Charlotte "Charlie" Newton is bored with her quiet life at home with her parents and her younger sister. She wishes something exciting would happen and knows exactly what they need: a visit from her sophisticated and much travelled Uncle Charlie Oakley, her mother's younger brother. Imagine her delight when, out of the blue, they receive a telegram from Uncle Charlie announcing that he is coming to visit them for awhile. Charlie Oakley creates quite a stir and charms the ladies' club, as well as the bank President where his brother-in-law works. Young Charlie begins to notice some odd behavior on his part, such as cutting out a story in the local paper about a man who marries and then murders rich widows. When two strangers appear asking questions about him, she begins to imagine the worst about her dearly beloved Uncle Charlie.Written by
The Screen's Sensational Emotional Star....and the Master Director of "Rebecca", "Suspicion"...uniting their rare talents in the trill-shattering story of a girl in terror of her secret life! (Print Ad- Pittsburgh Post-Gazette, ((Pittsburgh, Penna.)) 29 January 1943) See more »
The Italian dubbing of this movie was made in Spain during World War II. Since no young Italian actors were available, the two youngest members of the Newton family ended up with very noticeable Spanish accents. See more »
When Charlie is leaving the bank president's office Mr. Green is in the background standing behind his desk. He is striped with Venetian blind shadows and his chair has a low rounded back. A moment earlier a close up of Mr. Green shows no such shadows and his chair has a high squarish back. See more »
Poor Mother. She works like a dog. Just like a dog.
Where is she?
She's out. When she comes back, it'll be the same thing. Dinner, then dishes, then bed. I don't see how she stands it.
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The Merry Widow Waltz
Music by Franz Lehár
In the score throughout the movie See more »
Joseph Cotten in One of His Finest Performances
A young woman (Teresa Wright) discovers her visiting "Uncle Charlie" (Joseph Cotten) may not be the man he seems to be.
This is classic Hitchcock, and one of Joseph Cotten's finest roles, which is quite a compliment considering how great Cotten is/was. He is dark, misanthropic, misogynistic, and keeps you guessing. That is the beauty of this film: you will debate with yourself Charlie's true identity (maybe he really is who he says he is).
The film has a good deal of suspense, and solid performances from everyone involved. I do not think this is one of Hitchcock's most well-known films, and I am sorry about that. For me, it ranks above "Rebecca" in his catalog. Really a fine film and worth seeing again.
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