After opening a convent in the Himalayas, five nuns encounter conflict and tension - both with the natives and also within their own group - as they attempt to adapt to their remote, exotic surroundings.
A 'Land Girl', an American GI, and a British soldier find themselves together in a small Kent town on the road to Canterbury. The town is being plagued by a mysterious "glue-man", who pours glue on the hair of girls dating soldiers after dark. The three attempt to track him down, and begin to have suspicions of the local magistrate, an eccentric figure with a strange, mystical vision of the history of England in general and Canterbury in particular.Written by
David Levene <D.S.Levene@durham.ac.uk>
The cathedral bells seen in the opening and closing shots were a miniature replica of Canterbury's Bell Harry Tower to allow the camera to track up to and through them. The bells were "rung" by bell ringers from the Cathedral, who pulled the strings with finger and thumb to a playback of the real bells. See more »
A wonderful film, as you might expect, from the cinema's greatest directorial duo. It's unique in mood and pace amongst the many Archers films that I've seen. The others move at a brisk pace, going from one plot element to the next. No harm in that, of course. It works very well for films like One of Our Aircraft Is Missing, I Know Where I'm Going!, A Matter of Life and Death and the others. A Canterbury Tale, on the other hand, stops and smells the roses as it leisurely - and semi-plotlessly - strolls through the English countryside on the trail to Canterbury Cathedral. Three young people, an American G.I. named Bob Johnson (Seargant John Sweet), a British soldier, Peter Gibbs (Dennis Price), and a young woman from London, Alison Smith (Sheila Sim), moving to the countryside for work. The all arrive in the small town of Kent on the same train, and they walk together trying to find the hotel. An assailant pops out of nowhere in the impenetrable dark and throws glue all over Alison's hair. Over the next few days they look for "the Glueman." The film doesn't always work, especially concerning the Glueman subplot, which almost seems like it is the plot for most of the movie. The investigation and solution are the weakest scenes in the film. But there are dozens of gorgeous sequences within the film. I especially love the sequence with the children playing war. The film gets especially good during its extended finale, where the three (actually four) main characters go to Canterbury, and their pilgrimages pay off. The three leads are excellent. The fourth main character, the magistrate of Kent, Thomas Colpeper (Eric Portman), is the weakest and I'd just rather forget his role in the film myself. Perhaps he will work better in subsequent viewings. The best aspect of the film is its top shelf cinematography, maybe the best black and white that I've seen from the Archers. A lot of the scenes take place, ingeniously, in total darkness. These work so much better than imaginable! 9/10.
40 of 48 people found this review helpful.
Was this review helpful to you?
| Report this