A young man in love with a girl from a rich family finds his unorthodox plan to go on holiday for the early years of his life met with skepticism by everyone except for his fiancée's eccentric sister and long-suffering brother.
A simple, small town man inherits a massive fortune, making him the target for scammers and publicity-seekers. Overwhelmed by the turn his life has taken, and awoken to another use for his new-found fortune, he makes a momentous decision.
After marrying an American lieutenant with whom he was assigned to work in post-war Germany, a French captain attempts to find a way to accompany her back to the States under the terms of the War Bride Act.
Mortimer Brewster is a newspaperman and author known for his diatribes against marriage. We watch him being married at city hall in the opening scene. Now all that is required is a quick trip home to tell Mortimer's two maiden aunts. While trying to break the news, he finds out his aunts' hobby; killing lonely old men and burying them in the cellar. It gets worse.Written by
John Vogel <email@example.com>
Boris Karloff did not abandon his commitment to the Broadway version of Arsenic and Old Lace in order to appear in this film. He did, however, graciously allow Warner Bros. to use his name and likeness, an issue that the studio had considered a potentially-devastating legal obstacle had he not done so. See more »
As Mr. Witherspoon is getting up from the table, he stands an item up on the table which had been knocked over. Mr. Witherspoon then gazes up with a look as if to say, "Oops, I wasn't supposed to do that. Are we going on with this scene?" Cary Grant was feeling pretty certain that the scene would need re-shoots as you can distinctly, yet quietly, hear him ask off-screen, "Was he supposed to do that?" See more »
I'll knock your block off, you big stiff! You're a bum!
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Also available in a computer colorized version. See more »
This is my all-time favorite classic movie. It has an very sophisticatedly entertaining plot line, the casting is superb, the pace is breathtaking, and it deals with a subject (euthanasia) that is still controversial today. The story is a fine example of "black comedy", where a socially unacceptable idea is shown in a very entertaining manner.
The story is set up brilliantly right from the get-go; where a 'certifiable' publicly-acclaimed bachelor is secretly getting married. The personality of the cast is excellent. I know that Cary Grant reckoned this was his worst movie, saying it was more of a "Jimmy Stewart-type part"; but his spot-on comic timing and professional style hamming plays the role to perfection. Also co-starring in the movie is a brilliant Peter Lorre as a maniac doctor and Raymond Massey as the psychotic brother. Most critics have attacked this film by saying the script refers to the psycho being a Boris Karloff look-alike, highlighting the fact that Boris played the role is the original stage play. However Massey plays the role to deadpan perfection, and the humor of the scenario still works.
My favorite scene is the self-referential one where Mortimer (a theater critic)is describing "bad plays (and movies)". If you watch the background action, and pay attention to the dialog, the ironic situation is brilliantly realized. This film also has my personal favorite quote, said by Cary Grant as Peter Lorre frantically tries to warn him of impending doom; "Stop underplaying - I can't hear you!"
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