the insurance analyst and Walter's best friend Barton Keyes does not buy the story and suspects that Phyllis has murdered her husband with the help of another man.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Edward G. Robinson's initial reluctance to sign on largely stemmed from the fact he wasn't keen on being demoted to third lead. Eventually, he realized that he was at a transitional phase of his career, plus the fact that he was getting paid the same as Barbara Stanwyck and Fred MacMurray for doing less work. See more »
When Dietrichson's body is discovered on the tracks, and presumed to be the victim of an accident, his body would have been taken to the medical examiner's office for identification and autopsy. It might be thought how this would quickly reveal that he had been strangled, and had not fallen from the train due to the absence of bruises on the body - except Neff did not strangle Dietrichson in the car (he snapped the man's neck); and bruises on the body are possible but not guaranteed with such a small fall at low speed with the prime impact taken by the back of the man's neck. See more »
Well, hello there, Mr. Neff.
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Opening credits are shown over a silhouette of a man on crutches, walking toward the camera. See more »
If you are a noir fan then this film is an absolute must see. The screenplay itself is a work of art in its charater construction, plot structure and dialogue which is delievered by an ensemble of first class actors divying up first class performances. Barbra Stanwyck as the deadly, smouldering, scheming Phyllis Dietrichson turns in a performance that is right up there with Mary Astor's Brigid O'Shaughnessy. Fred McMurray delievers a performance of a smart but desperately lovelorn patsy and Edward G. Robinson is perfect in the role of Barton Keyes and just about steals the moment every time he appears on screen.
I personally love a good Noir film and this is right up there with the best of them. Billy Wilder should be proud of this work eventhough the Academy didn't see it fit to reward him for his efforts, however I personally think this film is an absolute winner.
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