Band Leader Kay Kyser wants to take a holiday, but his publicist Charlotte has promised that he'll give a concert for defense plant workers. Due to the fact that his vocalist has quit to ...
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Lulu Monahan (Patsy Kelly), the press agent for John Barrymore (John Barrymore),is attempting to get a sponsor for a radio program. To that end, she and the agent for bandleader Kay Kyser (... See full summary »
Ellen (June Allyson) is kidnapped by father (Charles Bickford) after she ran off and got married to someone he thinks is a gold digger. She escapes and starts an adventurous trip back to ... See full summary »
Krag Sabine has aroused the wrath of all the ranchers by stealing their land with the aid of his henchmen, led by Ace Barco; when Lafe Martin objects, the outlaws shoot him down. Lucky ... See full summary »
Band Leader Kay Kyser wants to take a holiday, but his publicist Charlotte has promised that he'll give a concert for defense plant workers. Due to the fact that his vocalist has quit to get married, the plant owner's daughter Julie sings instead. But Kay dislikes her idea of joining the band.Written by
Stephan Eichenberg <email@example.com>
Contrary to a previous comment, Ann Miller does not dance with Harold Nicholas in the "Mr. Beebe" number. In keeping with the times, the number is all-Black (the better for Southern censors to delete), and all the dancing girls in the number are light-skinned "colored" ladies. This is apparent on DVD. See more »
During the conversation at approx. 6:00 in, Kyser refers repeatedly to his home town of Rocky Mount, NC. And equally repeatedly, the captions read, "Rocky Mountain." See more »
I like neither Kyser's screen persona nor his bland style of swing, so wouldn't ever recommend going to a film to see him. But he sometimes had a talent for pepping up his films with good specialty acts.
The show-stopper in this film is the "Mr. Beebe" number, featuring Harold Nicholas (without brother Fayard), supported by a number of other top black singers and dancers including The Four Step Brothers, Marie Bryant, June Richmond, and others I can't identify. Kyser's band with Ann Miller singing briefly introduce the number, then leave the set - typical for the era, the scene was clearly designed so that the black performers could be edited out when the film was shown in the south.
The disappointment is that all that talent, including Ann Miller, is given very little footage to show their stuff. Miller's only tap number is hacked by some dialog. Harold Nicholas is brilliant, but the other singers and dancers in the number only get to do quick cameos.
The Kyser personnel do get to do a couple of other cute numbers. Significantly, these occur informally, when Kyser isn't directing or arranging them.
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