A young man in love with a girl from a rich family finds his unorthodox plan to go on holiday for the early years of his life met with skepticism by everyone except for his fiancée's eccentric sister and long-suffering brother.
After marrying an American lieutenant with whom he was assigned to work in post-war Germany, a French captain attempts to find a way to accompany her back to the States under the terms of the War Bride Act.
A simple, small town man inherits a massive fortune, making him the target for scammers and publicity-seekers. Overwhelmed by the turn his life has taken, and awoken to another use for his new-found fortune, he makes a momentous decision.
Mortimer Brewster is a newspaperman and author known for his diatribes against marriage. We watch him being married at city hall in the opening scene. Now all that is required is a quick trip home to tell Mortimer's two maiden aunts. While trying to break the news, he finds out his aunts' hobby; killing lonely old men and burying them in the cellar. It gets worse.Written by
John Vogel <firstname.lastname@example.org>
Screenwriter Julius J. Epstein complained to Frank Capra that Cary Grant's acting "was going overboard with the comedy." Capra agreed and told the writer that it would be toned down in the editing process. However, when World War II unexpectedly ensnared the USA, and Capra left the studio to do the "Why We Fight" series, it was not done. See more »
When Dr. Einstein is begging Mortimer to flee from Jonathan's murderous rage, Cary Grant ad-libs to Peter Lorre, "Stop underplaying, I can't understand you." See more »
I'll knock your block off, you big stiff! You're a bum!
See more »
Also available in a computer colorized version. See more »
"Arsenic and Old Lace", one of the best stage comedies that were seen on Broadway, gets the royal treatment via Frank Capra, a man that was born to direct the movie version, if ever there was a man to do so. The play written by Joseph Kisserling was given an excellent screen play treatment by the Julius and Philip Epstein team, two great movie adapters of all time.
This is a combination of a madcap and a screwball comedy. The first best thing in the film are the star turn performances by two of the original actresses that created the roles of Aunt Abby and Aunt Martha, Josephine Hull and Jean Adair, respectively. Just to see the Brewster sisters in action is worth the price of admission. These two women had the roles of a career by bringing life into the two kinds souls living in Brooklyn and doing good, as well as "helping lonely old men" to find happiness.
The second best reason for watching the film is Cary Grant. This is without a doubt one of the actor's best achievements in his long career in the movies! Mr. Grant plays Mortimer Brewster, a man that hates the idea of getting married and losing his freedom. That is, until the beautiful Elaine comes along. Mr. Grant is a joy to watch in the film, no matter what he is doing, at any given moment. His expressions, as well as his timing is impeccable, something one expects of all of Mr. Capra's movies.
The Brewster household is the center of the action, but for a stage play, it never seems confining, or theatrical, even though it's basically shot in one single set. This appears to be the Brooklyn area near the Heights where one can see the majestic bridge in the distant. Maybe around Old Fulton Street, or that area, where the River Cafe is located now.
Mr. Capra was able to assemble such a wonderful group of the best actors working in movies. Lovely Priscilla Lane is the woman that conquered Mortimer's heart. Raymond Massey is Jonathan, the Dracula-like sinister figure that is Mortimer's brother. Also, John Alexander, is seen as "Uncle Teddy", the man with a Teddy Roosevelt's complex. Peter Lorre makes a good contribution as Dr. Einstein.
Jack Carson and John Ridgley are seen as the police working the area where the Brewster live. The supporting players are amazing: Edward Everett Horton, Garry Owen, Grant Mitchell, James Gleason, and although seen briefly, the great Charles Lane, who is one of the photographers pursuing Mortimer and Elaine when they are getting the marriage license. Mr. Lane appeared in hundred of films and is still alive, 100 years young! In a way, it's ironic Mr. Lane survived almost all the people in the film!
An excellent film by that American master, Frank Capra!
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