A young man in love with a girl from a rich family finds his unorthodox plan to go on holiday for the early years of his life met with skepticism by everyone except for his fiancée's eccentric sister and long-suffering brother.
Mortimer Brewster is a newspaperman and author known for his diatribes against marriage. We watch him being married at city hall in the opening scene. Now all that is required is a quick trip home to tell Mortimer's two maiden aunts. While trying to break the news, he finds out his aunts' hobby; killing lonely old men and burying them in the cellar. It gets worse.Written by
John Vogel <firstname.lastname@example.org>
The cast and crew noted that Cary Grant was frequently irritable during the making of this film. Grant complained constantly about the set, the props, and the wardrobe of the cast members. At one point he admitted he would rather have starred in a film version of Noël Coward's play, Blithe Spirit. Tensions increased following the Japanese bombing of Pearl Harbor, which briefly shut down production. See more »
At one point Dr. Einstein is about to exit the door but instead turns around. When he does, he is suddenly holding his liquor bottle even though he wasn't in the previous shot. See more »
I'll knock your block off, you big stiff! You're a bum!
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Also available in a computer colorized version. See more »
Sing With All the Saints in Glory
Written by William J. Irons
Music by Ludwig van Beethoven (as Ludwig von Beethoven)
Performed by the Aunts See more »
One of the great black comedies. If Boris Karloff had joined his fellow Broadway cast members - Jean Adair, Josephine Hull and John Alexander - I think it would have been an even better movie. Raymond Massey, unquestionably a good actor, did his best, but didn't quite seem to get the joke, or maybe was overwhelmed by having to incarnate Karloff. But it's a quibble, really, and we're more than compensated by the the rest of the cast.
Cary Grant motors the piece along at a terrific pace. He's a joy to watch, with his double-, triple-, even quadruple- and quintuple-takes. Hull and Adair are equally wonderful in their different ways, the former all floaty and tip-toe, the latter hysterically earnest - one of my favourite moments is Adair's superb double-take when she notices, on the dining-room table, a shoe she doesn't recognise.
Peter Lorre, Jack Carson, Edward Everett Horton, James Gleason, and the rest, are all everything they should be, and Priscilla Lane is splendidly dewy-eyed and pouty as the love-interest.
I've seen Arsenic and Old Lace countless times. I've never tired of it, always look forward to it, and highly recommend it.
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